Displaying items by tag: Severin Films

We’ve got a trio of new disc reviews for you to enjoy this afternoon, including…

Tim’s take on Russ Meyer’s Motorpsycho (1965) in 4K Ultra HD from Severin Films.

Stuart’s look at John and Roy Boulting’s Heavens Above! (1963) on Blu-ray from Kino Lorber Studio Classics.

And Dennis’ thoughts on Billy Ray’s Shattered Glass (2003) on Blu-ray from Imprint Films and Via Vision Entertainment.

In release news today, Warner Bros. Discovery Home Entertainment has begun taking pre-orders on the Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook release of Zach Lipovsky and Adam Stein’s Final Destination: Bloodlines (2025), which we hear is a pretty solid entry in the franchise. The street date is still TBA, but you should be able to find listings on all the major retail sites.

It appears that the Warner Archive Collection’s recently-announced 4K Ultra HD release of Charles Walters’ VistaVision classic High Society (1956) has been delayed slightly from May until June, though we expect pre-orders for the title to appear soon on Amazon and elsewhere. [Editor’s Note: I’ve just confirmed with WAC that the street date for this title has now shifted from 5/17 to 6/10 to what should be the final date of 6/24. And I’m told the 4K image is a knock-out.]

As we’ve reported previously, the film has been remastered from new 13.5K scans of the original VistaVision negative. The 4K disc will include Dolby Vision HDR on a 100GB disc, with disc authoring and compression by Fidelity in Motion. The remastered film will also be included in the package on Blu-ray, a BD-50. [Read on here...]

We’ve done a bunch of updating here at The Bits today, including our 4K Ultra HD Release List, which should now be up to date with all the latest announcements, details, and pre-order links.

We’ve also just done our weekly update of the Release Dates & Artwork section here at the site (thanks to our own Russell Hammond for that) which includes all the latest Blu-ray, DVD, and 4K UHD cover artwork and Amazon.com pre-order links.

As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at the site and we really do appreciate it!

Now then, the big news today is that Warner Bros. Discovery Home Entertainment has finally officially announced the 4K Ultra HD release of Richard Donner’s Lethal Weapon (1987) on 6/24. [Read on here...]

We’ve got SIX more new disc reviews for you all to enjoy today, including...

Dennis’ reviews of Stanley Donen’s Arabesque (1966) in 4K Ultra HD and Dick Powell’s The Conqueror (1956) on Blu-ray, both from Kino Lorber Studio Classics, as well as Ryan Kruger’s Street Trash (2024) on Blu-ray from Vinegar Syndrome, and Jonathan Mostow’s Breakdown (1997) in 4K Ultra HD from Paramount Home Entertainment (the 4K reviews with an A/V assist by Tim).

And Tim’s reviews of the third title in Arrow Video’s Shawscope: Volume Two Blu-ray box set—Disciples of the 36th Chamber (1985)—and also Bob Clark’s Murder by Decree (1979) in 4K Ultra HD from Kino Lorber Studio Classics.

Speaking of Arrow Video, the company has just announced its June slate of Blu-ray and 4K titles, which includes Rowdy Herrington’s Road House (1989) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/2, Joseph Sargent’s The Taking of Pelham One Two Three (1974) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/9, Dominic Sena’s Swordfish (2001) on 4K UHD + Blu-ray (in the UK, US, and Canada) on 6/9, Peter Weir’s Witness (1985) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/16, and Alex Proyas’ Dark City (1998) on Blu-ray and 4K UHD + Blu-ray (in the UK, US, and Canada), Yoshiyuki Kuroda’s The Invisible Swordsman (1970) on Blu-ray (in the UK, US, and Canada), and Sergio Leone’s The Good, the Bad, and the Ugly (1966) on Blu-ray and 4K UHD + Blu-ray (in the UK only) all on 6/23. [Read on here...]

We have more new disc reviews to share here at The Bits today, including...

Tim’s look at Kenji Kamiyama’s animated The Lord of the Rings: The War of the Rohirrim (2024) in 4K Ultra HD from Warner Bros, and Greg Ford and Terry Lennon’s Daffy Duck’s Quackbusters (1988) on Blu-ray from the Warner Archive Collection.

My review of Edward Zwick’s Legends of the Fall: 30th Anniversary (1994) in 4K Ultra HD from Sony Pictures Home Entertainment, featuring a stunning restoration of John Toll’s magnificent cinematography and a great Atmos mix as well.

Stuart’s reviews of Henry Hathaway’s The Lives of a Bengal Lancer (1935) on Region B Blu-ray from Indicator, and Michel Brault’s Orders (1974) on Blu-ray from Canadian International Pictures and Vinegar Syndrome.

And finally, Stephen’s look at Stephan Elliott’s The Adventures of Priscilla, Queen of the Desert (1994) in 4K Ultra HD from the good people at Via Vision’s Imprint Films.

As always, more reviews are on the way here at the site, so be sure to keep checking back for them.

Also today, we’ve posted our latest update of our Release Dates & Cover Artwork section here at The Digital Bits, featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. Don’t forget that anytime you order from Amazon through our links, you’re helping to support our work here at The Bits and we really appreciate it! [Read on here...]

Our new disc review for today is none other than Stephen’s look at Wolfgang Petersen’s The NeverEnding Story (1984) in a terrific new 4K Ultra HD Limited Edition box set from our friends at Via Vision’s Imprint Films label. The 5-disc set has been released to honor the film’s 40th anniversary and includes multiple cuts of the film plus the 2024 Life After The NeverEnding Story documentary. And it comes in a package that replicates the book as seen in the film. It’s pretty special, so do give Stephen’s thoughts a look here.

Now then... the big news today is that Severn Films has just announced the Blu-ray and 4K Ultra HD release of two more classic Russ Meyer films, including Motorpsycho (1965) and Up! (1976). Pre-orders start today, with the street date set for 4/29. Each has been scanned from the original camera negatives. Look for HDR10 on the 4K discs with mono audio, plus new and archival special features that include audio commentaries and more.

Shout! Factory has begun announcing its April slate, which will include Chris McKay’s Renfield (2023) in 4K Ultra HD, Paul Briganti’s Please Don’t Destroy: The Treasure of Foggy Mountain (2023) on Blu-ray, and Mamoru Hosoda’s Summer Wars (2000) on both Blu-ray and 4K Steelbook (the latter for GKids) on 4/1, followed by Carol Frank’s Sorority House Massacre (1986) on 4K + BD on 4/8, Craig Zobel’s The Hunt (2020) on 4K on 4/22, and Peter Hyams’ Timecop (1994) on 4K + Blu-ray on 4/29. [Read on here...]

Afternoon, everyone! We’ve got some great breaking news to report here at The Bits today, but first we’ve got more new disc reviews to share with you as always...

Dennis has taken a look at Stephen Frears’ The Grifters (1990) on Blu-ray from the Criterion Collection, as well as Bob Rafelson’s Mountains on the Moon (1990) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his thoughts on Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome, as well as Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics and StudioCanal.

Tim has reviewed Russ Meyer’s Supervixens (1975) in 4K Ultra HD from Severin Films.

And Stephen has given the complete In the Line of Duty I-IV Blu-ray box set a look from 88 Films.

I’ve also gotten my hands on Lionsgate’s new Quentin Tarantino Lionsgate Limited 4K Steelbooks, and I’ll have a review of each of them very soon, starting with Jackie Brown (1997) later today. To give you a tease, the new 4K presentations are terrific, particularly Jackie Brown which is a full 4K scan of original camera negative. But more on those soon.

Now then, as I noted a moment ago, we’ve got great breaking news to report today, starting with the fact that Warner Bros. Discovery Home Entertainment has just made Miloš Forman’s Amadeus official for release in 4K Ultra HD on 2/25. [Read on here...]

We have a lot of ground to cover today to close out the first partial week of 2025, starting with more new disc reviews...

First up, Tim has taken a look at Russ Meyer’s Vixen! (1968) in 4K Ultra HD from the good folks at Severn Films, and he’s also reviewed Marco Brambilla’s Demolition Man (1993) in 4K from Arrow Video.

Dennis has turned in his thoughts on Alan Crosland’s The Beloved Rogue (1927) on Blu-ray from Kino Classics.

Stuart has checked in with his take on Ted Hooker, Jack Cardiff, and Freddie Francis’ Cruel Britannia (1971-1974) on Blu-ray from Vinegar Syndrome, as well as Kinji Fukasaku’s The Threat (1966) on Blu-ray from Arrow Video, and Jules Dassin’s Topkapi (1964) on Blu-ray from Kino Lorber Studio Classics.

And finally, Stephen has offered his reviews of Corey Yuwn’s Yes, Madam! (aka In the Line of Duty II) (1985) and Arthur Wong and Brandy Yuen’s In the Line of Duty III (1988) each on Blu-ray from 88 Films, as well as Michael Schaack’s animated but rarely-seen classic Felidae (1994) in 4K Ultra HD from Deaf Crocodile Films.

As always, more reviews are on the way next week, so be sure to keep your eyes peeled for them.

Now then, we have a bunch of release news and official title announcements to share with you today, so let’s dive right in...

First, Universal Studios Home Entertainment has officially set Jon M. Chu’s Wicked: Part One (2024) for Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook release on 2/4. The 4K disc will feature Dolby Vision HDR and Dolby Atmos audio, and all the SKUs will include over an hour of bonus features, including deleted and extended scenes, audio commentary with the director, a second audio commentary with stars Cynthia Ervio and Ariana Grande, the Making Wicked documentary, and a sing-along viewing option for the film. You can see the final cover artwork at left and also below the break. [Read on here...]

We’ve got more new disc reviews for you today here at The Bits and some great release news as well to close out the week. So let’s get right into it...

First up, I’ve posted my review of James Cameron’s The Terminator (1984) in 4K Ultra HD from MGM and Warner Bros. It’s the best AI remaster yet from Lightstorm and Park Road Post, not to mention one that I think is going to pleasantly surprise a lot of people. (Hint: There’s grain.) BTW, I’m also working on my review of Alfred Hitchcock’s North by Northwest (1959) in 4K, which I expect to share over the next 24 hours or so, so be sure to keep checking back. And Mel Brooks’ Blazing Saddles (1974) will follow shortly after that.

Tim has turned in his thoughts of Alexandre Aja’s Crawl (2019) in 4K UHD from the Paramount Scares: Volume 1 box set. He’s also taken a look at Lindsay Shonteff’s The Million Eyes of Sumuru (1967) in 4K from Blue Underground. And he’s reviewed Monk: Season One (2002) on Blu-ray from Kino Lorber Studio Classics as well today.

Stephen has taken a look at Elia Kazan’s On the Waterfront (1954) in 4K UHD from the new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Sam has given Philippe Mora’s Howling II: Your Sister Is a Werewolf (1985) and Chih-Hung Kuei’s Corpse Mania (1981) a look in 4K UHD from Vinegar Syndrome.

And finally, Stuart has offered his take on John “Bud” Cardos’ Kingdom of the Spiders (1977) on Blu-ray from Kino Cult, as well as Fritz Lang’s You and Me (1938) on Region B Blu-ray from Powerhouse Films’ Indicator label. [Read on here...]

We have no less than six new disc reviews for you today, including...

Stephen’s look at Dario Argento’s Opera (1987) in limited edition 4K Ultra HD from Severin Films.

Stuart’s take on Jean Negulesco’s Jessica (1962) on region-free Blu-ray from Imprint and Via Vision, as well as Fernando Di Leo’s Madness (1980) on Blu-ray from Raro Video and Kino Lorber.

Dennis’ thoughts on Curtis Bernhardt’s Conflict (1945) and George Stevens’ I Remember Mama (1948) on Blu-ray from the Warner Archive Collection.

And Tim’s look at James Signorelli’s Elvira: Mistress of the Dark (1988) in 4K Ultra HD from Arrow Video.

Note that we have several more reviews coming tomorrow that are specifically Halloween-themed. And watch for more on Friday and over the weekend.

Now then, the big news today is that Sony Pictures Home Entertainment has just set Seinfeld: The Complete Series for release on 4K Ultra HD and Blu-ray on 12/17 in honor of the series’ 35th anniversary! And here’s the cool part: while the Blu-ray will feature the episodes reframed in 1.78:1, the limited edition 4K set will feature them in the original 1.33:1 broadcast ratio. [Read on here...]

All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s 8½ (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]