Displaying items by tag: Second Sight Films

We’re closing out the week here at The Bits with a trio of new disc reviews, including...

Tim’s review of Alfred Sole’s Alice, Sweet Alice (1976) in 4K Ultra HD from Arrow Video.

Stephen’s review of Howard Hawks’ Hatari! (1962) in 4K Ultra HD from Kino Lorber Studio Classics.

And Stuart’s review of Bruce Weber’s Let’s Get Lost (1988) on Blu-ray from Kino Classics.

Also today, our friends at Vinegar Syndrome have revealed a number of new March Blu-ray and 4K titles, including Richard Loncraine’s Brimstone & Treacle (1982) in 4K Ultra HD + Blu-ray (with Dolby Vision), a double-feature Blu-ray of Hung-Chuen Lau’s Devil Fetus (1983) and Ngai Choi Lam’s Her Vengeance (1988), Forgotten Gialli: Volume Eight on Blu-ray—which includes Alberto Negrin’s Rings of Fear (1978), Tano Cimarosa’s Reflections in Black (1975), and Demofilo Fidani’s A.A.A. Masseuse, Good-Looking, Offers Her Services (1975)—Miguel Angel Martinez’s 38 Especial (1992) on Blu-ray from Degausser Video, Gene Saks’s Last of the Red Hot Lovers (1972) on Blu-ray from Cinématographe, and Peter Greenaway’s The Belly of an Architect (1987) on Blu-ray from Vinegar Syndrome Labs. All are set to ship later this month. [Read on here...]

We’ve got a new disc review for you all to enjoy today, as well as a much of good announcement news. First the review...

Stephen has taken a look at William Friedkin’s Cruising (1980) in 4K Ultra HD from Arrow Video.

And we’ve posted our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links (like this one), you’re helping to support our work here at the site and we really appreciate it!

Now then, the big news today is that Warner Bros. Discovery Home Entertainment has officially set the Clint Eastwood films Dirty Harry (1971), The Outlaw Josey Wales (1976), and Pale Rider (1985) for 4K Ultra HD, 4K Steelbook, and Digital release on 4/29 (a slight change from the 4/15 date listed previously on retail sites). Not as if everyone didn’t already know, but the studio’s press release has just confirmed it. As expected, all three will feature Dolby Atmos audio mixes and HDR10 high dynamic range.

In terms of special features, Dirty Harry (1971) will include two new featurettes (Generations and Dirty Harry and Lensing Justice: The Cinematography of Dirty Harry) as well as the following legacy features: Audio Commentary by Richard Schickel, five featurettes (American Masters Career Retrospective: Clint Eastwood: Out of the Shadows, Clint Eastwood: The Man from Malpaso, Clint Eastwood: A Cinematic Legacy – Fighting for Justice, Dirty Harry’s Way, and Dirty Harry: The Original), and an Interview Gallery (featuring Patricia Clarkson, Joel Cox, Clint Eastwood, Hal Holbrook, Evan Kim, John Milius, Ted Post, Andy Robinson, Arnold Schwarzenegger, and Robert Urich).

The Outlaw Josey Wales (1976) will include two new featurettes as well (An Outlaw and an Antihero and The Cinematography of an Outlaw: Crafting Josie Wales) plus the following legacy features: Audio Commentary by Richard Schickel and four featurettes (Clint Eastwood’s West, Eastwood in Action, Hell Hath No Fury: The Making of The Outlaw Josie Wales, and Clint Eastwood: A Cinematic Legacy – Reinventing the West).

And finally, Pale Rider (1985) will include two new featurettes (The Diary of Sydney Penny: Lessons from the Set and Painting the Preacher: Bruce Surtees and Pale Rider) plus three legacy ones (Clint Eastwood: A Cinematic Legacy – Reinventing Westerns, Eastwood Directs: The Untold Story, and The Eastwood Factor). You can see the cover artwork above left and also below the break. [Read on here...]

Cheers, Bits readers! Here’s our latest batch of new disc reviews for today…

Stephen has taken a look at Michael Mann’s The Keep (1983) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Robert Florey’s The Beast with Five Fingers (1946) and Anthony Mann’s The Tall Target (1951), both on Blu-ray from the Warner Archive Collection.

Stuart has offered his thoughts on Zoltán Korda’s Sahara (1943) on Blu-ray from Indicator and George Seaton’s The Proud and Profane (1956) on Blu-ray from Kino Lorber Studio Classics.

And not to be outdone, Tim has shared his look at Russ Meyer’s Beneath the Valley of the Ultravixens (1979) on Blu-ray from Severn Films.

More reviews are forthcoming, as always, so be sure to keep your eyes peeled for them!

Now then, the big release news today is that Universal has officially set Robert Eggers’ Nosferatu (2024) for release on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 2/18. The Digital version is now available. You can see the cover artwork at left and also below. [Read on here...]

Today’s update will be quick, because we’re all neck-deep in new disc reviews, myself included. I’ve just completed an in-depth look at Richard Donner’s Superman: The Movie, as newly-released in Warner’s Superman: 5-Film Collection in 4K Ultra HD. This a slightly different disc than the version released back in 2018 (and reviewed here) so be sure to check out the new review for all the relevant details.

FYI, I’m going to be working my way through every film in the set. In fact, I was up until 2 AM last night watching Richard Lester’s Superman II and also Superman II: The Richard Donner Cut in 4K Ultra HD back to back. So watch for the next reviews in the series here at The Bits tomorrow.

Meanwhile, Tim has turned in his thoughts on Nick Castle’s The Last Starfighter (1984) in 4K Ultra HD from Arrow Video, along with Norman Jewison’s original Rollerball (1975) in 4K Ultra HD from Scream Factory.

Stuart has taken a look at Frank Tuttle’s Lucky Jordan (1942) on Blu-ray from Kino Lorber Studio Classics.

And Stephen—working jointly with Tim—has offered his take on Tobe Hooper’s The Texas Chain Saw Massacre (1974) again, this time has released in regular and Limited Edition 4K Ultra HD from Second Sight Films in the UK. [Read on here...]

Wednesday afternoon here at The Bits brings new disc reviews and more release news as well...

First, Tim has posted his thoughts on Michael Felsher’s excellent new documentary After Effects: Memories of Pittsburgh Filmmaking, now available on Limited Edition Blu-ray from his own new label, Red Shirt Video. Sounds like it’s a pretty terrific release so do check it out.

By the way, after you enjoy that, here’s a link to an interview I did way back in 2005 (on the original Bits website) with writer/director John Harrison about Effects and his work with Romero and other Pittsburgh filmmakers. (Just pardon the messy formatting.)

Also this afternoon, Stephen has posted reviews of William Beaudine’s The Old Fashioned Way (1934) on Blu-ray from Kino Lorber Studio Classics, as well as Sarah Smith, Jean-Philippe Vine, and Octavio E. Rodriguez’s Ron’s Gone Wrong in 4K Ultra HD from 20th Century Studios.

More reviews are forthcoming in the days ahead, including several that I’m working on, so be sure to keep your eyes peeled for them. [Read on here...]

We’re starting today’s post as always with more new disc reviews...

In anticipation of Zack Snyder’s Justice League (I should have that 4K disc in hand for review sometime in the next few days), I’ve gone back to take a look at the director’s recently-remastered new 4K edition of Batman v Superman: Dawn of Justice – Ultimate Edition which was released in March by the Warner Archive Collection. The disc includes a revised HDR grade and a new variable aspect ratio presentation that includes 1.43 IMAX framing for select scenes. There’s a new commentary with the director as well, so it’s definitely worth a look if you’re a fan of the film.

Also today, I’ve given Gunpowder & Sky’s new US 4K release of the indie sci-fi film Prospect a look (an Ultra HD release that’s being distributed by Vinegar Syndrome). It offers a higher video bitrate than the German 4K release I’ve reviewed previously here, along with newly-produced extras and a nifty little in-universe booklet in the packaging. It’s highly recommended for fans of the film.

And because we’ve been getting a lot of questions about it: Yes, I will be reviewing Paramount and Lucasfilm’s Indiana Jones: 4-Film Collection in 4K Ultra HD. The disc streets next Tuesday, we should have our review copy in hand sometime over the next several days. Rest assured, as soon as we have it, I’ll get that title reviewed here on The Bits post-haste. [Read on here...]

All right, I trust you all had a fine and long Memorial Day weekend—those of you here in the States at least. We’ve got some good Blu-ray and 4K news to report today, but first more new disc reviews...

Tim has posted his thoughts on John Guillerman’s King Kong (1976), now available as a Collector’s Edition Blu-ray from Scream Factory.

He’s also weighed in on Vincent Robert’s The Fear (1995) on Blu-ray from Vinegar Syndrome.

Meanwhile, Dennis has turned in a look at George Abbott and Stanley Donen’s Damn Yankees (1958) on Blu-ray from the Warner Archive Collection.

And Stephen has weighed in as well with a look Michael Ritchie’s Smile (1975) on Blu-ray from Fun City Editions. [Read on here...]

Afternoon, folks!

All right, there was no post yesterday because we’ve spent the entire weekend focused on getting more new disc reviews done for you. And on that note...

Tim and I have posted our in-depth look at George A. Romero’s Dawn of the Dead, as newly released in a fabulous 4K Ultra HD Limited Edition by Second Sight Films in the UK. It’s hands down one of the best home video releases of the year on any format. You can find that here.

Also, I’ve now posted my thoughts on Paramount’s Beverly Hills Cop and Coming to America, both starring Eddie Murphy and both coming to 4K Ultra HD on 12/1.

I’ve also just reviewed Kino Lorber Studio Classics’ new standard Blu-ray release of George Miller’s Mad Max, which streets today. I’ll be reviewing their new 4K release too as soon as it arrives. [Read on here...]

HBO has just officially announced the 4K Ultra HD release of their Chernobyl miniseries on 12/1. The 5-episode series was finished natively in 4K and will include the Blu-ray and Digital copies as well (SRP $44.98). High Dynamic Range will presumably be HDR10.

Extras will include 5 featurettes (Meet the Key Players, Inside the Episode, Behind the Curtain: Director Johan Renck, Script to Screen: The Divers, and Pivotal Moment: The Trial).

Best Buy will also have an exclusive Steelbook version of the set. You can see the wide-release cover artwork pictured at left and also below.

Meanwhile, Warner Bros. Home Entertainment has finally announced V for Vendetta for release on 4K Ultra HD on 11/3.

This should be no surprise to Bits readers, as we’ve been talking about this disc for weeks now. [Read on here...]

Okay, we’ve got a couple things for you today...

First, Tim has posted his thoughts on Teruo Ishii’s Yakuza Law (1969) on Blu-ray from Toei via Arrow Video. And Dennis has turned in a look at a Richard Dreyfuss film from 1979, The Big Fix on Blu-ray via Twilight Time.

Also today, the big announcement news is that Lionsgate has set Hellboy (2019) for release on Blu-ray, DVD, and 4K Ultra HD on 7/23, with the Digital release expected on 7/9. The film employs a native 4K digital intermediate, so resolution should be very good indeed. The Ultra HD will also feature Dolby Vision HDR and Dolby Atmos audio. Extras will include deleted scenes, Previsualizations, and the 3-part Tales of the Wild Hunt: Hellboy Reborn documentary. You can see the cover artwork at left. [Read on here...]