My Two Cents

Displaying items by tag: Vinegar Syndrome

Greetings folks! I trust all those of you here in the States had a good Thanksgiving holiday, and many of you are now out shopping for Black Friday deals at your local retailers or online.

As always, we ask that if you’re shopping for deals on Amazon today, please consider clicking to them through one of our Affiliate links (like this one) first to help support The Bits! (And thank you!)

Now then... we have a few more new disc reviews today, and also some terrific release news...

Stephen has checked in with a look at Valeri Rubinchik’s The Savage Hunt of King Stakh (1980) on Blu-ray from Deaf Crocodile Films.

Stuart has taken a look at David Hinton’s Made in England: The Films of Powell & Pressburger (2024) documentary on Blu-ray from Cohen Media via Kino Lorber.

And Dennis has reviewed George Sidney’s Bathing Beauty (1944) on Blu-ray, an MGM water extravaganza featuring Ester Williams and Red Skelton from the Warner Archive Collection!

Watch for lots more reviews over the coming days. You might even see one or two drop this weekend. [Read on here...]

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We’re starting as always today with new disc reviews! And we’ve got some good ones, including…

My look at Akira Kurosawa’s Seven Samurai (1954) in 4K Ultra HD from the Criterion Collection.

Stephen’s take on Ti West’s MaXXXine (2024) in 4K Ultra HD and Blu-ray from A24 and Lionsgate.

Tim’s review of Monk: Season Two (2003-2004) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ thoughts on James Watkins’ Speak No Evil (2024) on Blu-ray from Universal, as well as Zach Clark’s The Becomers (2023) on Blu-ray from Vinegar Syndrome, and Peter Markle’s Youngblood (1986) on Blu-ray from Kino Lorber Studio Classics.

Sam Cohen’s look at Marco Bellocchio’s Kidnapped: The Abduction of Edgardo Mortara (2023) on Blu-ray from the Coen Media Group and Kino Lorber.

And finally, Stuart’s take on Claude Berri’s Tchao Pantin (1983) on Blu-ray from Radiance Films.

More reviews are forthcoming, including my own look on Dean Parisot’s Galaxy Quest (1999) in 4K Ultra HD from Paramount—that disc is expected to arrive here at the office today, so I’ll definitely be spinning it immediately upon its arrival! [Read on here...]

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We’ve got more new disc reviews for you today here at The Bits and some great release news as well to close out the week. So let’s get right into it...

First up, I’ve posted my review of James Cameron’s The Terminator (1984) in 4K Ultra HD from MGM and Warner Bros. It’s the best AI remaster yet from Lightstorm and Park Road Post, not to mention one that I think is going to pleasantly surprise a lot of people. (Hint: There’s grain.) BTW, I’m also working on my review of Alfred Hitchcock’s North by Northwest (1959) in 4K, which I expect to share over the next 24 hours or so, so be sure to keep checking back. And Mel Brooks’ Blazing Saddles (1974) will follow shortly after that.

Tim has turned in his thoughts of Alexandre Aja’s Crawl (2019) in 4K UHD from the Paramount Scares: Volume 1 box set. He’s also taken a look at Lindsay Shonteff’s The Million Eyes of Sumuru (1967) in 4K from Blue Underground. And he’s reviewed Monk: Season One (2002) on Blu-ray from Kino Lorber Studio Classics as well today.

Stephen has taken a look at Elia Kazan’s On the Waterfront (1954) in 4K UHD from the new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Sam has given Philippe Mora’s Howling II: Your Sister Is a Werewolf (1985) and Chih-Hung Kuei’s Corpse Mania (1981) a look in 4K UHD from Vinegar Syndrome.

And finally, Stuart has offered his take on John “Bud” Cardos’ Kingdom of the Spiders (1977) on Blu-ray from Kino Cult, as well as Fritz Lang’s You and Me (1938) on Region B Blu-ray from Powerhouse Films’ Indicator label. [Read on here...]

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All right, we’ve got two new long-form disc reviews to share with you today...

The first is my look at Aaron Sorkin’s The West Wing: The Complete Series (1999-2006), which is finally available in a new 28-disc Blu-ray box set from Warner Bros. Discovery Home Entertainment. The package is far from perfect, but for fans it’s still mostly be worth a look.

Also today, Stephen is celebrating yesterday’s 70th anniversary of Ishirō Honda’s original Godzilla (1954) by reviewing the new 4K Ultra HD release from Toho Studios via the Criterion Collection here in the US, a title that officially streets tomorrow.

In announcement news today, Kino Lorber Studio Classics has just revealed that John Frankenheimer’s Reindeer Games (2000) is coming soon to 4K Ultra HD. In addition, Melville Shavelson’s Houseboat (1958) is coming soon to Blu-ray Disc. [Read on here...]

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We’re starting today with a bunch of new disc reviews here at The Digital Bits, including...

Tim’s look at George A. Romero’s Land of the Dead (2005) in 4K Ultra HD from Scream Factory.

And Stephen’s thoughts on Carlo Ledesma’s The Tunnel (2011) on Blu-ray from Umbrella Entertainment and Vinegar Syndrome, as well as John Francis Daley and Jonathan Goldstein’s Game Night (2018) on 4K Ultra HD from Warner Bros. Discovery Home Entertainment.

We have more new disc reviews coming this afternoon and tomorrow as well, so be sure to keep watching for them.

We’re also going to be trying out a new approach to sharing these news updates here on the site. Rather than simply posting one long update a day, I’m going to try posting two shorter updates, one late morning (US Pacific time) and one later in the afternoon. The idea is that shorter updates are a little easier to manage, so I’ll be able to get breaking news up a little more quickly here. So be sure to check back later today for a second news post.

Now then... first up in announcement news today, Warner Bros. Discovery Home Entertainment has officially set Todd Phillips’ Joker: Folie à Deux (2024) for release on Blu-ray, DVD, 4K Ultra HD, and 4K UHD Steelbook on 12/17, with the Digital release due on 10/29. You can see the cover artwork at left and also below. [Read on here...]

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Morning everyone!

Today is a holiday here in the States, so we’re giving the team a break. But we do have a bunch of new reviews that we’ve posted recently, including...

Tim’s look at Thomas Schlamme’s So I Married an Axe Murderer (1993) in 4K Ultra HD from Sony Pictures Home Entertainment.

Dennis’ reviews of Alvin Rakoff’s Crossplot (1969) on Blu-ray from Imprint Films and Via Vision, and Harmony Korine’s Mister Lonely (2007) on Blu-ray from IFC Films and Vinegar Syndrome.

Sam’s thoughts on Vera Drew’s The People’s Joker (2022) on Blu-ray from Altered Innocence.

And finally, Stuart’s look at Philip Kaufman’s The White Dawn (1974) on Blu-ray from Kino Lorber Studio Classics and Luchino Visconti’s L’Innocente (1976) on Blu-ray from Vinegar Syndrome.

Meanwhile, in announcement news today, Kino Lorber Studio Classics has set a pair of much-loved Universal live action films for release on 4K Ultra HD, including Chris Noonan’s Babe (1995) and George Miller’s Babe: Pig in the City (1998). Both are “coming soon” to the format, with details TBA. [Read on here...]

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We’ve got several more new disc reviews for you here at The Bits today, including...

Tim’s look at Bryan Bertino’s The Strangers (2008) in 4K Ultra HD and Kevin Tenney’s Night of the Demons (1998) in 4K Ultra HD, both from Shout! Studios and Scream Factory.

Stephen’s look at Peter Hyams’ Capricorn One (1978) on Blu-ray from Via Vision’s Imprint Films and also their new Two Films by Wayne Wang box set which includes Smoke (1995) and Blue in the Face (1995) on Blu-ray.

Dennis’ thoughts on Basil Dearden’s Woman of Straw (1964) on Blu-ray also from Imprint.

And finally Stuart’s review of Elijah Drenner’s That Guy Dick Miller (2014) on Blu-ray from Dekanalog and Vinegar Syndrome.

More reviews are on the way, so be sure keep your eyes peeled from them.

Also here at The Bits today, we’ve posted our weekly update of our Release Dates & Cover Art section with all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at the site and we really appreciate it. [Read on here...]

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All right, we’ve got a bunch of news to run down for you all today...

But before we get to that, we wanted to let you know that we’ve just completed major updates of our Release Dates & Cover Artwork section here at The Bits, as well as our 4K Ultra HD Release List, both of which include all the latest Amazon pre-order links. What’s more, we’ve posted some very cool content over the last couple of weeks on our Digital Bits Patreon. And those of you interested in titles that might be coming to 4K UHD in 2025 will definitely want to check those posts out. Becoming a Patreon subscriber is a great way to support the work we do here at The Bits—it’s affordable and we try to make it worth your while. So please consider joining us over there, and we appreciate it! Now then...

The big news today is that Marvel and Disney have just officially set Shawn Levy’s Deadpool & Wolverine (2024) for release on 4K Ultra HD, Blu-ray, and DVD on 10/22, with the Digital release expected on 10/1. The 4K disc will include Dolby Vision HDR and Dolby Atmos audio on a 66GB disc. There will be a wide-release 4K version in Amaray packaging, along with dual limited-edition Steelbooks one of which features Deadpool on the cover with a red interior, and the other featuring Wolverine on the cover with a yellow interior. A Walmart-exclusive Amaray version will also include “pop-up” packaging featuring the Deadpool corp. Regardless of which version you buy, the disc will contain audio commentary with Shawn Levy and actor Ryan Reynolds, a gag reel, 4 featurettes (Finding Madonna: Making the Oner, Practical Approach: Celebrating the Art of Ray Chan, Loose Ends: The Legacy of Heroes, and Wolverine), 3 deleted scenes (Elevator Ride, Do Nothing, and Daddy’s in Love), and “Fun Sack” (Dr. Deadpool, Product Review, and Wade is Back). You can see the cover artwork at left and also below. [Read on here...]

Published in My Two Cents

As we close out the week, let’s start today as always with more new disc reviews...

Stephen has turned in his thoughts on John Mackenzie’s The Long Good Friday (1980) in 4K Ultra HD from the Criterion Collection.

Stuart has offered his take on a trio of new and recent Blu-ray titles, including Daniel Mann’s Come Back, Little Sheba (1952) from Kino Lorber Studio Classics, and the 1965 French anthology film Six in Paris (1965) and Larry Kent’s The Bitter Ash (1963) from Vinegar Syndrome.

Tim has taken a look at Tinto Brass’ Frivolous Lola (1998) in 4K Ultra HD from Cult Epics.

And finally, Dennis has delivered a review of Penny Lane’s documentary Nuts! (2016) on Blu-ray from Vinegar Syndrome.

In announcement news today, Warner Bros. Discovery Home Entertainment has finally made Aaron Sorkin’s The West Wing official for Blu-ray on 10/1, in honor of the NBC series’ 25th anniversary. [Read on here...]

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All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]

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