Displaying items by tag: Imprint Films

Afternoon, Bits readers! We’re starting today with some more new disc reviews...

First up, I’ve taken a look at Lucasfilm and Disney’s new 4K Ultra HD release of The Mandalorian: The Complete Third Season (2023) which streets in Steelbook packaging tomorrow.

Also, Tim has given Clint Eastwood’s Play Misty for Me (1971) a look in 4K Ultra HD from Kino Lorber Studio classics.

And Tim has also reviewed the two new Looney Tunes Blu-ray releases from the Warner Archive Collection, including Volume 4 and a collected Volumes 1-4 edition.

More reviews are forthcoming all this week, so be sure to watch for them.

The big news today is that Vinegar Syndrome, over the weekend, sold out its entire 12,000-unit run of their just-announced 4K Limited Edition of Michael Mann’s The Keep (1983). That’s probably no surprise; the title has been a home entertainment holy grail for something like two decades. We do expect at some point that there will be a standard edition more widely available from the company. [Read on here...]

We’ve got more new disc reviews today to start the short Thanksgiving week out right here at The Bits. Among them are...

Stephen’s take on Fred Zinnemann’s A Man for All Seasons (1966) in 4K Ultra HD from Sony’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Tim’s review of Don Siegel’s Two Mules for Sister Sara (1970) in 4K Ultra HD from Kino Lorber Studio Classics, as well as his on-going film-by-film review of Arrow’s excellent Shawscope: Volume Two Blu-ray boxed set—today featuring his thoughts on Lau Kar-leung’s The 36th Chamber of Shaolin (1978).

And my review of Dean Parisot’s Galaxy Quest (1999) in 4K Ultra HD Steelbook from our friends at Paramount Home Entertainment.

We’ve all got a lot more reviews in the works here at the site as well, so be sure to check back. In fact, in the next 24 hours or so, I’ll have my reviews of Akira Kurosawa’s Seven Samurai (1954) in 4K from the BFI (as compared to the recent Criterion 4K release, which I reviewed here last week), as well as my thoughts on Fede Álvarez’s Alien: Romulus (2024) in 4K UHD from 20th Century Studios.

Also today, I wanted to let you that I just dropped my second My Two Cents: A Video Blog episode exclusively for our supporters on The Digital Bits’ Patreon page. It runs about 26 minutes and includes comments on new and recent 4K titles, a sneak peek of 2025 4K catalog titles, and more. [Read on here...]

We have no less than six new disc reviews for you today, including...

Stephen’s look at Dario Argento’s Opera (1987) in limited edition 4K Ultra HD from Severin Films.

Stuart’s take on Jean Negulesco’s Jessica (1962) on region-free Blu-ray from Imprint and Via Vision, as well as Fernando Di Leo’s Madness (1980) on Blu-ray from Raro Video and Kino Lorber.

Dennis’ thoughts on Curtis Bernhardt’s Conflict (1945) and George Stevens’ I Remember Mama (1948) on Blu-ray from the Warner Archive Collection.

And Tim’s look at James Signorelli’s Elvira: Mistress of the Dark (1988) in 4K Ultra HD from Arrow Video.

Note that we have several more reviews coming tomorrow that are specifically Halloween-themed. And watch for more on Friday and over the weekend.

Now then, the big news today is that Sony Pictures Home Entertainment has just set Seinfeld: The Complete Series for release on 4K Ultra HD and Blu-ray on 12/17 in honor of the series’ 35th anniversary! And here’s the cool part: while the Blu-ray will feature the episodes reframed in 1.78:1, the limited edition 4K set will feature them in the original 1.33:1 broadcast ratio. [Read on here...]

All right, our news update for this afternoon begins with a few more new disc reviews, including...

Dennis’ take on Steven Shainberg’s Secretary (2002) on Blu-ray from Via Vision’s Imprint Films, along with Richard Crine’s Synanon (1965) on Blu-ray also from Imprint Films.

And Stuart’s review of Roger Donaldson’s Marie: A True Story (1985) on Blu-ray from the Warner Archive Collection.

We’ve also posted our weekly update of the Release Dates and Artwork section here at The Bits (last night—thanks to our own Russell Hammond for his hard work on it), which features all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links (like this one), you’re helping to support our work here at The Bits and we really appreciate it!

In more announcement news today, Sony Pictures Home Entertainment has just revealed the Blu-ray and DVD release of Jim Henson’s Fraggle Rock: Back to the Rock – Season 1 on 11/19! This will include all 14 episodes with English Dolby Digital 5.1 audio, audio commentary on 3 episodes with puppeteers John Tartaglia and Karen Prell, a Blooper Reel, and 4 sing-a-longs. You can see the Blu-ray cover art at left. [Read on here...]

We’ve got three more new disc reviews for you to enjoy today as we close out the week, including...

Stephen’s look at the new I Walked with a Zombie/The Seventh Victim: Produced by Val Lewton 4K Ultra HD release from Criterion.

Dennis’ take on John Farrow’s Botany Bay (1953) on Blu-ray from our friends at Kino Lorber Studio Classics.

And Stuart’s thoughts on William Dieterle’s Red Mountain (1951) on Blu-ray also from Kino Lorber Studio Classics.

In announcement news today, Imprint Films has just revealed a new trio of Imprint Asia Blu-ray releases for release in January (street date 1/8/25) that includes Jia Ling’s Yolo (2024), Sun Zhou’s Zhou Yu’s Train (2002), and the Erotic Ghost Story Trilogy (1990–1992) box set, which offers Lam Ngai Kai’s Erotic Ghost Story (1990), Peter Ngor’s Erotic Ghost Story II (1991), and Kai-Ming Lai’s Erotic Ghost Story III (1992). Those first two are available here in their very first appearances on Blu-ray anywhere.

Not to be outdone, Umbrella Entertainment’s February slate will include Jon S. Baird’s Filth (2013), Neil Jordan’s The Crying Game (1992), Kim Ki-duk’s Spring, Summer, Fall, Winter, and Spring (2003), and E.L. Katz’s Azrael (2024) on Blu-ray, along with Lynne Ramsay’s You Were Never Really Here (2017) in 4K Ultra HD + Blu-ray, all on 2/5. [Read on here...]

All right, we’ve got some big announcement news to report today, as well as some very interesting industry news. But first, more new disc reviews...

Stuart has turned in his thoughts on Franco Zeffirelli’s The Taming of the Shrew (1967) on Blu-ray from Via Vision’s Imprint Films label, as well as Robert Clouse’s Black Belt Jones (1974) on Blu-ray from the Warner Archive Collection.

And Dennis has turned in a look at Todd Solondz’s Happiness (1998) on Blu-ray from the Criterion Collection.

Also here at The Bits today, we’ve posted major updates of our 4K Ultra HD Release List, as well as our Release Dates & Cover Art section, both of which feature all the latest Amazon pre-order links. So be sure to check those out, and remember that we’re an Amazon Affiliate which means that clicking through one of our links (like this one) before shopping for literally anything from Amazon is a great way to help support our work here at the site. It makes a BIG difference. So thank you!

Now then, speaking of Criterion, let’s get right to today’s big release news: Criterion has just announced their January 2025 release slate, and every single title will include 4K UHD! On 1/7, look for Yojimbo/Sanjuro: Two Samurai Films by Akira Kurosawa, which itself has no Spine # but which includes 4K UHD upgrades of Yojimbo (1961) (Spine #52 – 4K+BD) and Sanjuro (1962) (Spine #53 – 4K UHD + BD). Following on 1/14, you’ll get Jean Eustache’s The Mother and the Whore (1973) (Spine #1245 – 4K+BD, BD & DVD) and Richard Pryor’s Jo Jo Dancer, Your Life Is Calling (1986) (Spine #1247 – 4K+BD & BD). On 1/21, look for Stephen Frears’ The Grifters (1990) (Spine #1246 – 4K+BD & BD). And finally, 1/28 will bring Anthony Mann’s Winchester ‘73 (1950) (Spine #1247 – 4K+BD & BD). You can see the cover artwork at left and below the break. [Read on here...]

Morning everyone!

Today is a holiday here in the States, so we’re giving the team a break. But we do have a bunch of new reviews that we’ve posted recently, including...

Tim’s look at Thomas Schlamme’s So I Married an Axe Murderer (1993) in 4K Ultra HD from Sony Pictures Home Entertainment.

Dennis’ reviews of Alvin Rakoff’s Crossplot (1969) on Blu-ray from Imprint Films and Via Vision, and Harmony Korine’s Mister Lonely (2007) on Blu-ray from IFC Films and Vinegar Syndrome.

Sam’s thoughts on Vera Drew’s The People’s Joker (2022) on Blu-ray from Altered Innocence.

And finally, Stuart’s look at Philip Kaufman’s The White Dawn (1974) on Blu-ray from Kino Lorber Studio Classics and Luchino Visconti’s L’Innocente (1976) on Blu-ray from Vinegar Syndrome.

Meanwhile, in announcement news today, Kino Lorber Studio Classics has set a pair of much-loved Universal live action films for release on 4K Ultra HD, including Chris Noonan’s Babe (1995) and George Miller’s Babe: Pig in the City (1998). Both are “coming soon” to the format, with details TBA. [Read on here...]

We’ve got several more new disc reviews for you here at The Bits today, including...

Tim’s look at Bryan Bertino’s The Strangers (2008) in 4K Ultra HD and Kevin Tenney’s Night of the Demons (1998) in 4K Ultra HD, both from Shout! Studios and Scream Factory.

Stephen’s look at Peter Hyams’ Capricorn One (1978) on Blu-ray from Via Vision’s Imprint Films and also their new Two Films by Wayne Wang box set which includes Smoke (1995) and Blue in the Face (1995) on Blu-ray.

Dennis’ thoughts on Basil Dearden’s Woman of Straw (1964) on Blu-ray also from Imprint.

And finally Stuart’s review of Elijah Drenner’s That Guy Dick Miller (2014) on Blu-ray from Dekanalog and Vinegar Syndrome.

More reviews are on the way, so be sure keep your eyes peeled from them.

Also here at The Bits today, we’ve posted our weekly update of our Release Dates & Cover Art section with all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at the site and we really appreciate it. [Read on here...]

As we close out the week, let’s start today as always with more new disc reviews...

Stephen has turned in his thoughts on John Mackenzie’s The Long Good Friday (1980) in 4K Ultra HD from the Criterion Collection.

Stuart has offered his take on a trio of new and recent Blu-ray titles, including Daniel Mann’s Come Back, Little Sheba (1952) from Kino Lorber Studio Classics, and the 1965 French anthology film Six in Paris (1965) and Larry Kent’s The Bitter Ash (1963) from Vinegar Syndrome.

Tim has taken a look at Tinto Brass’ Frivolous Lola (1998) in 4K Ultra HD from Cult Epics.

And finally, Dennis has delivered a review of Penny Lane’s documentary Nuts! (2016) on Blu-ray from Vinegar Syndrome.

In announcement news today, Warner Bros. Discovery Home Entertainment has finally made Aaron Sorkin’s The West Wing official for Blu-ray on 10/1, in honor of the NBC series’ 25th anniversary. [Read on here...]

All right, here are today’s new disc reviews...

Dennis has taken a look at Joel Schumacher’s 8MM (1999) on Blu-ray from Imprint Films.

Stuart has offered his take on Roberto Gavaldón’s Untouched (1954) on Blu-ray on Powerhouse Films’ Indicator label.

Tim has taken a look at Marcus Nispel’s remake of Friday the 13th (2009) in 4K Ultra HD from Arrow Video. He’s also turned in a review of Lucio Fulci’s Lizard in a Woman’s Skin (1971) on Blu-ray from Umbrella Entertainment.

And last, but certainly not least, Stephen has taken a deep dive into Toho’s Godzilla store-exclusive version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD!

Also here at The Bits today, we have a brand new update of our Release Dates & Artwork section, which is a convenient way to see all of the new Blu-ray, DVD, and 4K Ultra HD titles that street each week. You can see the cover art, and sort by date and format. And you can click on each of the titles to pre-order them on Amazon.

On that note, I wanted to take a moment to share a challenge we’ve been having of late, which is that our Amazon Affiliate revenue has been declining. For a long time now—for over a decade—our Affiliate revenue has been a big part of helping us to keep The Digital Bits going—to help us cover our server and operating costs. It’s how we’ve been able to keep The Bits free for everyone to read for over 27 years now. In recent months, however, that revenue has begun to decline. We understand that Amazon may not always be the cheapest option these days. So for those of you who still support The Bits by shopping with them through links (in the daily news column, in our disc reviews, in the 4K Ultra HD Release List, and in the Release Dates & Artwork section), we really appreciate it very much! [Read on here...]