Displaying items by tag: Constantine (2005) 4K

We’ve got more new disc reviews today to start the short Thanksgiving week out right here at The Bits. Among them are...

Stephen’s take on Fred Zinnemann’s A Man for All Seasons (1966) in 4K Ultra HD from Sony’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Tim’s review of Don Siegel’s Two Mules for Sister Sara (1970) in 4K Ultra HD from Kino Lorber Studio Classics, as well as his on-going film-by-film review of Arrow’s excellent Shawscope: Volume Two Blu-ray boxed set—today featuring his thoughts on Lau Kar-leung’s The 36th Chamber of Shaolin (1978).

And my review of Dean Parisot’s Galaxy Quest (1999) in 4K Ultra HD Steelbook from our friends at Paramount Home Entertainment.

We’ve all got a lot more reviews in the works here at the site as well, so be sure to check back. In fact, in the next 24 hours or so, I’ll have my reviews of Akira Kurosawa’s Seven Samurai (1954) in 4K from the BFI (as compared to the recent Criterion 4K release, which I reviewed here last week), as well as my thoughts on Fede Álvarez’s Alien: Romulus (2024) in 4K UHD from 20th Century Studios.

Also today, I wanted to let you that I just dropped my second My Two Cents: A Video Blog episode exclusively for our supporters on The Digital Bits’ Patreon page. It runs about 26 minutes and includes comments on new and recent 4K titles, a sneak peek of 2025 4K catalog titles, and more. [Read on here...]

All right, today is Election Day here in the States, which means that partisans on both sides (and everyone in between) are feeling grumpy, nervous, or just over the whole damn thing. Some folks this evening or tomorrow—or at some point in the next two months—will be happy-ish. But while none of this feels normal, it may actually be the new normal, and that too is unsettling for lots of people.

Given all of that, I wanted to share a post today here at The Digital Bits that might actually serve as a balm or a ray of sunshine for movie and 4K fans—or at least a bit of welcome news—no matter what the outcome of today’s voting might be. So stay tuned for that in a moment.

First though, we’ve got a trio of new disc reviews to share with you here today, including...

Stephen’s take on Robert Rossen’s All the King’s Men (1949) in 4K Ultra HD from Sony Pictures Home Entertainment’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Dennis’ review of Robert Rossen’s Body and Soul (1947) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s thoughts on Alberto Cavalcanti’s Nicholas Nickleby (1947) on Blu-ray from Kino Classics.

More reviews are definitely on the way soon, including my own look at Arcane: League of Legends in 4K UHD from GKids and Shout! Studios. So be sure to watch for them. [Read on here...]

We’re starting today with a bunch of new disc reviews here at The Digital Bits, including...

Tim’s look at George A. Romero’s Land of the Dead (2005) in 4K Ultra HD from Scream Factory.

And Stephen’s thoughts on Carlo Ledesma’s The Tunnel (2011) on Blu-ray from Umbrella Entertainment and Vinegar Syndrome, as well as John Francis Daley and Jonathan Goldstein’s Game Night (2018) on 4K Ultra HD from Warner Bros. Discovery Home Entertainment.

We have more new disc reviews coming this afternoon and tomorrow as well, so be sure to keep watching for them.

We’re also going to be trying out a new approach to sharing these news updates here on the site. Rather than simply posting one long update a day, I’m going to try posting two shorter updates, one late morning (US Pacific time) and one later in the afternoon. The idea is that shorter updates are a little easier to manage, so I’ll be able to get breaking news up a little more quickly here. So be sure to check back later today for a second news post.

Now then... first up in announcement news today, Warner Bros. Discovery Home Entertainment has officially set Todd Phillips’ Joker: Folie à Deux (2024) for release on Blu-ray, DVD, 4K Ultra HD, and 4K UHD Steelbook on 12/17, with the Digital release due on 10/29. You can see the cover artwork at left and also below. [Read on here...]