Displaying items by tag: John Williams

“Attack of the Clones represents George Lucas’ forward-thinking perhaps more than any of his other films.” – Stephen Danley, Star Wars at the Movies

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of Attack of the Clones, the second and middle episode in George Lucas’s Star Wars prequel trilogy.

For the occasion of Attack of the Clones’s recent anniversary, The Bits features a multi-page article consisting of a Q&A with a trio of Star Wars historians and enthusiasts who reflect on the film.

It also contains detailed box-office data and statistics, passages from film reviews, and a reference listing of its North American first-run D-Cinema and IMAX presentations. [Read on here...]

“As soon as Indy stepped out of the shadows in that first scene and revealed himself to us with that badass confidence and intensity, I feel like in that moment, Harrison Ford truly became a movie star of the highest order.” – Charles de Lauzirika, producer/director of Dangerous Days: Making Blade Runner

The Digital Bits and History, Legacy & Showmanship are pleased to present this multi-page retrospective article commemorating the 40th anniversary of the release of Raiders of the Lost Ark, the Lucas & Spielberg action classic that introduced moviegoers to the globe-trotting adventures of Indiana Jones and spawned a franchise of sequels, prequels, games, and theme park attractions.

Raiders, featuring Harrison Ford as everyone’s favorite cinematic archaeologist, was the most successful movie of its year of release and for a period of time the third highest-grossing motion picture of all time. The Oscar-winning movie also starred Karen Allen as heroine Marion Ravenwood, Paul Freeman as archvillain Belloq, Ronald Lacey as villain Toht, John Rhys-Davies as sidekick Sallah, and Denholm Elliott as colleague Marcus Brody.

In 1999 the Library of Congress selected Raiders of the Lost Ark for preservation in the National Film Registry as being “culturally, historically or aesthetically significant,” and earlier this year, Raiders and the other movies in the series were released for the first time on 4K UHD (reviewed here). [Read on here...]

“Clark Kent’s alley transformation into Superman and Superman’s flight to the White House to return the American Flag are two of the best moments; they are just as chill-inducing and magical today as they were 40 years ago!” — Jim Bowers, CapedWonder.com

The Digital Bits and History, Legacy & Showmanship are pleased to present this multi-page retrospective commemorating the 40th anniversary of the release of Superman II, the 1980/1981/2006 follow-up to 1978’s Superman: The Movie and featuring Christopher Reeve reprising his legendary dual role of Superman and alter ego Clark Kent.

Taking over from Richard Donner midway through production, Richard Lester (The Three Musketeers, Help!) directed and re-shot much of the Saturn Award-winning sequel, which focused on the three Kyptonian outlaws (Terrence Stamp, Sarah Douglas and Jack O’Halloran) breaking free from their cosmic imprisonment and seeking revenge on the Man of Steel.

The first Superman sequel—also starring Clifton James as Sheriff and E.G. Marshall as The President—featured reprisal performances by Gene Hackman as Lex Luthor, Ned Beatty as Otis, Jackie Cooper as Perry White, Margot Kidder as Lois Lane, Valerie Perrine as Miss Teschmacher, Susannah York as Superman’s biological mother Lara, and Marc McClure as Jimmy Olsen. [Read on here...]

“On my thirteenth viewing, which was the first time I saw it at a different theater than the one I’d gone to since opening day, I knew there were noticeable changes when the final scene began with different music.” — film music historian Mike Matessino

The Digital Bits and History, Legacy & Showmanship are pleased to present a continuation of our 40th anniversary coverage of the release of The Empire Strikes Back, the middle act of George Lucas’s original Star Wars trilogy and one of the most celebrated and beloved sequels of all time. Part One of our Empire 40th coverage appeared back in May.

George Lucas’s penchant for making revisions to his work is about as legendary as his movies. The majority of Lucas’s alterations have occurred years after his films’ original releases. With The Empire Strikes Back, however, the first (of several rounds of) revisions were actually made while the movie was in first release, and it is this lesser-known aspect of the otherwise very-well-known production that is the subject of this column. [Read on here...]

“The Empire Strikes Back should be remembered as one of the greatest films of all time!” — Skywalking through Neverland co-host Richard Woloski

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of The Empire Strikes Back, the middle act of George Lucas’s original Star Wars trilogy and one of the most celebrated and beloved sequels of all time.

The Empire Strikes Back (aka Star Wars: Episode V—The Empire Strikes Back) was directed by Irvin Kershner (The Flim-Flam Man, Eyes of Laura Mars) and starred Mark Hamill, Harrison Ford and Carrie Fisher, reprising their popular roles of Luke Skywalker, Han Solo and Princess Leia, respectively.

As well, Empire featured returning cast members Anthony Daniels (C-3PO), Kenny Baker (R2-D2), Peter Mayhew (Chewbacca), David Prowse (Darth Vader), and an uncredited James Earl Jones as the voice of Darth Vader. Newly introduced in Empire were Lando Calrissian (played by Billy Dee Williams) and Yoda (performed by Frank Oz and a team of muppeteers). [Read on here...]

“Any legitimate study of Spielberg’s career has to include 1941.” — film music historian Mike Matessino

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of 1941, Steven Spielberg’s zany, whacky, epic World War II comedy featuring a screenplay by Robert Zemeckis & Bob Gale (Used Cars, Back to the Future) and John Milius (Big Wednesday, Red Dawn), an all-star cast headed by Dan Aykroyd (The Blues Brothers, Ghostbusters) and John Belushi (Animal House, The Blues Brothers), and Oscar-nominated Cinematography, Sound and Visual Effects.

The large ensemble cast also featured Nancy Allen (Dressed to Kill), Ned Beatty (Deliverance), Eddie Deezen (Grease), Bobby DiCicco (I Wanna Hold Your Hand), Lorraine Gary (Jaws), Murray Hamilton (Jaws), Diane Kay (Eight is Enough TV series), Christopher Lee (The Man with the Golden Gun), Tim Matheson (Animal House), Frank McRae (Used Cars), Toshiro Mifune (The Hidden Fortress), Warren Oates (The Wild Bunch), Slim Pickens (Dr. Strangelove), Wendie Jo Sperber (Back to the Future), Robert Stack (The Untouchables TV series), Lionel Stander (Hart to Hart TV series), and Treat Williams (Prince of the City). [Read more here...]

“Superman: The Movie radiated magic in 1978 and continues to captivate the world 40 years later. This December, surely multitudes of fans will be watching Superman—via streaming, DVD, Blu-ray or the new 4K UHD—with the same hope, optimism, and innocence they felt the first time they watched in awe as Christopher Reeve soared out of the Fortress of Solitude and into the world.” — Jim Bowers, CapedWonder.com

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Superman, Richard Donner’s classic superhero adventure starring Christopher Reeve (Somewhere in Time, Monsignor). The year 2018 also marks the 80th anniversary of Superman’s debut in Action Comics.

Often described as the first modern-day superhero movie, Superman (aka Superman: The Movie) was a box-office smash and winner of numerous awards and, of course, inspired a series of sequels and spin-offs as well as, arguably, decades of superhero/comicbook-themed media. [Read on here...]

“Close Encounters helps demonstrate perhaps better than any other why Steven Spielberg is one of the greatest American filmmakers.” — Spielberg biographer Joseph McBride

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Close Encounters of the Third Kind, Steven Spielberg’s legendary science-fiction film starring Richard Dreyfuss as Roy Neary, an electrical lineman who obsesses over the sighting, physical evidence and, ultimately, contact with a UFO.

The film, which also starred Teri Garr, Melinda Dillon and Francois Truffaut, was nominated for eight Academy Awards, winning for Vilmos Zsigmond’s cinematography (and also receiving a special achievement award for sound effects editing). [Read on here...]

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We’re kicking things off today with another new Blu-ray review. This one is a little unusual and should be more than a little interesting for Star Trek fans: It’s my look at Prelude to Axanar on Blu-ray, the 2014 proof-of-concept short film directed by Christian Gossett and produced by Alec Peters that launched the effort to produce the full Axanar feature film (to be directed by Robert Meyer Burnett and co-written by yours truly). Prelude to Axanar is now available on Blu-ray but ONLY as a perk for contributing $35 to the Axanar IndieGoGo campaign. You won’t find it in stores. But if you love Star Trek on Blu-ray, it’s definitely a title you’re going to want to add to your collections. Be sure to read the review to learn more about it.  [Read on here…]

“Jaws was something of an accidental blockbuster. It should not be blamed for being a good movie.” — Joseph McBride

The Digital Bits is pleased to present this retrospective commemorating the 40th anniversary of the release of Jaws, Steven Spielberg’s legendary tale of a Great White preying on a coastal New England resort community during the lucrative summer tourism season.

Based upon Peter Benchley’s best-selling novel and starring Roy Scheider, Robert Shaw and Richard Dreyfuss, Jaws shattered all existing box-office records, scared the wits out of beachgoers, and became every studio’s dream model of a summer blockbuster (and, in some circles, a whipping boy for popular, successful movies). [Read on here…]