Displaying items by tag: Dennis Seuling

Afternoon, everyone! On this balmy day before Thanksgiving, we’ve got a trio of new disc reviews for you all to enjoy…

Dennis has offered his thoughts on Harry Beaumont’s Dance, Fools, Dance (1931) on Blu-ray from the Warner Archive Collection, as well as Brad Watson’s The Siege (2023) on Blu-ray from Well Go USA Entertainment.

And Tim has turned in his take on the box-office bonanza that is Greta Gerwig’s fascinating and unexpected Barbie (2023) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment, which more than lives up to its clever marketing pitch: “If you love Barbie, this movie is for you!” and “If you hate Barbie, this movie is for you!” In my humble opinion, any film that starts with a bang-on spoof of Kubrick’s 2001: A Space Odyssey is worthy of serious consideration.

So we hope you enjoy those, and be aware that we’ll have one more review for you in time for the holiday tomorrow. As I’m sitting here in The Bits’ palatial West Coast headquarters drinking my morning coffee, I’m waiting patiently for the arrival of our review copy of Oppenheimer 4K, which should be here any time. [Read on here...]

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Evening, folks! Sorry about the lack of an update yesterday, but I was A) busy working on several new disc reviews, and B) roped into doing the Thanksgiving grocery shopping here. And you know how that goes: It’s a zoo out there!

But as a result of our work, we’ve got no less than five new disc reviews for you to enjoy today...

First, Tim has taken a look at Brett Ratner’s The Silence of the Lambs prequel Red Dragon (2002), which is new on 4K Ultra HD from Kino Lorber Studio Classics.

Dennis has offered his take on William Kaufman and Johnny Strong’s Warhorse One (2023) on Blu-ray from Well Go USA Entertainment.

Stephen has delivered a look at Wes Anderson’s Asteroid City (2023) on Blu-ray from Universal, as well as Béla Ternovszky’s animated Cat City (1986) on Blu-ray from Deaf Crocodile and Vinegar Syndrome.

And I’ve posted my thoughts on Andrew Davis’ The Fugitive (1993) which just arrived today in a terrific new 4K Ultra HD release from Warner Bros. Discovery Home Entertainment, mastered from a new 8K scan of the original camera negative no less!

I’m also working on a review of Christopher Nolan’s Oppenheimer (2023) in 4K for posting very soon. The title streets today, but I’m still waiting on my review copy from Universal, which should be here in the next couple days. (FedEx is a little slow, what with the holiday week and all.) My review of the film itself is already complete, and as soon as the disc arrives I’ll dive right in and get the review posted ASAP. So be sure to watch for it. [Read on here...]

Published in My Two Cents

We’re rounding out the week here with three more new disc reviews, including...

Dennis’ take on Costa-Gravas’ Mad City (1997) on Blu-ray from the Warner Archive Collection.

And Stuart’s thoughts on Frederic C. Hobbs’s Godmonster of Indian Flats (1973) on Blu-ray from AGFA, Something Weird, and Vinegar Syndrome, and the Villages of the Damned: Three Horrors from Spain Blu-ray release also from Vinegar Syndrome, which includes Pedro Olea’s The Forest of the Beast (1970), Silvio Narizzano’s The Sky Is Falling (1975), and Gonzalo Suárez’s Beatriz (1976).

Meanwhile, the rest of us are already working on a bunch more new Blu-ray and 4K UHD reviews for next week. And I do mean a bunch. So be sure to watch for them.

We also have a couple significant pieces of catalog news for you this afternoon before we go...

The first is that Kino Lorber Studio Classics has just officially set Ivan Reitman’s Kindergarten Cop (1990) for release on 4K Ultra HD on 1/23, featuring two new audio commentaries (by film historians Alexandra Heller-Nicholas and Josh Nelson, and a second by film historian Samm Deighan). [Read on here...]

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Whew! Yesterday was a big day, was it not? I was up all night prior to the announcement, formatting the post for 7 AM Pacific release, and man was it ever good to finally share that! I’ve been sitting on some of that information for months, so I’m very glad to finally be able to speak about it openly. And after thirteen years, it’s damn good to finally confirm that those James Cameron titles are indeed coming to 4K and Blu-ray at long last.

We have more new disc reviews to share today here at The Bits, and there’s more release news today as well. But first, I wanted to let you all know that I’ve just done a new blog post over on Patreon: My Two Cents on the New Abyss Trailer, and the Subject of DNR and Film Grain. It’s based on an impromptu Q&A thread I was involved in over on Twitter/X this morning, but with some added detail that will definitely be of interest to fans of these James Cameron films in remastered 4K. So if you’re a backer of The Bits’ new Patreon—and if you’re not, you should be, as we really need and appreciate the support!—I think you’ll certainly enjoy that. But for the rest of you, rest assured: Much of the substance of that post will be shared here on The Bits website when we review The Abyss, True Lies, Aliens, and Titanic in 4K, first on Digital in a few weeks and then in a few months on actual 4K UHD disc.

Now then, speaking of reviews... Stephen has posted his thoughts on Roger Spottiswoode’s The Best of Times (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has reviewed Éric Gravel’s Full Time (2021) on Blu-ray from Music Box Films and Vinegar Syndrome, as well as Jared Moshe’s Aporia (2023) on Blu-ray from Well Go USA.

Stuart has weighed in with his take on Roy Del Ruth’s Du Barry Was a Lady (1943) on Blu-ray from the Warner Archive Collection, along with Jules Dassin’s Uptight (1968) on Blu-ray from Imprint Films.

And for you Peckinpah fans, Tim has shared his in-depth look at Sam Peckinpah’s Bring Me the Head of Alfredo Garcia (1974), also on Blu-ray from Imprint Films.

As always, more new disc reviews are on the way for tomorrow and all next week, so be sure to watch for them. [Read on here...]

Published in My Two Cents

We’ve got a trio of new disc reviews to round out the week today, including...

My thoughts on David Anspaugh’s Rudy (1993) which streets in 4K Ultra HD from Sony next Tuesday (11/14), featuring not only the original Theatrical Version but also a new Director’s Cut that’s 13 minutes longer.

Stephen’s take on Chuck Russell’s 1988 remake of The Blob in 4K UHD from Shout! and Scream Factory.

And Dennis’ take on Ron Winston’s The Gamblers (1970) on Blu-ray from VCI Entertainment.

More reviews are on the way, including my own look at Billy Wilder’s Stalag 17 (1953) in 4K from Kino Lorber Studio Classics. So be sure to watch for those soon.

Also today, over on our Patreon we’ve kicked off an in-depth poll asking our supporters what video, audio, special features, and packaging options 4K Ultra HD fans value most on their catalog titles on the format. The poll will remain open until next Friday (11/17) at Noon Pacific, so if you sign up as a supporter between now and then, you can weigh in with your picks. And we’ll share the results here on the website.

We’re going to run these kind of polls regularly on Patreon, both for our own edification and also to provide that information to studio sources who might ask for it, so this is a great chance to make your opinions heard. [Read on here...]

Published in My Two Cents

All right, I certainly hope you all had a lovely weekend. We’ve got some great new disc reviews for you to enjoy today, as well as some terrific release news.

Before we get to that, however, I wanted to make another pitch for those of you who’ve long read and enjoyed our work here at The Digital Bits to consider supporting the site via our new Patreon (or PayPal, if you prefer). We’re up to 127 subscribers now (with nearly 50 more followers), and we appreciate each and every one. (Next stop… 200!) So if you value what we do here—if you find that our work regularly brings a little bit of joy into your life as a fan of physical media—please consider subscribing to help us keep The Bits going indefinitely. I’m making regular—really almost daily—blog posts on Patreon, most of which are exclusive to our backers, and I’m trying to ensure that those complement what we do here on the website. So please consider joining us, and we thank you for the support!

Now then, let’s get to those reviews...

First, I’ve posted my thoughts on Apple TV’s For All Mankind: Season One, which is new on Blu-ray from Sony Pictures Home Entertainment, as well as For All Mankind: Season Two, which was released on Region B Blu-ray by Dazzler a few months ago. This is shaping up to be one of the great science fiction series, one that’s worthy of the legacy and spirit of optimism about the future that we all loved about classic Star Trek. It’s well worth your time.

Also, Dennis has turned in his thoughts on Tod Browning’s Sideshow Shockers on Blu-ray from the Criterion Collection, a disc that includes Browning’s Freaks (1932), The Unknown (1927), and The Mystic (1925).

And Stuart has delivered his take on Dan M. Kinem and Levi Peretic’s Adjust Your Tracking: The Untold Story of the VHS Collector (2013) on Blu-ray from Vinegar Syndrome.

Note that I’m also working on a review of Sony’s new Rudy 4K Ultra HD Steelbook release, which is pretty great. More on that here soon. [Read on here...]

Published in My Two Cents

Good afternoon (or evening as the case may be), Bits readers! My wife and I had a houseguest here visiting yesterday, so today’s post is a little later than usual. But we’re starting as always with some new disc reviews...

First of all, on Monday I posted my thoughts on Christopher McQuarrie’s Mission: Impossible – Dead Reckoning Part One (2023) on 4K Ultra HD from Paramount, and just today I added a couple of additional Editor’s Notes discussing one of the film’s key story points as well as the 4K video quality (which I’ve revised downward just a tad from A to A-, the reason for which is explained in my review).

Also, Stephen has turned in his thoughts on Hideaki Anno’s (et al) Evangelion: 3.0+1.11 Thrice Upon a Time (2021) in 4K from GKids and Shout! Factory, and for those of you who aren’t familiar, he also gives you a good little primer on the topic.

Meanwhile, Stuart has weighed in with looks at William Dieterle’s The Life of Emile Zola (1937) and Richard Brooks’ The Last Time I Saw Paris (1954) on Blu-ray from the Warner Archive Collection, as well as Lise Akoka and Romane Gueret’s The Worst Ones (2022) on DVD from Kino Lorber.

Dennis has offered his take on Julian Schnabel’s Before Night Falls (2000) on Blu-ray from the Warner Archive as well as Mark Pellington’s The Severing (2022) on Blu-ray from Kino Lorber.

And finally, Tim has delivered an in-depth review of Kevin Connor’s Motel Hell (1980) in 4K Ultra HD from Scream Factory. [Read on here...]

Published in My Two Cents

All right, I’d like to start today’s post out by saying a big thank you to everyone who’s signed up to support our Digital Bits Patreon, or expressed the intent to do so soon, or made a PayPal donation, or simply sent us good wishes. Thanks also to those among you who are using our Amazon affiliate links whenever you shop or pre-order new Blu-ray and 4K titles. The overall response has been very encouraging and very understanding, and we appreciate each and every one of you. So thank you!

Now then, we’re going to catch up on some news, plus we’ve got a bunch of new disc reviews for you here, and then I’m going to spend the next few days working on a few Blu-ray and 4K reviews myself. But first, here are some reviews our team has posted for you all to enjoy in the last few days...

Stuart has chimed in with reviews of Henry Hathaway’s Nevada Smith (1966), John Cassavetes’ Gloria (1980), and Ida Lupino’s Outrage (1950) all on Blu-ray from Kino Lorber Studio Classics, François Ozon’s Everything Went Fine (2021) on Blu-ray from Cohen Media Group, and John Mackenzie’s Unman, Wittering and Zigo (1971) on Blu-ray from Arrow Video.

Dennis has offered his thoughts on Dorothy Arzner’s Christopher Strong (1933) on Blu-ray from the Warner Archive Collection, Harley Cokeliss’ Malone (1987) on Blu-ray from Kino Lorber Studio Classics, Chalit Krileadmongkon and Pakphum Wongjinda’s Creepy Crawly (2022) on Blu-ray from Well Go USA, and Brian Paulin’s At Dawn They Sleep (2000) on Blu-ray from Saturn’s Core and Vinegar Syndrome.

Stephen has taken an in-depth look at Louis Malle’s Pretty Baby (1978) on Blu-ray from Kino Lorber Studio Classics, Godfrey Ho’s Undefeatable (1993) on 4K Ultra HD from Vinegar Syndrome, and Allen Plone’s Night Screams (1987) also in 4K Ultra HD from Vinegar Syndrome.

And Tim has reviewed Brendon Small and Tommy Blacha’s direct-to-video animated finale Metalocalypse: Army of the Doomstar (2023) on Blu-ray from Adult Swim and Warner, as well as Amy Holden Jones and Deborah Brock The Slumber Party Massacre (1982) and The Slumber Party Massacre II (1987) in 4K Ultra HD from Scream Factory. [Read on here...]

Published in My Two Cents

All right, we’ve got some ground to cover today here at The Bits, so first things first. We have a trio of new disc reviews for you to enjoy this afternoon, including...

Tim’s take on Amando de Ossorio’s Tombs of the Blind Dead (1972) on Blu-ray from Synapse Films.

And Dennis’ thoughts on William A Wellman’s Westward the Women (1951) on Blu-ray from the Warner Archive Collection, as well as James Foley’s After Dark, My Sweet (1990) on Blu-ray from Kino Lorber Studio Classics.

Don’t forget, Amazon’s Prime “Big Deal” Days Sale continues until the end of the day today, so be sure to take advantage of all the great prices on Blu-ray, DVD, and 4K Ultra HD titles, box sets, and collections. Click here and here to see what’s on sale and act fast!

For the record, some of today’s deals include...

So be sure to act fast if you’re interested.

Also today here at the site, we’ve got word on some long-awaited 4K Ultra HD catalog titles... [Read on here...]

Published in My Two Cents

We’ve got another big title announcement for you here at The Bits today, as well as more new disc reviews. So let’s get to the latter first...

Tim has posted his thoughts on Kevin Reynolds’ The Beast (1988) on Blu-ray from Kino Lorber Studio Classics, as well as Brian Tenchard-Smith’s Day of the Panther (1988)/Strike of the Panther (1989) double feature from Umbrella Entertainment (via Vinegar Syndrome).

Dennis has shared his take on Jack Conway’s Saratoga (1937) on Blu-ray from the Warner Archive Collection.

And Stuart has offered his reviews of Russell Rouse’s The Fastest Gun Alive (1956) and Joseph Losey’s The Boy with Green Hair (1948) on Blu-ray from Warner Archive, along with Kino Lorber Studio Classic’s excellent Anna May Wong Collection, a Blu-ray box set that includes the films Dangerous to Know (1938), Island of Lost Men (1939), and King of Chinatown (1939). Enjoy!

Now then, the big piece of announcement news this afternoon is that Warner Bros. Discovery Home Entertainment has just officially set Andrew Davis’ The Fugitive (1993) for 4K Ultra HD and Digital release on 11/21. The 4K disc will include HDR10 high dynamic range, as well as a new Dolby Atmos sound mix. [Read on here...]

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