Now then, while I’ve been checking in with our sources this week, Tim, Stephen, Stuart, Dennis, and the rest of The Bits’ review team have been knocking out all kind of great new disc reviews, including...
Tim’s look at the Wallace & Gromit: The Complete Cracking Collection in 4K Ultra HD from Aardman via Shout! Studios, which includes the Nick Park stop-motion animated films A Grand Day Out (1989), The Wrong Trousers (1993), A Close Shave (1995), The Curse of the Were-Rabbit (2005), and A Matter of Loaf and Death (2008).
Stephen’s take on Michael Mann’s Thief (1981) and Henri-Georges Clouzot’s The Wages of Fear (1953) in 4K Ultra HD from Criterion, as well as Richard Brooks’ Looking for Mr. Goodbar (1977) in 4K UHD from Paramount via Vinegar Syndrome.
Dennis’ thoughts on David Wellington’s The Carpenter (1988) on Blu-ray from Vinegar Syndrome, and Stanley Donen’s Arabesque (1966) and Willard Hyuck’s Best Defense (1984) on Blu-ray from Kino Lorber Studio Classics.
And finally, Stuart’s look at Clint Eastwood’s Juror #2 (2024) on Blu-ray from Warner Bros. Discovery Home Entertainment and Fernando Di Leo’s The Boss (1973) on Blu-ray from Raro Video via Kino Lorber.
More reviews are on the way here at the site for next week, including my own thoughts on Francis Ford Coppola’s Megalopolis (2024) in 4K Ultra HD. So be sure to watch for them.
In announcement news today, Kino Lorber Studio Classics has confirmed that John Frankenheimer’s Prophecy (1979) will street in 4K UHD on 5/20. Following on 5/27 are Stephen Surjik’s Wayne’s World 2 (1993) and Bobby and Peter Farrelly’s Kingpin (1996) both in 4K, along with Blu-ray titles that include Ferdinand Fairfax’s Nate & Hayes (1983), Mike Hodges’ I’ll Sleep When I’m Dead (2003), and the Audie Murphy Collection IV (1950-1954) box set which includes Kurt Neumann’s The Kid from Texas (1950), Budd Boetticher’s The Cimarron Kid (1952), and Nathan Juran’s Drums Across the River (1954).
Coming to Blu-ray on 6/24 from KLSC is the Audie Murphy Collection V (1956-1964) box set, which includes Jesse Hibbs’ Walk the Proud Land (1956), Harry Keller’s Seven Ways from Sundown (1960), and R.G. Springsteen’s Bullet for a Badman (1964). And the company has also revealed that Mimi Leder’s The Peacemaker (1997) is “coming soon” to 4K Ultra HD.
Meanwhile, Warner Bros. Discovery Home Entertainment has already set the animated The Day the Earth Blew Up: A Looney Tunes Movie (2025) for release on Blu-ray on 5/27. The company has also begun taking pre-orders for the 4K Ultra HD Steelbook release of Richard Donner’s Lethal Weapon (1987). There’s no street date yet listed, but our sources expect it to arrive on or around 5/20. We believe that the official studio announcement is imminent, so stay tuned. In the meantime, here’s what it looks like (click here or on the image below for the Amazon pre-order link)...
Paramount and Showtime have set Dexter: Original Sin for Blu-ray Steelbook release on 6/10.
Sony Pictures Home Entertainment is releasing an Outlander: Season Seven – Collector’s Edition Blu-ray package on 5/27.
Via Vision’s Imprint Films has announced a pair of additional TV Blu-ray titles for release in May, including Bewitched: Seasons 3 & 4 (1966-68) and Gidget: The Complete Series (1965). Both street on 5/28. Don’t forget that Bewitched: Seasons 1 & 2 (1964-66) also streeted in January from Imprint.
And finally today, our friends at Powerhouse Films have revealed some great new Blu-ray and 4K releases for both the UK and US markets, including Mike Nichols’ Carnal Knowledge (1971) (4K UHD and Blu-ray) and Simon Hesera’s A Day at the Beach (1970) (Blu-ray). Coming on 6/24 to the US only are Basil Dearden’s The Gentle Gunman (1952) (4K UHD and Blu-ray) and The Ship That Died of Shame (1955) (4K UHD and Blu-ray). In addition, Jean Rollin’s Fascination (1979) and The Shiver of the Vampires (1971) will street in wide-release 4K in the US only that same day.
The company also has a set of Region B/UK only Blu-ray titles coming on 6/23, including Ronald Neame’s The Chalk Garden (1964), Joseph L. Anderson’s Spring Night Summer Night (1967), Andrew V McLaglen’s Hellfighters (1968), Mike Nichols’ The Day of the Dolphin (1973), and Barbet Schroeder’s Single White Female (1992).
And that’s it for this week! We’ll leave you with a look at the cover artwork for Criterion’s complete June slate of titles (plus a couple more titles that we mentioned above), all of which are now available for pre-order on Amazon.com by clicking on the images below...



See you back here on Monday with more. Have a great weekend and stay tuned!
- Bill Hunt
(You can follow Bill on social media on Twitter, BlueSky, and Facebook, and also here on Patreon)