Displaying items by tag: Dennis Seuling

We’ve got some announcement news and a couple of reviews to share with you for our first My Two Cents update of 2023...

Starting as always with those reviews, Tim has posted his thoughts on Reacher: Season One in 4K Ultra HD from Paramount.

Meanwhile, Dennis has offered his take on Lou Adler’s Ladies and Gentlemen, The Fabulous Stains (1982) on Blu-ray from Paramount via Imprint Films, as well as Nathan H. Juran’s Attack of the 50 Ft. Woman (1958) on Blu-ray from our friends at the Warner Archive Collection.

More reviews are forthcoming, so be sure to stay tuned for them.

And in the event you missed it, some of you longtime readers might enjoy my New Year’s Eve look back at twenty-five years of The Digital Bits. It’s certainly been an adventure and we’re all very glad to have you along with us on the journey!

Now then, Disney appears to be re-issuing many of its Disney Animated, Pixar, and Star Wars slate of 4K Ultra HD titles throughout the coming year, exclusively at Best Buy stores, in new “Disney 100” Steelbook packaging. [Read on here...]

Published in My Two Cents

On this final day of 2022, I wanted to take a moment to reflect on the past year and, really, on the past twenty-five years here at The Digital Bits website.

First though, our own Michael Coate has just delivered one final History, Legacy, and Showmanship retrospective for the year, a look back at Steven Spielberg’s E.T. the Extra-Terrestrial in celebration of the film’s 40th anniversary. The piece features another epic and multi-page roundtable interview with film experts and historians. Note that the piece will also be updated early in the new year with additional images and information, but the interview as it is is thorough and well worth your time, so be sure to check it out.

Now then… it’s an extraordinary thing to look back at twenty-five years of this website, a site I first started back in 1997 to cover the advent of DVD and to introduce the appreciation of cinema to a wider audience. As a film student at the Universal of Wisconsin in Madison, I had the honor of studying the subject under two of the finest film historians and theorists working today, David Boardwell and Kristin Thompson, not to mention the pleasure of discovering not just the Hollywood classics but the wider world of international cinema. And it’s been my goal—both then and now—to share that love and joy of discovery with everyone who might be interested. [Read on here...]

Published in My Two Cents

Welcome back from the holiday, Bits readers! We hope and trust that each of you were able to enjoy a great celebration with your family and friends.

Sarah and I have my mother staying here over the holidays, so we’ve been cooking up a storm, enjoying some great food, and watching lots of movies. I also just finished watching the season finale of HBO’s His Dark Materials—more on that in a moment—and I’ve started in on the new season of Jack Ryan on Amazon Prime. I still need to check out Avatar: The Way of Water at my local IMAX theater, but I’ll get to that soon enough.

We’ve got a new contribution from each member of the Bits reviewing team for you today, including...

Dennis’ look at Robert Mandel’s School Ties (1992) on Blu-ray from Imprint Films and Via Vision.

Stephen’s take on James Whale’s By Candlelight (1933) on Blu-ray from Kino Lorber Studio Classics.

My thoughts on the new single-film 4K Ultra HD SKU of Wilson Yip’s Ip Man (2008) from Well Go USA.

And last, but certainly not least, Tim’s in-depth take on Peter Jackson’s The Frighteners: Ultimate Edition (1996) on 4K Ultra HD from our friends at Turbine Media in Germany! This is a pretty spectacular box set release, and Tim will tell you all about it in his review, so you definitely don’t want to miss it. [Read on here...]

Published in My Two Cents

Before we get to today’s brief bit of release news, we have two more new disc reviews for you...

Dennis has turned in his thoughts on Ol Parker’s Ticket to Paradise (2022), which is new on Blu-ray from Universal. The film stars Julia Roberts and George Clooney.

And Stephen has delivered a look at Ted Kotcheff’s North Dallas Forty (1979) on Blu-ray from our friends down under at Imprint and Via Vision.

Also here at The Bits today, we’ve just posted a major update of our Upcoming Cover Artwork section, featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links (like this one) you’re helping to support our work here at The Bits and we appreciate it! [Read on here...]

Published in My Two Cents

Today’s post is going to be a quick one here at The Bits, but as always we have a few more new disc reviews, and some more good disc release news as well. First the reviews...

Dennis has posted his thoughts on Robert Benton’s Twilight (1998) on Blu-ray from Kino Lorber Studio Classics.

And Stephen has offered his take on León Klimovsky’s The Werewolf Versus the Vampire Woman (1971) in 4K Ultra HD from our friends at Vinegar Syndrome.

Now to the news... Kino Lorber Studio Classics will release Orson Welles’ The Lady from Shanghai (1947) on Blu-ray on 1/31. The company has also set Alexander Hall’s Little Miss Marker (1934) and David Greenwalt’s Secret Admirer (1985) for release on Blu-ray on 3/7. Also announced as “coming soon” to Blu-ray from the company are Rouben Mamoulian’s High, Wide and Handsome (1937) and Dave Thomas’ The Experts (1989).

Cult Epics has set Martin Koolhoven’s AmnesiA (2001) for release on Blu-ray on 4/11/23.

ClassicFlix will release Victor Saville’s The Long Wait (1954) on 4K Ultra HD on 3/21/23. [Read on here...]

Published in My Two Cents

We’ve got a couple more new disc reviews, some release news, and more big 4K Ultra HD catalog updates for you all this afternoon to start Christmas week off right. First up, the reviews...

I’ve taken a look at Blue Underground’s new wide-release 4K Ultra HD edition of Don Taylor’s The Final Countdown (1980), with a bit of help from our own Tim Salmons.

Dennis has turned in his thoughts on George Seaton’s The Counterfeit Traitor (1962) on Blu-ray from Kino Lorber Studio Classics and also Daniel Mann’s The Rose Tattoo (1955) on Blu-ray from Imprint Films and Via Vision Entertainment.

And Stephen has delivered a look at Neil Marshall’s Dog Soldiers (2002) in 4K Ultra HD from Scream Factory.

We’ve got a few more new disc reviews on the way this week before the holiday, so be sure to watch for them. [Read on here...]

Published in My Two Cents

We start with two more new disc reviews today (and there might be one more from me later this evening, but it should certainly be up by tomorrow morning)...

Tim has reviewed Crane Wilbur’s The Bat (1959), which is available in a fine new Blu-ray edition from our friends at The Film Detective.

And Dennis has offered his thoughts on Lynne Littman’s Testament (1983), a post-apocalyptic drama from PBS’ American Playhouse and Paramount Pictures that includes William Devane, Jane Alexander, Kevin Costner, Rebecca De Mornay, and Lukas Haas. That’s new on Blu-ray from the good folks at Imprint Films.

Now then, the big announcement news today is that Disney has just officially set Don Hall and Qui Nguyen’s animated Strange World for release on Blu-ray, DVD, and 4K Ultra HD on 2/14. Look for the Digital and Disney+ streaming release to happen on 12/23. Audio will be Dolby Atmos on the 4K and DTS-HD MA on Blu-ray, as always. Extras will include 4 featurettes (Anatomy of a Scene: Creating A Strange World, Strange Science, Creature Feature, and The Hidden Secrets of Strange World), outtakes, and 4 deleted scenes (The Ballad of Jaeger Clade, Lightning Lynx, Funerals and Promises, and Ethan and Searcher). You can see the cover artwork at left and also below. [Read on here...]

Published in My Two Cents

We’ve got no less than five more new disc reviews for you all to enjoy today...

I’ve just posted my thoughts on Quentin Tarantino’s Reservoir Dogs (1992) in 4K Ultra HD from Lionsgate.

Stephen has checked in with a look at Tobe Hooper’s The Texas Chainsaw Massacre 2 (1986) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Julien Temple’s Earth Girls Are Easy (1988), the new Vestron Video Collector’s Series title on Blu-ray from Lionsgate.

And Tim has taken a look at Lewis Gilbert’s Damn the Defiant! (1962) on Blu-ray from Imprint Films, as well as Montgomery Tully and Dennis O’Keefe’s The Diamond Wizard (1954) on Blu-ray 3D from Kino Lorber Studio Classics, via a great new restoration by the 3-D Film Archive.

In announcement news today, Lionsgate has set Hype Williams’ Belly for release on 4K Ultra HD on 1/24/23. There will be a wide release that includes a Blu-ray and Digital copy, along with a Best Buy-exclusive Steelbook package. Look for the package to have a new Dolby Atmos mix, along with the following special features: audio commentary with Williams, Spoken Word, a deleted scene, and the Grand Finale music video. [Read on here...]

Published in My Two Cents

Well, the big news this week is so big that we’re going to address it right off the top: In a sudden and unexpected move, Disney’s board of directors has ousted CEO Bob Chapek and re-hired Bob Iger. The news came out of the blue on Sunday night and seems to have taken everyone by surprise. Bob Iger of course was the company’s previous CEO, who took over for Michael Eisner—the man who’d served in that role for over two decades at that point—back in 2005. It was under Iger’s watch that Disney acquired Pixar, Marvel Entertainment, Lucasfilm, and the film division of 20th Century Fox. He also laid the groundwork for the launch of Disney+ in 2019.

Chapek was no stranger to Disney, having joined the company in 1993 as the director of marketing for Buena Vista Home Entertainment. In this capacity he helped steer Disney through the “Golden Age” of DVD and eventually the launch of Blu-ray, which is how I came to know him. He was so successful in that capacity that he was promoted to president of Home Entertainment in 2006, and eventually took over at Disney Consumer Products (in 2011) and Parks and Resorts (in 2015), which seemed to make him a natural fit to become CEO of Disney himself when Iger eventually stepped down.

But apparently, Iger and Chapek did not often see eye to eye. Iger, who could (and probably should) have worked more aggressively to groom a clear successor to lead the company in his own image, failed to do so, resulting in Chapek’s elevation to CEO in 2020. But Chapek’s reign was troubled from the very start, stricken first by the COVID-19 pandemic and next by a series of public “self-owns” and media missteps. [Read on here...]

Published in My Two Cents
Page 15 of 40