Displaying items by tag: Exhuma

We’ve got more interesting release news here today to close out the week, and a few more new disc reviews as well. First the reviews...

Stephen has turned in his thoughts on Abel Ferrara’s Dangerous Game (1993) on Blu-ray from Vinegar Syndrome via their fine new Cinématographe line.

And Dennis has reviewed Bryce McGuire’s Night Swim (2024) on Blu-ray from Blumhouse via Universal, as well as Raoul Walsh’s The Man I Love (1947) on Blu-ray from the Warner Archive Collection.

More reviews are on the way for next week, including my take on Hayao Miyazaki’s animated The Boy and the Huron (2023) in 4K Ultra HD from GKids. So be sure to stay tuned for them.

Also, my apologies for the lack of news updates this week, but I was struck a bout of vertigo last Saturday, and I’ve been having to take it a bit easy to reset everything back to normal. It’s nothing serious—mine is caused by tension in my shoulders aggravating the nerves in my neck, in this case triggered by sleeping with my neck in an awkward position. So the key is to fix my pillow situation and try to relax a little bit more. I’m sure some of you out there can relate!

Anyway, the big news lately is that Second Sight in the UK has finally set their long-awaited 4K remaster of Robert Harmon’s The Hitcher (1986) for release on both 4K Ultra HD and Blu-ray on 9/30. It’s currently exclusive to their website in a 4K + Blu-ray Limited Edition, as well as separate (and standard) 4K UHD and Blu-ray editions. [Read on here...]

Our second news update of the day starts with a little bit of breaking news: Paramount has just made David Zucker, Jim Abrahams, and Jerry Zucker’s Top Secret! (1984) and David Fincher’s Zodiac (2007) available in 4K Digital on Apple TV, Vudu, Kaleidescape, and more. Given the amount of effort Fincher puts into his remasters, we believe it’s safe to assume that Zodiac will be coming to physical 4K Ultra HD from Paramount sooner than later as well.

Zodiac, it should be remembered, was shot mostly in 10-bit RAW in 1080p HD (4:4:4) using the Thomson Viper FilmStream camera, along with some footage in 35 mm photochemical film (Super 35 format). But anyone who doubts that it could look great upscaled and remastered in 4K would do well to take a look at HBO’s Game of Thrones: The Complete First Season in 4K UHD (which we’ve reviewed here). The advantages of high data rate and low compression, combined with an HDR grade, could really make a difference. Zodiac in particular was very well lit and photographed. Personally, I’m eager to get a look at it.

Also today, Arrow Video has announced their August slate, which includes a UK-only 4K Ultra HD release of Michael Lehmann’s Heathers (1988) on 8/5, followed by a slew of titles on 8/26. Among them are Robert Rodriguez’s Desperado (1995) in 4K Ultra HD and The Mexico Trilogy box set (both in the UK, US, and Canada), which includes El Mariachi (1992) and Once Upon a Time in Mexico (2003) in Blu-ray, as well as the Desperado 4K. [Read on here...]

As always, we’re rounding out the week with more new disc reviews here at The Bits, including...

Tim’s take on producer Roy Huggins’s Colt .45: The Complete Series (1957-60) and Hanna-Barbera’s Yogi Bear and the Magical Flight of the Spruce Goose (1987), both on Blu-ray from the Warner Archive Collection.

Dennis’ look at Dorothy Davenport and Melville Shyer’s The Road to Ruin (1934) on Blu-ray from Kino Classics and Something Weird.

And Stuart’s thoughts on Paolo and Vittorio Taviani’s Allonsanfàn (1974), Pietro Germi’s The Facts of Murder (1959), and Damiano Damiani’s Goodbye & Amen (1977), all on Blu-ray from Radiance Films.

I’ve also just received Denis Villeneuve’s Dune: Part Two (2024) in 4K Ultra HD from Warner Bros., so watch for my in-depth review of that here at The Bits tomorrow sometime. [Read on here...]