Displaying items by tag: iTunes

All right, we’re starting today with a couple of new disc reviews...

First of all, Stephen has checked out Michael Mann’s Collateral on 4K Ultra HD, as released late last year on the format by Paramount Home Entertainment. It’s a modest upgrade, but might be worth a look for fans.

Also, Dennis has turned in his thoughts on D.A. Pennebaker’s 1970 documentary film Original Cast Album: Company, as newly released on Blu-ray by the Criterion Collection. Do check it out.

Now then, the big release news today is that Walt Disney Studios Home Entertainment and 20th Century Studios have just officially set Shawn Levy’s Free Guy for release on Blu-ray, DVD, and 4K Ultra HD on 10/12, with the Digital release expected on 9/28. The 4K disc will include HDR10 high dynamic range and Dolby Atmos audio. [Read on here...]

We’re very pleased this morning to bring you some great breaking release news...

Walt Disney Studios Home Entertainment has just officially set director Robert Zemeckis’ ground-breaking animation/live action comedy Who Framed Roger Rabbit (1988) for release on 4K Ultra HD on 12/7! You can see the cover artwork at left and also below.

We first reported that this title was coming over a year ago here at The Digital Bits, with studio sources originally providing us with a street date of 10/12. More recently those same sources had suggested to us that the title could slip into early 2022. (The other 4K title we were told to expect along with it—Michael Mann’s Heat (1995)—is likely to be so delayed.) So it’s great to see that work on the Roger Rabbit 4K release has finally been completed in time for a release this year. [Read on here...]

Today’s post here at The Bits is a quick one, as we have family visiting this week. However, we do have a little bit of release news and a couple more new reviews for you as well...

First up, I’ve given Cameron Crowe’s semi-autobiographical love letter to rock music, Almost Famous, a look in a fantastic new 2-disc 4K Ultra HD Steelbook edition from Paramount. The remaster is gorgeous, the set includes two UHD discs—one each for the different versions of the film—it carries over all of the legacy extras, and it adds some new ones too. It’s a great set, so do give it a look if you’re a fan of the film.

Also, Stephen has reviewed Tony Scott’s True Romance as newly-released on 4K Ultra HD by Arrow Video, a UK import title that’s also apparently a pretty great remaster and worth considering.

And if you check back tomorrow, I’ll have a review of another 4K import title: Rian Johnson’s Looper from Entertainment One. [Read on here...]

We’ve got a little bit of news for you today, as well as some new Blu-ray and 4K Ultra HD reviews...

First, I’ve just posted a review of Jon Favreau’s original Iron Man in 4K Ultra HD, from Marvel (distributed by Paramount and now Disney). For you guys, I bit the bullet and picked up a copy myself. The new Atmos mix is pretty great, but the 4K image quality is a bit disappointing. Click here for the details. The title streets today.

And Tim has just posted his thoughts on Gordon Hessler’s Scream and Scream Again from Kino Lorber Studio Classics, as well as Riccardo Freda’s Double Face from Arrow Video, both on regular Blu-ray. [Read on here...]

Every now and again, we talk here at The Digital Bits about the need to fight for the preservation of physical media. Meaning discs.

And every time we do, we get a few emails from our younger readers saying that we sound ridiculous for doing so, because discs are for dinosaurs and digital is awesome and that’s the future and you can watch it on your phone.

But we continue to fight for physical media for a very good reason... and older readers will know from experience why we do.

If you own all your movies and music on discs, you’ll have them indefinitely, whenever you want to watch or listen to them. You can still rip those discs to a digital file to watch your content on whatever device you want to. Sure it takes a little more effort to do so, but you still have that disc sitting on a shelf or in a box. And that’s very important.

Here’s why: If all your content is digital only, and your library exists only in the cloud, you don’t actually have those movies. You don’t own them, even if you’ve “purchased” them with your hard earned money. And the studios or streaming services can take them away from you whenever they want to. [Read on here...]