Displaying items by tag: 20th Century Studios

We start as always today with several new disc reviews, including…

Sam Cohen’s take on Poul Bang and Sidney W. Pink’s Reptilicus (1961) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s look at Something Weird Video and Kino Classic’s double-feature Blu-ray of The Pace that Kills (1928) and its “talkie” remake The Cocaine Fiends (1935).

Dennis’ reviews of Clarence Brown’s Idiot’s Delight (1939) on Blu-ray from the Warner Archive Collection and Chad Ferrin’s Night Caller (2021) on Blu-ray from Vinegar Syndrome.

Stephen’s thoughts on Guy Ritchie’s The Man from U.N.C.L.E. (2015) in 4K Ultra HD from Arrow Video.

And last but definitely not least, Tim’s review of Arrow Video’s new UK-only release of Jonathan Demme’s The Silence of the Lambs (1991) in 4K Ultra HD, which corrects the color space issues that plagued the Kino Lorber Studio Classics 4K disc from 2021.

More reviews are forthcoming tomorrow, so be sure to watch for them!

Now then, the big news today is that Franklin J. Schaffner’s Planet of the Apes (1968) has just been upgraded to 4K on all your favorite Digital services, including Apple TV, Fandango at Home, Movies Anywhere, Kaleidescape and more! It actually has Dolby Vision HDR on Apple TV (and it may elsewhere as well). Naturally, we’ve asked about the possibility of a physical 4K release of this film. I suspect there are no current plans, but I also suspect that if the title does well on Digital, that could change. [Read on here...]

We’re starting the new week here at The Bits, as always, with more new disc reviews...

Stephen has turned in his thoughts on Albert Magnoli’s celebration of all things Prince, Purple Rain (1984), in 4K Ultra HD from Warner Bros. Discover Home Entertainment. The film celebrates its 40th anniversary this summer, and the city of Minneapolis has been partying all weekend in honor of it (more on that here).

Also, I’ve shared my thoughts on Trey Parker and Matt Stone’s South Park: Bigger, Longer & Uncut (1999) in 4K Ultra HD from Paramount Home Entertainment. I’m not sure the title actually needed a 4K upgrade, but what the heck—blame Canada. You can read all the details here.

And Dennis has shared his perspective on The Wachowskis’ Bound (1996), which is new on Blu-ray (and 4K UHD) from our friends at The Criterion Collection.

More reviews are forthcoming this week, so be sure to stay tuned for them.

Now then... we’ve got a pretty significant piece of industry news to share with you today. Sony Pictures Home Entertainment has completed an “umbrella” distribution deal with Studio Distribution Services (SDS) that covers not only their own Blu-ray, DVD, and 4K Ultra HD product, but also titles from Lionsgate and Disney (along with 20th Century Studios, Touchstone, Hollywood Pictures, and the other Disney-owned labels), which Sony produces for those studios. We first broke the news of this for our Patreon subscribers over the weekend.

The reason this deal is important is that it guarantees Sony, Disney, 20th Century Studios, and Lionsgate a direct and stable distribution channel for their physical media product into Walmart stores. And as we’ve reported previously, Walmart is the biggest disc retailer in North America with a whopping 45% share of the disc sales market (as of earlier this year—that number may have grown a bit with the recent exit of Best Buy, which had approximately 4% of the business). [Read on here...]

We’ve got some great news to report for you today folks...

20th Century Studios is officially announcing the Blu-ray, DVD, and 4K Ultra HD release of Wes Ball’s highly-successful sequel film, Kingdom of the Planet of the Apes (2024) today!

And here’s the official word, straight from the studio...

THE SUMMER EPIC HIT, KINGDOM OF THE PLANET OF THE APES, REIGN CONTINUES

Be The First To Watch at Home When 20th Century Studios’ Impressive Action-Adventure Kingdom of the Planet of the Apes
Becomes Available to Buy at Digital Retailers on July 9 and on 4K Ultra HD, Blu-ray, and DVD on August 27

The 4K Ultra HD Package Contains Over 3 Hours of Content
Plus An Alternate Cut of the Movie

BURBANK, CA (June 20, 2024) – The fate of the world is at stake when 20th Century Studios’ Kingdom of the Planet of the Apes arrives to digital retailers (Prime Video, Apple TV and Fandango at Home) on July 9 and on 4K Ultra HD, Blu-ray and DVD on August 27. Director Wes Ball’s stunning new entry into the Planet of the Apes series has been heralded by critics as “a jaw-dropping spectacle” (Matt Neglia, Next Big Picture) and “a visual masterpiece” (Mark Hughes, Forbes). It is Certified-Fresh on Rotten Tomatoes and has thrilled audiences worldwide, becoming one of the biggest global box office successes of the year and marking the beginning of a new era for the epic Planet of the Apes franchise.

Set generations after Caesar’s reign in a world where apes are the dominant species, Kingdom of the Planet of the Apes follows an ape named Noa and a human named Mae as they emerge to define the future of how apes and humans will coexist.

Fans can delve deeper into the franchise on 4K UHD editions with Inside the Lens: The Raw Cut, a full-length alternative cut with a split-screen comparison between the final cut of the film and a version with unfinished VFX with optional audio commentary by director Wes Ball, editor Dan Zimmerman and VFX supervisor Erik Winquist. The never-before-seen alternate cut gives fans a unique opportunity to see the actors’ performances before the visual effects were completed. [Read on here...]

Our second news update of the day starts with a little bit of breaking news: Paramount has just made David Zucker, Jim Abrahams, and Jerry Zucker’s Top Secret! (1984) and David Fincher’s Zodiac (2007) available in 4K Digital on Apple TV, Vudu, Kaleidescape, and more. Given the amount of effort Fincher puts into his remasters, we believe it’s safe to assume that Zodiac will be coming to physical 4K Ultra HD from Paramount sooner than later as well.

Zodiac, it should be remembered, was shot mostly in 10-bit RAW in 1080p HD (4:4:4) using the Thomson Viper FilmStream camera, along with some footage in 35 mm photochemical film (Super 35 format). But anyone who doubts that it could look great upscaled and remastered in 4K would do well to take a look at HBO’s Game of Thrones: The Complete First Season in 4K UHD (which we’ve reviewed here). The advantages of high data rate and low compression, combined with an HDR grade, could really make a difference. Zodiac in particular was very well lit and photographed. Personally, I’m eager to get a look at it.

Also today, Arrow Video has announced their August slate, which includes a UK-only 4K Ultra HD release of Michael Lehmann’s Heathers (1988) on 8/5, followed by a slew of titles on 8/26. Among them are Robert Rodriguez’s Desperado (1995) in 4K Ultra HD and The Mexico Trilogy box set (both in the UK, US, and Canada), which includes El Mariachi (1992) and Once Upon a Time in Mexico (2003) in Blu-ray, as well as the Desperado 4K. [Read on here...]

We’ve got no less than eight new reviews for you guys to start the new week out right here at The Bits, staring with Tim’s look at The Good, The Bad, and Huckleberry Hound (1988) from Hanna-Barbera on Blu-ray from the Warner Archive Collection.

Dennis has offered his thoughts on Charles Brabin’s The Mask of Fu Manchu (1932) on Blu-ray also from the Warner Archive Collection, as well as Nancy Savoca’s True Love (1989) on Blu-ray from Kino Lorber Studio Classics.

Stuart has delivered four reviews, including Ulrich Seidl’s Rimini (2022) on Blu-ray from Vinegar Syndrome, Jean-Paul Salomé’s La Syndicaliste (2022) on Blu-ray from Kino Lorber, John Boorman’s The Emerald Forest (1985) on Blu-ray from Kino Lorber Studio Classics, and Robert Allan Ackerman’s Life with Judy Garland: Me and My Shadows (2001) on DVD from Via Vision Entertainment.

And finally, Stephen has got an in-depth review of Alex Proyas’ The Crow (1994) in 4K Ultra HD from Paramount Home Entertainment, which is a gorgeous restoration that should impress most cinephiles.

All of these films are well worth a look, and more new disc reviews are certainly on the way this week, so be sure to watch for them.

Now then, my apologies for the lack of a news update here since mid last week, but I have unfortunately had COVID. Fortunately, a mild case, but enough to knock me out of commission for a few days. But I’m well on the path to recovery and feeling well enough to catch you all up on the latest news here at The Bits today. So let’s get right to it... [Read on here...]

Today’s update is a quick one, but we’re starting with more new disc reviews...

Tim has posted his thoughts on Guillermo del Toro’s Crimson Peak (2015) in 4K Ultra HD from Arrow Video, as well as Hanna-Barbera’s Top Cat and the Beverly Hills Cats (1988) on Blu-ray from the Warner Archive Collection.

And Dennis has reviewed Francis Ford Coppola’s The Rain People (1969) on Blu-ray, also from the Warner Archive Collection.

In announcement news today, Warner Bros. Discovery Home Entertainment has just made Albert Magnoli’s Purple Rain (1984) official for release in physical 4K Ultra HD and 4K Digital on 6/25 (SRP $33.99 for the disc). As expected, the disc will include audio commentary by Magnoli, Robert Cavallo, and Donald E. Thorin, 3 featurettes (First Avenue: The Road to Pop Royalty, Purple Rain Backstage Pass: Behind the Scenes, and Riffs, Ruffles and a Revolution: The Impact and Influence of Purple Rain), the MTV Premiere Party Original Broadcast, a gallery of Prince movie trailers, and 8 music videos for songs from the film. [Read on here...]

As always, we’re rounding out the week with more new disc reviews here at The Bits, including...

Tim’s take on producer Roy Huggins’s Colt .45: The Complete Series (1957-60) and Hanna-Barbera’s Yogi Bear and the Magical Flight of the Spruce Goose (1987), both on Blu-ray from the Warner Archive Collection.

Dennis’ look at Dorothy Davenport and Melville Shyer’s The Road to Ruin (1934) on Blu-ray from Kino Classics and Something Weird.

And Stuart’s thoughts on Paolo and Vittorio Taviani’s Allonsanfàn (1974), Pietro Germi’s The Facts of Murder (1959), and Damiano Damiani’s Goodbye & Amen (1977), all on Blu-ray from Radiance Films.

I’ve also just received Denis Villeneuve’s Dune: Part Two (2024) in 4K Ultra HD from Warner Bros., so watch for my in-depth review of that here at The Bits tomorrow sometime. [Read on here...]

We have six new disc reviews for all of you to enjoy today, including...

Stuart’s look at Denys Arcand’s Dirty Money (1972) and Paul Vecchiali’s The Strangler (1970) both on Blu-ray from Vinegar Syndrome.

Dennis’ take on Norman Jewison’s The Thomas Crown Affair (1968) on Blu-ray from Kino Lorber Studio Classics

And Stephen’s look at Robert Benton’s Kramer vs. Kramer (1979) and Stanley Kramer’s Guess Who’s Coming to Dinner (1967) in 4K from Sony’s Columbia Classics 4K Ultra HD Collection: Volume 4 box set, as well as Michael Mann’s Ferrari (2023) in Blu-ray from Neon via Decal Releasing.

All are well worth a look, so we hope you enjoy them. And more are forthcoming.

Before we get to announcement news today, Amazon has finally made Andor: The Complete First Season and Obi-Wan Kenobi: The Complete Series available for pre-order in 4K Ultra HD Steelbook format. (The Blu-ray Steelbook pre-orders should soon be live as well.) We’ve included the links and cover art below. [Read on here...]

All right, welcome to a new week Bits readers!

Today is all about James Cameron here at the website, and to that end I’ve just finished knocking out in-depth reviews of the filmmaker’s The Abyss (1989), Aliens (1986), and True Lies (1994) in long-awaited physical 4K Ultra HD and remastered Blu-ray from 20th Century Studios!

The gist is that all three of these discs are worth picking up for Cameron fans and cinephiles, though one of the three titles is a bit complicated. The Abyss is the best looking of the three, nearly on par with the recent Titanic 4K release. Aliens is not far behind in terms of A/V quality and both titles include a nearly complete archive of all past special features created for the films.

True Lies is... well, it looks a lot better than the previous DVD, LaserDisc, and D-VHS releases. Sometimes, it looks fantastic. But at other times, the remastering is a little bit heavy-handed.

It’s still way better looking than StudioCanal’s Terminator 2 4K release though, so it’s a very solid upgrade over previous physical media releases, and it includes some nice features too.

Anyway, you’ll find all of the details in the linked reviews.

But while we’re on the topic of Cameron—and speaking the Terminator—producer Gale Anne Hurd shared over the weekend that plans to celebrate the 40th anniversary of Cameron’s original The Terminator (1984) are soon to be revealed. And we have good word that a new 4K Ultra HD release will chief among them. In the meantime, you can see her post on X/Twitter here. [Read on here...]

All right, we’ve got quite a bit of ground to cover today here at The Digital Bits. But as always, we’re starting first with some more new disc reviews. And they’re good ones...

Stephen has taken a look at a pair of 4K Ultra HD releases, including Walter Hill’s The Warriors (1979) in 4K from Arrow Video—an absolutely fantastic release—as well as Ishirō Honda’s original Godzilla (1954) in 4K from Toho, a Japanese import disc that has no English subtitles. But read on, because Stephen’s thoughts on it are well worth your time.

Now then, the first big piece of news we have today is that our friends at The Criterion Collection have just announced their April Blu-ray, DVD, and 4K UHD slate, which is set to include an update of Mathieu Kassovitz’s La haine (1995) (Spine #381 – 4K Ultra HD + Blu-ray) on 4/2, an update or Peter Weir’s Picnic at Hanging Rock (1975) (Spine #29 – 4K Ultra HD + Blu-ray) on 4/9, Béla Tarr and Ágnes Hranitzky’s Werckmeister Harmonies (2000) (Spine #1215 – 4K Ultra HD + Blu-ray, Blu-ray, and DVD) on 4/16, Mikhail Kalatozov’s I Am Cuba (1964) (Spine #1214 – 4K Ultra HD + Blu-ray, Blu-ray) on 4/23, and Nancy Savoca’s Dogfight (1991) (Spine #1216 – Blu-ray) on 4/30. Of the 4K titles, La Haine will include Dolby Vision HDR. [Read on here...]