Displaying items by tag: A24

All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s 8½ (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]

We start as always today with more new disc reviews, including…

Stephen’s look at Jonathan Demme’s Last Embrace (1979) in 4K Ultra HD from Vinegar Syndrome’s excellent Cinématographe line, as well as John Waters’ Cry-Baby (1990) in 4K Ultra HD from Kino Lorber Studio Classics.

Stuart’s reviews of Andrzej Żuławski’s L’important c’est d’Aimer... (1975) on Blu-ray from Film Movement via Vinegar Syndrome, along with John Guillermin’s The Whole Truth (1958) on Blu-ray from Powerhouse Films’ Indicator label.

And Dennis’ take on Boaz Yakin’s Fresh (1994) on Blu-ray from Via Vision’s Imprint Films.

Now then, there’s some exciting release news for us to share with you today, but first we want to take a moment to clear up some confusion: The Warner Archive Collection is still the Warner Archive Collection!

Many of you have probably seen that their Facebook page was suddenly rebranded as Warner Classics (click here for the link). But rest assured, the Warner Archive Collection remains! Warner is simply trying to unite all of its “classic film” marketing activity in one social media space. So while the Warner Archive Collection remains the core of this page, you’ll also learn here about forthcoming classic film releases on Blu-ray and 4K UHD from the studio proper, as well as theatrical screening activity, and the like. So everyone can relax—Warner Archive has not disappeared!

In fact, Warner Archive has just shared some excellent release news: The Looney Tunes Collector’s Choice: Volume 4 Blu-ray is officially coming on 11/26! You can see their official Facebook post here. Details of the actual shorts the set will include are yet to be announced, but the release is definitely now in production. Great news indeed! [Read on here...]

We’re back today with some release news as well as a bunch more new disc reviews, including...

My take on Alex Garland’s Civil War (2024) in 4K Ultra HD from A24 and Lionsgate, a film I didn’t even want to see but that I ended up really impressed with, that also happens to be the most demo-worthy 4K release since Dune: Part Two, Oppenheimer, and Top Gun: Maverick. It also has a terrific documentary from our old friend Charles de Lauzirika, so it’s well worth your time.

Stephen’s thoughts on Abel Ferrara’s Bad Lieutenant (1992) in 4K Ultra HD from Kino Lorber Studio Classics, as well as the Wachowskis’ Bound (1996) in 4K Ultra HD from Criterion.

Dennis’ review of Sidney J. Furie’s The Lawyer (1970) and Frank Tuttle’s The Hour Before Dawn (1944) on Blu-ray from Kino Lorber Studio Classics.

And finally, Tim’s look at J. Lee Thompson’s Death Wish 4: The Crackdown (1987) and Allan A. Goldstein’s Death Wish V: The Face of Death (1994) on Blu-ray also from KL Studio Classics.

We definitely have more reviews cooking at The Bits, but with the 4th of July holiday here in the States falling on a Thursday (tomorrow) this year, we’re giving everyone the next few days off to recharge with their families. So we’ll be back on Monday with more new reviews and—we would imagine—plenty of breaking release news too.

In announcement news today, Kino Lorber Studio Classics has revealed that Ralph S. Singleton’s Graveyard Shift (1990) is coming soon to 4K Ultra HD. Also newly-revealed as coming soon to Blu-ray is Willard Juyck’s Best Defense (1984). [Read on here...]

Our second news update of the day starts with a little bit of breaking news: Paramount has just made David Zucker, Jim Abrahams, and Jerry Zucker’s Top Secret! (1984) and David Fincher’s Zodiac (2007) available in 4K Digital on Apple TV, Vudu, Kaleidescape, and more. Given the amount of effort Fincher puts into his remasters, we believe it’s safe to assume that Zodiac will be coming to physical 4K Ultra HD from Paramount sooner than later as well.

Zodiac, it should be remembered, was shot mostly in 10-bit RAW in 1080p HD (4:4:4) using the Thomson Viper FilmStream camera, along with some footage in 35 mm photochemical film (Super 35 format). But anyone who doubts that it could look great upscaled and remastered in 4K would do well to take a look at HBO’s Game of Thrones: The Complete First Season in 4K UHD (which we’ve reviewed here). The advantages of high data rate and low compression, combined with an HDR grade, could really make a difference. Zodiac in particular was very well lit and photographed. Personally, I’m eager to get a look at it.

Also today, Arrow Video has announced their August slate, which includes a UK-only 4K Ultra HD release of Michael Lehmann’s Heathers (1988) on 8/5, followed by a slew of titles on 8/26. Among them are Robert Rodriguez’s Desperado (1995) in 4K Ultra HD and The Mexico Trilogy box set (both in the UK, US, and Canada), which includes El Mariachi (1992) and Once Upon a Time in Mexico (2003) in Blu-ray, as well as the Desperado 4K. [Read on here...]

We’re starting this week off with a pair of major new disc reviews here at The Bits...

Stephen has taken a deep dive into Jonathan Demme’s legendary concert film, Stop Making Sense (1984), newly-restored in 4K Ultra HD and available exclusively from the A24 online shop. This is arguably the greatest concert film ever produced, featuring the music of Talking Heads and the cinematography of Jordan Cronenweth (he shot this right after completing work on Blade Runner and Buckaroo Banzai).

I’ve also finished my in-depth review of Denis Villeneuve’s magnificent Dune: Part Two (2024) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment. It’s an epic pure-cinema masterpiece and, along with Dune: Part One, rightly takes its place alongside Stanley Kubrick’s 2001 and Ridley Scott’s Blade Runner as one of the greatest science fiction films of all time. And while one could pick a few nits with Warner’s 4K release, the A/V quality is demo-worthy.

Both films are absolutely not to be missed on disc, so be sure to give the reviews a look. And more reviews are on the way this week, so be sure to watch for those.

In release news today, the big item worth mentioning is that Paramount has just set Alexander Payne’s Election (1999) for release on 4K Ultra HD on 7/30 as a new Paramount Presents title. You can see the cover artwork at left. [Read on here...]

We have a big new disc review for you here at The Bits: Stephen has just taken an in-depth look at the Japanese-import version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD from Toho. I should not there that there are no English subtitles, but the package is pretty spectacular.

We don’t yet know when the film will be released on disc here in the States, but we’re digging into it and hope to learn more soon.

Meanwhile, we also have more new disc reviews up for you today, including...

Stuart’s reviews of Yūzō Kawashima’s Elegant Beast (1962) on Blu-ray from Daiei via Radiance Films, Jean Renoir’s The Golden Coach (1952) on Blu-ray via Raro Video, and André Melançon’s The Dog Who Stopped the War (1984) on Blu-ray from Vinegar Syndrome.

Dennis’ thoughts on Lou Breslow’s You Never Can Tell (1951) on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s look at the Disney+ series Moon Knight: The Complete First Season (2022) in 4K Ultra HD from Marvel and Buena Vista Home Entertainment.

In terms of announcement news today, Warner Bros. Discovery Home Entertainment and Legendary Pictures have officially set Adam Wingard’s Godzilla x Kong: The New Empire (2024) for Blu-ray, DVD, and 4K Ultra HD release on 6/11, with the Digital release expected on 5/14. Both the Blu-ray and 4K will feature Dolby Atmos. [Read on here...]

We’re closing out the week here at The Bits with a bunch of release news and more new disc reviews as well. The reviews include...

Tim’s take on Rocky Morton & Annabel Jankel’s Super Mario Bros. (1993) in 4K Ultra HD from Umbrella Entertainment—the deluxe Trust the Fungus edition.

Stuart’s look at Hal Ashby’s Coming Home (1978) on Blu-ray from Kino Lorber Studio Classics, as well as his review of Kino Lorber’s Homicide Hills: The Complete Series on DVD.

And Dennis’ reviews of Frank Lloyd’s Blood on the Sun (1945) and Alfred L. Werker and Anthony Mann’s He Walked by Night (1948), both on Blu-ray also from Kino Lorber Studio Classics.

Also, just to let you know, we’ve been sharing some additional content for our supporters over on Patreon, including essays on Godzilla Minus One’s visual effects Oscar win and the difficulty in creating or evaluating home video transfers for film, along with an exclusive tease about a trio of forthcoming 4K Ultra HD catalog titles that are in the works for later this year, my in-depth film review of Denis Villeneuve’s Dune: Part Two, and a little behind-the-scenes on a visit with some friends of The Bits who just so happen to have been involved with the Star Trek franchise for over 38 years.

Supporting The Bits on Patreon is a really great way to help us keep the site going, and doing so makes it possible for us to continue our work in support of physical media and disc fans everywhere. So please consider joining us there! [Read on here...]

There’s some good title announcement news to report today, including a long-awaited music release.

But first, we wanted to let you all know that the 3/12 James Cameron 4K titles—The Abyss (1989), True Lies (1994), and Aliens (1986)—are finally available for pre-order on Amazon. And while they currently show full price, the usual 30% off discount should be applied soon. (Anyone who pre-orders now will get that discount when it is finally applied.)

Also now available for pre-order on Amazon is John Guillermin’s King Kong (1975) in 4K Ultra HD Steelbook from Paramount. This is a title that’s been available for a couple of years in the UK from StudioCanal, but it’s finally coming to the US. The film stars Jessica Lange, Jeff Bridges, Charles Grodin, and René Auberjonois (of Star Trek: Deep Space Nine fame).

Click on the title links above to find their respective pre-order pages (and as always, whenever you order literally anything from Amazon after clicking to them through our links, you’re helping to support our work here at The Bits and we appreciate it).

Now then, the big announcement news today is that A24 is finally taking pre-orders for Jonathan Demme’s remastered Stop Making Sense (1984) in A24 Shop-exclusive Blu-ray and 4K Ultra HD Collector’s Editions. Both will include Dolby Atmos audio and the original stereo mix, plus extras (including a 25-minute documentary and 2 bonus tracks—Cities and Big Business/I Zimbra) as well as a 64-page booklet. The 4K will also include Dolby Vision HDR. The title is expected to ship in sometime in May. You can find the pre-order page here. We don’t yet know if there will be a wide-release version eventually, though one is certainly possible. [Read on here...]

All right, if you thought yesterday’s post was busy with news, we’ve got another banger for you here today! But first, the day’s disc reviews...

Stuart has offered his thoughts on Henri Verneuil’s I... for Icarus (1979) on Blu-ray from Kino Lorber Studio Classics.

Dennis has reviewed Neil Burger’s The Marsh King’s Daughter (2023) on Blu-ray from Lionsgate.

And just one more thing... Tim has delivered his take on Kino Lorber Studio Classics’ new Columbo: The 1970s – Seasons 1-7 Blu-ray box set as well. Enjoy!

Now then, a quick note: All of the Criterion Collection April titles we shared the cover artwork for in yesterday’s post now have Amazon pre-order links, though the actual pre-orders have yet to begin. But that should happen very soon. We’ve added the links to our 4K Ultra HD Release List here at The Bits as well.

We’re starting today with exciting news for music, concert film, and Talking Heads fans: A24 is going to begin pre-orders for their forthcoming 4K Ultra HD and Blu-ray Collector’s Edition release of Jonathan Demme’s Stop Making Sense (1984) on 1/27. The official street date and other details are still TBA. And per Variety, the film will return to IMAX theaters around the country that same day for month-long residence screenings. You can read more here.

Following up on yesterday’s news column, Warner Bros. Discovery Home Entertainment and DC have just officially announced the Blu-ray, DVD, and 4K Ultra HD release of James Wan’s Aquaman and the Lost Kingdom on 3/12. The Digital release will be available on 1/23. Extras on all versions will include 7 featurettes (Finding the Lost Kingdom, Aquaman: Worlds Above and Below, It’s a Manta World, Necrus, the Lost Black City, Escape from the Deserter World, Brawling at Kingfish’s Lair, and Oh TOPO!). To this, the Digital version will add the exclusive Aquaman Through Fire and Water motion comic. And the Blu-ray and 4K Ultra HD will also add the exclusive Atlantean Blood Is Thicker Than Water featurette. Note that the 4K Ultra HD will also feature Dolby Vision HDR and Dolby Atmos audio. You can see the cover artwork at left and also below. [Read on here...]

All right, I’d like to start today’s post out by saying a big thank you to everyone who’s signed up to support our Digital Bits Patreon, or expressed the intent to do so soon, or made a PayPal donation, or simply sent us good wishes. Thanks also to those among you who are using our Amazon affiliate links whenever you shop or pre-order new Blu-ray and 4K titles. The overall response has been very encouraging and very understanding, and we appreciate each and every one of you. So thank you!

Now then, we’re going to catch up on some news, plus we’ve got a bunch of new disc reviews for you here, and then I’m going to spend the next few days working on a few Blu-ray and 4K reviews myself. But first, here are some reviews our team has posted for you all to enjoy in the last few days...

Stuart has chimed in with reviews of Henry Hathaway’s Nevada Smith (1966), John Cassavetes’ Gloria (1980), and Ida Lupino’s Outrage (1950) all on Blu-ray from Kino Lorber Studio Classics, François Ozon’s Everything Went Fine (2021) on Blu-ray from Cohen Media Group, and John Mackenzie’s Unman, Wittering and Zigo (1971) on Blu-ray from Arrow Video.

Dennis has offered his thoughts on Dorothy Arzner’s Christopher Strong (1933) on Blu-ray from the Warner Archive Collection, Harley Cokeliss’ Malone (1987) on Blu-ray from Kino Lorber Studio Classics, Chalit Krileadmongkon and Pakphum Wongjinda’s Creepy Crawly (2022) on Blu-ray from Well Go USA, and Brian Paulin’s At Dawn They Sleep (2000) on Blu-ray from Saturn’s Core and Vinegar Syndrome.

Stephen has taken an in-depth look at Louis Malle’s Pretty Baby (1978) on Blu-ray from Kino Lorber Studio Classics, Godfrey Ho’s Undefeatable (1993) on 4K Ultra HD from Vinegar Syndrome, and Allen Plone’s Night Screams (1987) also in 4K Ultra HD from Vinegar Syndrome.

And Tim has reviewed Brendon Small and Tommy Blacha’s direct-to-video animated finale Metalocalypse: Army of the Doomstar (2023) on Blu-ray from Adult Swim and Warner, as well as Amy Holden Jones and Deborah Brock The Slumber Party Massacre (1982) and The Slumber Party Massacre II (1987) in 4K Ultra HD from Scream Factory. [Read on here...]