Displaying items by tag: Kino Lorber Studio Classics

We’re starting the week today here at The Bits with a few more new disc reviews from the team, including...

Stuart’s look at Christian-Jaque’s The Black Tulip (1964) on Blu-ray from Kino Lorber Studio Classics.

Tim’s take on Piers Haggard’s Venom (1981) in 4K Ultra HD from Blue Underground.

And Stephen’s thoughts on Arthur Penn’s Night Moves (1975) in 4K Ultra HD from Warner Bros. via the Criterion Collection, a film that stars the late Gene Hackman.

More reviews are on the way all this week, so be sure to check back for them.

In announcement news this afternoon, Kino Lorber Studio Classics has revealed that Kenneth Branagh’s Dead Again (1991) is coming soon to 4K UHD.

Warner Bros. Discovery Home Entertainment and Cartoon Network have set the animated Ben 10: The Complete Collection for DVD only release on 5/13. [Read on here...]

All right, we’ve had a big week here at The Bits. As you can probably tell, I’ve spent most of the week checking in with studio and industry sources, which led to yesterday’s scoop on Tombstone coming to 4K Ultra HD next month. And trust me when I tell you that there’s a lot more great 4K catalog news to come in the months ahead. Given that we’ve been a part of—and reporting on—the home entertainment industry for more than twenty-eight years, I can confidently promise you that we have the best sources in this industry period. So when it comes to confirmed and reliable breaking news, you’re likely to hear about it first here at The Digital Bits.

Given that reality, I would highly recommend that you follow us on social media, which is where we tend to post breaking news first. As the editor-in-chief of The Bits, you’ll find me here on X, Facebook, and Bluesky. You’ll find The Digital Bits on X, Facebook, and Bluesky as well. And you can also find Tim (X, Facebook, and Bluesky) and Stephen (X, Facebook, and Bluesky) on all three social platforms too.

What’s more, if you’re not already a subscriber of our Digital Bits Patreon, please consider doing so! There are very affordable options for subscribing, it’s a great way to support our work here at the site, and we’re offering our Patreon supporters additional news posts, video blogs, the option to ask us questions regularly, and sneak peeks at upcoming titles. Whether you’ve been a Bits reader since the very beginning of the website back in 1997, or you’ve just come to learn of us with 4K Ultra HD, we work our asses off here every day to make your experience of physical media better, to encourage the studios to release great catalog titles, and help support fans of physical media and the industry at large. Regular reader or not, if you’re an avid disc fan you have definitely benefited from our efforts over the years. So if you value that, supporting us on Patreon is a great way to help make sure that we can keep doing this work on behalf of you and everyone who loves movies, TV shows, and music on disc. We’re building a great community over there and we’d love for you all to be a part of it! [Read on here...]

We’ve got one more new disc review to round out the week here at The Bits this afternoon...

Dennis has taken a look at Robert Day’s Two-Way Stretch (1960) on Blu-ray from Kino Lorber Studio Classics, a classic heist caper starring Peter Sellers.

The big release news today is that our friends at The Criterion Collection have just announced their June slate, which is absolutely fantastic! Look for 4K Ultra HD upgrades of Terry Gilliam’s Brazil (1985) (Spine #51) and Paul Schrader’s Mishima: A Life in Four Chapters (1985) (Spine #432) on 6/3, followed by Sidney Lumet’s The Wiz (1978) (Spine #1264) in 4K UHD and Blu-ray on 6/10, Charlotte Zwerin’s Thelonious Monk Straight, No Chaser (1988) (Spine #1265) and Mitchell Leisen’s Midnight (1939) (Spine #1266) both on Blu-ray on 6/17, and François Girard’s Thirty Two Short Films About Glenn Gould (1993) (Spine #1268) and William Friedkin’s Sorcerer (1977) (Spine #1267) in 4K Ultra HD and Blu-ray on 6/24. Of these, Brazil, The Wiz, and Sorcerer will have Dolby Vision HDR. You can read more here and you can see the cover art for these above left and also below the break. [Read on here...]

We have more new disc reviews to share here at The Bits today, including...

Tim’s look at Kenji Kamiyama’s animated The Lord of the Rings: The War of the Rohirrim (2024) in 4K Ultra HD from Warner Bros, and Greg Ford and Terry Lennon’s Daffy Duck’s Quackbusters (1988) on Blu-ray from the Warner Archive Collection.

My review of Edward Zwick’s Legends of the Fall: 30th Anniversary (1994) in 4K Ultra HD from Sony Pictures Home Entertainment, featuring a stunning restoration of John Toll’s magnificent cinematography and a great Atmos mix as well.

Stuart’s reviews of Henry Hathaway’s The Lives of a Bengal Lancer (1935) on Region B Blu-ray from Indicator, and Michel Brault’s Orders (1974) on Blu-ray from Canadian International Pictures and Vinegar Syndrome.

And finally, Stephen’s look at Stephan Elliott’s The Adventures of Priscilla, Queen of the Desert (1994) in 4K Ultra HD from the good people at Via Vision’s Imprint Films.

As always, more reviews are on the way here at the site, so be sure to keep checking back for them.

Also today, we’ve posted our latest update of our Release Dates & Cover Artwork section here at The Digital Bits, featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. Don’t forget that anytime you order from Amazon through our links, you’re helping to support our work here at The Bits and we really appreciate it! [Read on here...]

We’ve got several new disc reviews for you to enjoy here at The Bits today, including...

My thoughts on Anthony Harvey’s The Lion in Winter (1968) in 4K Ultra HD from StudioCanal, as well as Wes Ball’s Kingdom of the Planet of the Apes (2024) in 4K Ultra HD from 20th Century Studios.

Stuart’s look at Mitchell Leisen’s The Lady Is Willing (1942) on Region B Blu-ray from Powerhouse Films’ Indicator label.

And Stephen’s take on David Twohy’s Below (2002) in 4K Ultra HD from Kino Lorber Studio Classics.

More reviews are forthcoming all this week, so be sure to keep your eyes peeled for them.

In announcement news today, Kino Lorber Studio Classics has officially set John Frankenheimer’s Prophecy (1979) for 4K Ultra HD release on 5/20. As expected, the company has also revealed that Ken Finkleman’s Airplane II: The Sequel (1982) is coming soon to 4K UHD.

Sony Pictures Home Entertainment has just set Starman (1984) for 4K Ultra HD Steelbook release on 5/27. Previously the disc has only been available on the format in the Columbia Classics 4K Ultra HD Collection: Volume 4 box set, released in early 2024. You can read our review of that disc here at The Bits now. [Read on here...]

We’re closing out the week here at The Bits with a trio of new disc reviews, including...

Tim’s review of Alfred Sole’s Alice, Sweet Alice (1976) in 4K Ultra HD from Arrow Video.

Stephen’s review of Howard Hawks’ Hatari! (1962) in 4K Ultra HD from Kino Lorber Studio Classics.

And Stuart’s review of Bruce Weber’s Let’s Get Lost (1988) on Blu-ray from Kino Classics.

Also today, our friends at Vinegar Syndrome have revealed a number of new March Blu-ray and 4K titles, including Richard Loncraine’s Brimstone & Treacle (1982) in 4K Ultra HD + Blu-ray (with Dolby Vision), a double-feature Blu-ray of Hung-Chuen Lau’s Devil Fetus (1983) and Ngai Choi Lam’s Her Vengeance (1988), Forgotten Gialli: Volume Eight on Blu-ray—which includes Alberto Negrin’s Rings of Fear (1978), Tano Cimarosa’s Reflections in Black (1975), and Demofilo Fidani’s A.A.A. Masseuse, Good-Looking, Offers Her Services (1975)—Miguel Angel Martinez’s 38 Especial (1992) on Blu-ray from Degausser Video, Gene Saks’s Last of the Red Hot Lovers (1972) on Blu-ray from Cinématographe, and Peter Greenaway’s The Belly of an Architect (1987) on Blu-ray from Vinegar Syndrome Labs. All are set to ship later this month. [Read on here...]

We’ve got some great announcement news to report here at The Digital Bits today, at the start of a new week...

First of all, our friends at Kino Lorber Studio Classics have begun announcing new 4K Ultra HD catalog titles licensed from Paramount, which so far include Stephen Surjik’s Wayne’s World 2 (1993) and Peter and Bobby Farrelly’s Kingpin (1996). We also expect Ken Finkleman’s Airplane II: The Sequel (1982) to be revealed soon as well. All are reported to be “coming soon” and we expect more titles to be revealed in the weeks ahead.

While we’re talking KL Studio Classics, we’ve learned that their already announced 4K release of Dante’s Peak (1997) has been delayed from its original 2/11 street date to 5/27. So adjust your plans accordingly.

Meanwhile, Paramount has officially set Star Trek: Section 31 (2025) for Blu-ray, DVD, 4K Ultra HD Steelbook, and Digital release on 4/29. Extras will include 5 featurettes (Art Squad, Alpha Squad, Stunts Squad, Gear Squad, and Georgiou) as well as a gag reel. (Though based on the reviews, the entire film may as well be a gag reel.) The Blu-ray SKUs will include Dolby Atmos audio.

Neon has set Steven Soderbergh’s Presence (2024) for Blu-ray, DVD, and 4K Ultra HD release on 5/20. [Read on here...]

We have two more new disc reviews for you today here at The Bits...

Stuart’s look at A Man Called Shenandoah: The Complete Series (1965-66) on Blu-ray from the Warner Archive Collection.

And Dennis and Tim have taken a look at Guillermo del Toro’s Cronos (1992) in 4K Ultra HD from Criterion.

The big news today is that Arrow Video has just unveiled their full Blu-ray and 4K Ultra HD release slate for May, which is set to include D.W. Medoff’s I Will Never Leave You Alone (2023) on Blu-ray (in the UK only) on 5/5, Robert Wise’s The Andromeda Strain (1971) in 4K Ultra HD (in the US, UK, and Canada) on 5/13, Jim Isaac’s Jason X (2001) and Adam Marcus’ Jason Goes to Hell (1993) both in 4K Ultra HD (in the US, UK, and Canada) on 5/20, Sergio Leone’s For a Few Dollars More (1965) on Blu-ray and 4K UHD (in the UK only) on 5/26, and Adilkhan Yerzhanov’s Steppenwolf (2024) on Blu-ray (in the US, UK, and Canada) on 5/27. [Read on here...]

We’ve got a bunch of new disc reviews up this week for your reading enjoyment here at The Bits, including...

My thoughts on Milos Forman’s Amadeus: Theatrical Cut (1984) in 4K Ultra HD from Warner Bros. as well as Ridley Scott’s Gladiator II (2024) in 4K Ultra HD from Paramount.

Tim’s reviews of Alfred Sole’s Alice, Sweet Alice (1976) and Robert Rodriguez’s The Mexico Trilogy (1992-2003) in 4K Ultra HD from Arrow Video, as well as The Project A Collection (1983-87) in 4K UHD from 88 Films.

Dennis’ looks at Dick Lowry’s Last Stand at Saber River (1997) on Blu-ray from the Warner Archive Collection and Melville Shavelson’s Houseboat (1958) on Blu-ray from Kino Lorber Studio Classics.

Stuart’s review of Gregory La Cava’s Gabriel Over the White House (1933) on Blu-ray from the Warner Archive Collection.

And finally, Sam Cohen’s take on Gillian Armstrong’s Little Women (1994) in 4K Ultra HD from Sony Pictures Home Entertainment. [Editor’s Note: There is apparently an audio issue with this disc that’s described in the review. Sony is aware of the problem and investigating. We’ll report back here once they figure it out and launch a disc replacement program.]

There aren’t a lot of new announcements to report today, but Kino Lorber Studio Classics has set Gary Sherman’s Vice Squad (1982) for 4K Ultra HD release on 5/13. [Read on here...]

We’ve got several new 4K and Blu-ray reviews for you all to enjoy today, including...

Stephen’s exhaustive and in-depth take on David Fincher’s Panic Room (2002) in 4K Steelbook from Sony Pictures Home Entertainment, as well as his thoughts on Peter R. Hunt’s Shout at the Devil (1976) on Blu-ray from Kino Lorber Studio Classics, and also Tobe Hooper’s Lifeforce (1985) in 4K Ultra HD from Arrow Video in the UK. And for the record, I think Stephen’s take on Panic Room is right on the money and well worth reading for 4K enthusiasts. (Especially you young whippersnappers who seem to think a 4K disc must be absolutely reference quality to have any value—gather ‘round, Professor Bjork is teaching class.)

My review of Sergio Leone’s Once Upon a Time in the West (1968) in 4K Ultra HD from Italy’s Eagle Pictures via their 4Kult line, a disc that features an encode optimized for a 100GB disc (and which is a notable improvement over the Paramount Presents 4K release).

Dennis thoughts on Carl Reiner’s Summer Rental (1985) on Blu-ray from Kino Lorber Studio Classics.

And finally Tim’s look at the excellent Tom and Jerry: The Complete CinemaScope Collection on Blu-ray from our friends at the Warner Archive Collection.

More reviews are on the way this week, including my thoughts on Gladiator II and Amadeus in 4K, Tim’s look at Arrow’s Mexico Trilogy in 4K, and more. So be sure to keep your eyes peeled for those.

In announcement news today, Warner Bros. Discovery Home Entertainment has now confirmed that non-Steelbook 4K versions of all the recent Clint Eastwood titles are due on 4/15 as well, including Dirty Harry (1971), The Outlaw Josey Wales (1976), and Pale Rider (1985). It looks like all three films will feature new Dolby Atmos mixes with HDR10 high dynamic range. You can see the Amaray covers below the break. [Read on here...]