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We’ve got a couple quick items of announcement news for you all today, but first I wanted to let you all know that our Release Dates and Artwork section has been updated to include all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one our links (like this one), you’re helping to support our work here at The Bits and we greatly appreciate it! And don’t forget, you can also support our work here by subscribing to our Patreon or by making a donation via PayPal here. Thank you!

Now then... Paramount has officially set Peter Segal’s Tommy Boy (1995) for 4K Ultra HD and 4K Steelbook release on 3/25. The film has been newly-remastered under the supervision of the director. All the legacy Blu-ray extras will carry over.

Our friends at Kino Lorber Studio Classics are officially bringing Gary Fleder’s Things to Do in Denver When You’re Dead (1995) to 4K Ultra HD and Blu-ray on 4/29. Also coming that day to Blu-ray from KLSC are Kirk Douglas’ Posse (1975) and Richard Friedenberg and James L. Conway’s The Bermuda Triangle (1979).

From Raro Video via KLSC, Lina Wertmüller’s Swept Away (1974) is coming to 4K Ultra HD on 4/29 as well. [Read on here...]

Afternoon, Bits readers... and welcome to the first week of February!

Tim is taking a much-deserved week off to spend time with his family, but we’ll have plenty of news content here and maybe a review or two as well in the meantime.

Last night, my wife Sarah and I attended The 52nd Annual Saturn Awards here in Los Angeles, produced by The Academy of Science Fiction, Fantasy & Horror Films. It was a lovely evening, a chance to catch up with industry friends, brush elbows with genre celebs (think Nicolas Cage, William Shatner, Mark Hamill, Peter Weller, Christopher Lloyd, Laurence Fishburne, tons of Star Trek cast members, etc), and to celebrate great work in genre entertainment. Denis Villeneuve’s Dune: Part Two took home the Best Science Fiction Film award, as it well should! Denis himself also won for Best Film Director—a nice show of appreciation for the filmmaker, especially given that he wasn’t nominated for Best Director by the Academy this year, despite Dune: Part Two being nominated for the Best Picture. Go figure.

In the Home Media categories, the key winners were:

• Best Classic Film Home Media Release: Invasion of the Body Snatchers (Kino Lorber Studio Classics)
• Best 4K Home Media Release: Saw X (Lionsgate Home Entertainment)
• Best Film Home Media Collection: Batman: 85th Anniversary Collection (Warner Home Video)
• Best Television Home Media Release: Star Wars: Andor – The Complete First Season (Sony Pictures Home Entertainment)

We actually had the good fortune to be seated at the same table as Kino Lorber’s VP of Acquisitions and Business Development, Frank Trazi, who—since he lives on the East Coast—I hadn’t had the chance to meet before. But trust me when I say that Frank is good people, and that KLSC’s fantastic slate of upcoming Blu-ray and 4K titles is in great hands with him. You can watch his new podcast, Shelf Space with Kino Lorber, here on YouTube.

In any case, the event was great fun and it was streamed live online here and on Roku. You can read the complete list of winners here at Deadline today. And all of us here at The Bits would like to offer our congratulations to Frank and everyone at KLSC for their win for Invasion of the Body Snatchers (you can see their actual Saturn statue below the break), to our friend Cliff Stephenson and everyone at Lionsgate for their 4K win with Saw X, and to the disc teams at Warner Bros. Discovery Home Entertainment and Sony Pictures Home Entertainment for their wins as well!. [Read on here...]

We have just a couple of quick things to report here at The Bits today, news-wise...

First, Kino Lorber Studio Classics has just revealed that John Hughes’ Career Opportunities (1991) and Phil Alden Robinson’s Sneakers (1992) are both coming to 4K Ultra HD on 4/22, each with Dolby Vision HDR.

Second, Sony Pictures Home Entertainment has added a single-film 4K Ultra HD Steelbook edition of Ivan Reitman’s Stripes (1981) for release on 4/29. Note that this version of Stripes will include Dolby Vision HDR, unlike the version included previously with the Columbia Classics 4K Ultra HD Collection: Volume 2 box set back in 2021.

Likewise, Sony’s newly-announced Gandhi 4K Steelbook (which we talked about yesterday, also for release on 4/29) will include Dolby Vision as well, unlike the edition included with the Columbia Classics 4K Ultra HD Collection: Volume 2 box set in 2020.

Meanwhile, Severin has set Aldo Lado’s Night Train Murders (1974) for 4K Ultra HD release on 4/29.

And Arrow Video has finally announced their complete April release slate (in addition to the previously announced Leone titles—see our column yesterday). You’ll find the details and cover artwork below the break. [Read on here...]

Three more new disc reviews are available here at The Bits today, including...

Stephen’s look at Joseph Cates’s Who Killed Teddy Bear? (1965) in 4K Ultra HD from Vinegar Syndrome’s excellent and endlessly surprising Cinématographe label.

Stuart’s review of Don Siegel’s Edge of Eternity (1959) on Blu-ray from Powerhouse Films via their Indicator brand.

And Dennis’ take on H.C. Potter’s Mr. Lucky (1943) on Blu-ray from RKO via our friends at the Warner Archive Collection.

We’ve also just completed a major update of our 4K Ultra HD Release List here at The Bits with a ton of new titles, including some of the latest announcement news just breaking today. That news includes...

Word that Arrow video is releasing Sergio Leone’s beloved Dollars Trilogy in 4K Ultra HD and Blu-ray in the UK only over the next few months. [Read on here...]

Today’s new disc reviews here at The Digital Bits include...

Stephen’s review of Michael Ritchie’s Prime Cut (1972) in 4K Ultra HD from Kino Lorber Studio Classics.

Dennis’ review of Budd Boetticher’s The Killer is Loose (1956) on Blu-ray from Kino Lorber Studio Classics.

Tim’s reviews of Fred Walton’s April Fool’s Day (1986) in 4K Ultra HD from Kino Lorber Studio Classics and Arch Oboler’s Domo Arigato (1973) on Blu-ray 3D from BayView Entertainment with the help of the 3-D Film Archive.

And Stuart’s look at William A. Fraker’s Monte Walsh (1970) on Blu-ray, also from Kino Lorber Studio Classics.

Here at The Bits today, we’re also sharing new updates of our Release Dates & Artwork section (with all the latest cover artwork and Amazon.com pre-order links) as well as our 4K Ultra HD Release List. So be sure to watch for those shortly.

In terms of announcement news, we expect Disney to release their CG-animated Moana 2 (2024) on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook formats on 3/18. [Read on here...]

Our new disc review for today is none other than Stephen’s look at Wolfgang Petersen’s The NeverEnding Story (1984) in a terrific new 4K Ultra HD Limited Edition box set from our friends at Via Vision’s Imprint Films label. The 5-disc set has been released to honor the film’s 40th anniversary and includes multiple cuts of the film plus the 2024 Life After The NeverEnding Story documentary. And it comes in a package that replicates the book as seen in the film. It’s pretty special, so do give Stephen’s thoughts a look here.

Now then... the big news today is that Severn Films has just announced the Blu-ray and 4K Ultra HD release of two more classic Russ Meyer films, including Motorpsycho (1965) and Up! (1976). Pre-orders start today, with the street date set for 4/29. Each has been scanned from the original camera negatives. Look for HDR10 on the 4K discs with mono audio, plus new and archival special features that include audio commentaries and more.

Shout! Factory has begun announcing its April slate, which will include Chris McKay’s Renfield (2023) in 4K Ultra HD, Paul Briganti’s Please Don’t Destroy: The Treasure of Foggy Mountain (2023) on Blu-ray, and Mamoru Hosoda’s Summer Wars (2000) on both Blu-ray and 4K Steelbook (the latter for GKids) on 4/1, followed by Carol Frank’s Sorority House Massacre (1986) on 4K + BD on 4/8, Craig Zobel’s The Hunt (2020) on 4K on 4/22, and Peter Hyams’ Timecop (1994) on 4K + Blu-ray on 4/29. [Read on here...]

Afternoon, friends! We have three new disc reviews for you today, including...

Stephen’s look at Ramón Menéndez’s Stand and Deliver (1988) on Blu-ray from the Warner Archive Collection.

An update of our old friend Todd Doogan’s 2010 Blu-ray review of Akira Kurosawa’s Yojimbo (1961) and Sanjuro (1962) by Tim Salmons, to cover the Criterion Collection’s new 4K Ultra HD release.

And finally today, Dennis’ look at Anand Tucker’s The Critic (2023) on good old fashioned DVD from Greenwich Entertainment and Kino Lorber.

In terms of announcement news this afternoon, the big news is that HBO has made its planned 4K Ultra HD Steelbook Limited Edition re-release of The Last of Us: The Complete First Season official for 3/18, in anticipation of the debut of Season Two on Max in April.

Also, the A24 shop is releasing an exclusive Blu-ray version of Greg Kwedar’s Sing Sing (2023) with an expected street date TBA for March. You can pre-order it here. The disc will include audio commentary with the director, producer, editor, and cinematographer, 2 featurettes (Trust the Process and Sing Sing Correctional Facility Premiere), deleted scenes, and a gallery of behind-the-scenes photography by Greg Kwedar, Dominic León, Daniel Order, and Pat Scola. [Read on here...]

Cheers, Bits readers! Here’s our latest batch of new disc reviews for today…

Stephen has taken a look at Michael Mann’s The Keep (1983) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Robert Florey’s The Beast with Five Fingers (1946) and Anthony Mann’s The Tall Target (1951), both on Blu-ray from the Warner Archive Collection.

Stuart has offered his thoughts on Zoltán Korda’s Sahara (1943) on Blu-ray from Indicator and George Seaton’s The Proud and Profane (1956) on Blu-ray from Kino Lorber Studio Classics.

And not to be outdone, Tim has shared his look at Russ Meyer’s Beneath the Valley of the Ultravixens (1979) on Blu-ray from Severn Films.

More reviews are forthcoming, as always, so be sure to keep your eyes peeled for them!

Now then, the big release news today is that Universal has officially set Robert Eggers’ Nosferatu (2024) for release on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 2/18. The Digital version is now available. You can see the cover artwork at left and also below. [Read on here...]

We’ve got a bunch of release news to catch you all up on today here at The Bits, but first—as always—we’re closing out the week with a bunch of new and recent disc reviews…

I’ve turned in my thoughts on Quentin Tarantino’s long awaited Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) 4K Steelbooks from Lionsgate Limited, as well as their reissue of his Reservoir Dogs (1992) in 4K Steelbook. (And don’t forget my review of Lionsgate Limited’s Jackie Brown 4K Steelbook from earlier this week as well.)

Tim has offered his take on Robert Zemeckis’ Death Becomes Her (1992) and Sam Raimi’s Drag Me to Hell (2009) both in 4K UHD from Shout!/Scream Factory, as well as Warner Archive’s new Blu-ray Double Feature of William A. Wellman’s The Boob (1926) and William A. Seiter’s Why Be Good? (1929), and Jackson Publick’s The Venture Bros.: Radiant Is the Blood of the Baboon Heart (2023) on Blu-ray also from Warner Bros.

Stuart’s look at Sidney Gilliat’s Left Right and Centre (1959) on Blu-ray from Indicator, as well as The Persuaders!: The Complete Series (1971-72) on Blu-ray from Imprint, Fernando Di Leo’s The Italian Connection (1972) on Blu-ray from Raro Video, Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics, and Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome.

Dennis’ thoughts on Joel and Ethan Coen’s No Country for Old Men (2007) and Stephen Frears’ The Grifters (1990) each on Blu-ray from the Criterion Collection, and Gary David Goldberg’s Must Love Dogs (2005) on Blu-ray from the Warner Archive.

More reviews are on the way next week, so be sure to check back for them! Also, we’ve updated our 4K Ultra HD Release List here at The Bits, as well as our Release Dates & Artwork section—the latter with all the latest 4K UHD, Blu-ray, and DVD cover art and Amazon.com pre-order links. And The Bits is an Amazon Affiliate, so anything you order from them after clicking through one of our links goes to help support our work here at the site and we appreciate it!

Now then, let’s get to that breaking announcement news… [Read on here...]

Afternoon, everyone! We’ve got some great breaking news to report here at The Bits today, but first we’ve got more new disc reviews to share with you as always...

Dennis has taken a look at Stephen Frears’ The Grifters (1990) on Blu-ray from the Criterion Collection, as well as Bob Rafelson’s Mountains on the Moon (1990) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his thoughts on Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome, as well as Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics and StudioCanal.

Tim has reviewed Russ Meyer’s Supervixens (1975) in 4K Ultra HD from Severin Films.

And Stephen has given the complete In the Line of Duty I-IV Blu-ray box set a look from 88 Films.

I’ve also gotten my hands on Lionsgate’s new Quentin Tarantino Lionsgate Limited 4K Steelbooks, and I’ll have a review of each of them very soon, starting with Jackie Brown (1997) later today. To give you a tease, the new 4K presentations are terrific, particularly Jackie Brown which is a full 4K scan of original camera negative. But more on those soon.

Now then, as I noted a moment ago, we’ve got great breaking news to report today, starting with the fact that Warner Bros. Discovery Home Entertainment has just made Miloš Forman’s Amadeus official for release in 4K Ultra HD on 2/25. [Read on here...]