Displaying items by tag: North by Northwest (1959) 4K

We’ve got more new disc reviews for you today here at The Bits and some great release news as well to close out the week. So let’s get right into it...

First up, I’ve posted my review of James Cameron’s The Terminator (1984) in 4K Ultra HD from MGM and Warner Bros. It’s the best AI remaster yet from Lightstorm and Park Road Post, not to mention one that I think is going to pleasantly surprise a lot of people. (Hint: There’s grain.) BTW, I’m also working on my review of Alfred Hitchcock’s North by Northwest (1959) in 4K, which I expect to share over the next 24 hours or so, so be sure to keep checking back. And Mel Brooks’ Blazing Saddles (1974) will follow shortly after that.

Tim has turned in his thoughts of Alexandre Aja’s Crawl (2019) in 4K UHD from the Paramount Scares: Volume 1 box set. He’s also taken a look at Lindsay Shonteff’s The Million Eyes of Sumuru (1967) in 4K from Blue Underground. And he’s reviewed Monk: Season One (2002) on Blu-ray from Kino Lorber Studio Classics as well today.

Stephen has taken a look at Elia Kazan’s On the Waterfront (1954) in 4K UHD from the new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Sam has given Philippe Mora’s Howling II: Your Sister Is a Werewolf (1985) and Chih-Hung Kuei’s Corpse Mania (1981) a look in 4K UHD from Vinegar Syndrome.

And finally, Stuart has offered his take on John “Bud” Cardos’ Kingdom of the Spiders (1977) on Blu-ray from Kino Cult, as well as Fritz Lang’s You and Me (1938) on Region B Blu-ray from Powerhouse Films’ Indicator label. [Read on here...]

We’ve got two more new disc reviews for you today, including...

Stephen’s look at Roger Donaldson’s No Way Out (1987) in 4K Ultra HD from Kino Lorber Studio Classics.

And Tim’s thoughts on Jeff Lieberman’s Squirm (1976) on Blu-ray, from KLSC’s Kino Cult line.

Also today, we’ve have word from retail sources (and customers who have pre-ordered the tiles) that Warner Bros. Discovery Home Entertainment’s recently street-dated 4K catalog titles—Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984)—have been pushed to 11/19 from 11/5. That probably has to do with the added time needed to replicate enough production to meet demand. Adjust your plans accordingly.

In any case, be aware that North by Northwest (1959) and Blazing Saddles (1974) will each include HDR10 and Dolby Atmos audio, while The Terminator (1984) will include both Dolby Vision HDR and Dolby Atmos audio.

In terms of special features The Terminator will also include Creating The Terminator: Visual Effects & Music, The Terminator: Close to the Real Thing, Unstoppable Force: The Legacy of the Terminator, and 7 deleted scenes. (It appears that the video-based features may be all-new.) Blazing Saddles will include Inappropriate Inspiration: The Blazing Saddles Effect, scene-specific commentary with Mel Brooks, Blaze of Glory: Mel Brooks’ Wild, Wild West, Back in the Saddle, and additional scenes. And North by Northwest will include audio commentary with screenwriter Ernest Legman, North by Northwest: Cinematography, Score, and the Art of the Edit, Destination Hitchcock: The Making of North by Northwest, The Master’s Touch: Hitchcock’s Signature Style, North by Northwest: One for the Ages, and A Guided Tour with Alfred Hitchcock. [Read on here...]

We’ve got several new disc reviews for all of you to enjoy today, including...

Tim’s thoughts on the new Bill & Ted’s Most Triumphant Trilogy in 4K Ultra HD from Shout! Studios, which includes Stephen Herek’s Bill & Ted’s Excellent Adventure (1989), Peter Hewitt’s Bill & Ted’s Bogus Journey (1991), and Dean Parisot’s Bill & Ted Face the Music (2020). Tim has also taken a look at Enzo G. Castellari’s High Crime (1973) in 4K UHD from Blue Underground.

Dennis’ thoughts on George McCowan’s Frogs (1972) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s take on Howard Hawks’ Red Line 7000 (1965) on Blu-ray from Arrow Video.

And finally, Stuart’s look at Imprint Films’ Film Focus: Kim Novak Blu-ray box set, which includes Pal Joey (1957), Jeanne Eagles (1957), and Middle of the Night (1959).

We’ve also shared our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and pre-order links, all organized (and sortable) by date and format, and complete with our Amazon Affiliate links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we appreciate it!

In announcement news today, we’ve confirmed that Warner’s previously-revealed 4K and 4K Steelbook editions of Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984) will all officially street on 11/5. We also have the final cover artwork for the wide-release 4K of The Terminator, which I suspect was delayed by the need for James Cameron approval (and the fact that he has finally approved it is why we now have a street date). You can see the final cover artwork for all of these titles below the break, with Amazon.com pre-order links. [Read on here...]

We start as always today with several new disc reviews, including…

Sam Cohen’s take on Poul Bang and Sidney W. Pink’s Reptilicus (1961) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s look at Something Weird Video and Kino Classic’s double-feature Blu-ray of The Pace that Kills (1928) and its “talkie” remake The Cocaine Fiends (1935).

Dennis’ reviews of Clarence Brown’s Idiot’s Delight (1939) on Blu-ray from the Warner Archive Collection and Chad Ferrin’s Night Caller (2021) on Blu-ray from Vinegar Syndrome.

Stephen’s thoughts on Guy Ritchie’s The Man from U.N.C.L.E. (2015) in 4K Ultra HD from Arrow Video.

And last but definitely not least, Tim’s review of Arrow Video’s new UK-only release of Jonathan Demme’s The Silence of the Lambs (1991) in 4K Ultra HD, which corrects the color space issues that plagued the Kino Lorber Studio Classics 4K disc from 2021.

More reviews are forthcoming tomorrow, so be sure to watch for them!

Now then, the big news today is that Franklin J. Schaffner’s Planet of the Apes (1968) has just been upgraded to 4K on all your favorite Digital services, including Apple TV, Fandango at Home, Movies Anywhere, Kaleidescape and more! It actually has Dolby Vision HDR on Apple TV (and it may elsewhere as well). Naturally, we’ve asked about the possibility of a physical 4K release of this film. I suspect there are no current plans, but I also suspect that if the title does well on Digital, that could change. [Read on here...]

We’re starting Tuesday off here at The Bits with three new disc reviews for all of you to enjoy, including...

Dennis’ look at Arkasha Stevenson’s The First Omen (2024) on Blu-ray from 20th Century Studios.

Stuart’s thoughts on Teruo Ishii’s Prison Walls: Abashiri Prison I-III (1965) on Blu-ray from Eureka Entertainment.

And Stephen’s take on Don Seigel’s original sci-fi classic Invasion of the Body Snatchers (1956) in 4K Ultra HD from Kino Lorber Studio Classics.

In announcement news today, Kino Lorber Studio Classics has revealed a few more great new catalog releases, including Sidney Lumet’s Garbo Talks (1984) and Claude Autant-Lara’s Enough Rope (1963) on Blu-ray on 10/15, followed by William Friedkin’s Rules of Engagement (2000) and Peter Collinson’s Fright (1971) on 4K Ultra HD, as well as Carlo Carlei’s Fluke (1995) and Andre Gower’s Wolfman’s Got Nards (2018) on Blu-ray on 10/22. And coming soon to 4K Ultra HD from the company is Roy Ward Baker’s Scars of Dracula (1970), while coming soon to Blu-ray is the Film Noir: The Dark Side of Cinema XXV box set which features John H. Auer’s The Flame (1947), City That Never Sleeps (1953), and Hell’s Half Acre (1954). [Read on here...]