Displaying items by tag: Paramount

Today’s My Two Cents update begins as always with more new disc reviews...

Tim and I have taken a look at Kino Lorber Studio Classics’ new 4K Ultra HD upgrade of the classic Joseph Sargent heist thriller The Taking of Pelham One Two Three (1974), which stars Robert Shaw and Walter Matthau. Among other things, it’s a great New York City movie and if you’ve ever wondered where director Quentin Tarantino got the idea for his character names in Reservoir Dogs, look no further.

Also today, we’ve gone in-depth on Via Vision’s new Dirty Dancing: Limited Edition Steelbook 4K Ultra HD release, which takes Lionsgate’s already fine remastering work on the title and adds a few more extras via their own exclusive bonus Blu-ray Disc.

And Tim has also reviewed Bob Clark’s Children Shouldn’t Play with Dead Things: 50th Anniversary Edition in 4K Ultra HD from VCI Entertainment, which includes a new 4K scan and remaster but only Standard Dynamic Range, as well as Nico Mastorakis’s Nightmare at Noon (1988) on Blu-ray from our friends at Arrow Video.

More reviews are on the way tomorrow and beyond, so be sure to watch for them. [Read on here...]

All right, obviously we broken some significant news over the weekend, namely that director James Cameron has confirmed to a French reporter (during the PR push for Avatar: The Way of Water) that The Abyss is finally coming to 4K Ultra HD by March of next year. (See our reporting on this yesterday here at The Bits. The director also mentioned The Abyss in an interview with Space.com last year). So rest assured we’ll post more details as soon as we have them.

In the meantime, we have some more great 4K catalog news to share with you today, as well as new disc reviews. So let’s start with the latter first, as always...

On Friday evening, I posted my in-depth review of Phil Tippett’s stunning stop-motion magnum opus Mad God on limited edition Steelbook Blu-ray from the folks at Shudder. The film is just astonishing. It’s really something—definitely not for all tastes, but boy is it something to see.

I also posted my review of the John Krasinski TV actioner Jack Ryan: Season One in 4K Ultra HD from Paramount. Both that and Season Two are being released in UHD in anticipation of the debut of Season Three on Amazon Prime on 12/21. And the picture quality is stunning.

Tim has also reviewed another Amazon Original on Blu-ray from Paramount, specifically Reacher: Season One which also has tremendous image quality. It’s also available in 4K and soon as we have our hands on that (and Jack Ryan: Season Two in 4K), we’ll post the reviews here.

In addition, Tim has reviewed a pair of new Scream Factory 4K Ultra HD titles, including Brian De Palma’s Carrie (1976) and Bob Clark’s Black Christmas (1974).

And I’m not kidding when I say that we have a lot more Blu-ray and 4K UHD reviews coming over the next week or two, so be sure to check back for them. [Read on here...]

All right, we’ve got a bunch of ground to cover today, and the subject for today’s My Two Cents post is what we’re hearing from our industry and retail sources about forthcoming 4K Ultra HD catalog titles expected in the new year. But first, we have a pair of new reviews for you this afternoon...

Dennis has turned in his thoughts on Daniel Man’s 1952 drama Come Back, Little Sheba, which is now available on region-free Blu-ray from the Aussie label Imprint Films. The film stars Burt Lancaster and Shirley Booth.

And Stephen has delivered his in-depth take on AGFA and Something Weird Video’s nine-film, three-disc The Films of Doris Wishman: The Moonlight Years Blu-ray box set, distributed by Vinegar Syndrome.

As always, more new disc reviews are on the way over the coming days, so be sure to keep your eyes peeled for them.

Now then, we’ve been circling back with our many industry and retail sources here at The Bits, and we’ve got an update on some interesting titles that are coming to 4K Ultra HD in the months ahead. [Read on here...]

Welcome to the first full week of December, Bits readers!

We’ve got a couple interesting items to report here today, but first a pair of new disc reviews:

I’ve turned in my thoughts on Quentin Tarantino’s Pulp Fiction (1994) in 4K Ultra HD from Miramax, via Paramount. The good news is, whether you buy the Steelbook or the regular Amaray version, the 4K remastering is fantastic. Fans should be very pleased.

I’ve also reviewed Andrew Stanton’s CG-animated classic WALL•E (2008) in 4K UHD from Pixar via the Criterion Collection. The highlight here is that it’s a terrific package and the film looks and sounds great, but the new 4K presentation isn’t really dramatically different than the previous Disney 4K edition—it simply now adds HDR10+ and Dolby Vision metadata. But some of the new special features are wonderful.

More new Blu-ray and 4K UHD reviews are coming soon, as always, so please keep checking back for them! [Read on here...]

As promised, we’re checking back in today with another trio of new disc reviews…

First, I’ve just posted my thoughts on Clint Eastwood’s rough yet riveting western High Plains Drifter (1973) in 4K Ultra HD from Kino Lorber Studio Classics.

Tim has taken a look at Ardman Animations’ A Shaun the Sheep Movie: Farmageddon (2019), new on Blu-ray from Shout! Factory.

And Dennis has delivered his take on George Marshall’s Fancy Pants (1950) on Blu-ray, also from Kino Lorber Studio Classics.

More reviews are on the way tomorrow, so be sure to watch for them. [Read on here...]

All right, it’s been a week since we’ve had a news update here at the site, and the reason is two-fold: First, there just hasn’t been a lot of news to report. And second, given that fact, we’ve all been working hard on a TON of new disc reviews here at The Bits. In fact, I’ve personally pledged to post a new 4K Ultra HD review each day all this week here at The Bits. So we’ll start today with the ones I’ve completed so far...

Now available for your reading enjoyment are my reviews of Paramount’s Halo: Season One – Limited Edition Steelbook, Kino Lorber Studio Classics’ Mystery Men, and Warner Bros. Home Entertainment’s Elf and A Christmas Story, all in 4K Ultra HD. But the guys have been busy too...

To this, Tim has added his thoughts on Douglas Trumbull’s Silent Running (4K UHD) and The Count Yorga Collection (Blu-ray) from Arrow Video, the Species: Collector’s Edition (4K UHD) from Scream Factory, and Quiet Days in Clichy (4K UHD) from Blue Underground.

Stephen has contributed his takes on Married to the Mob (Blu-ray), Vortex (Blu-ray), and The Iceman Cometh (Blu-ray) from Vinegar Syndrome, Batman and Superman: Battle of the Super Sons (4K UHD) from Warner, Golden Boy (Blu-ray) from Imprint, X (4K UHD) from Capelight Pictures, and The Sporting Club (Blu-ray) from Kino Lorber.

And Dennis has offered his take on the Barfly: Limited Collector’s Edition (Blu-ray) and Storm Center (Blu-ray) both from Imprint.

As I said a moment ago, still more reviews are on the way all this week, so be sure to keep checking back for them. [Read on here...]

“The Godfather has become such an indelible part of American culture and world culture that it’s become one of those films that everyone knows even if they’ve never seen it.” – Ray Morton, author of King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of The Godfather, Francis Ford Coppola’s legendary film about the Corleone crime family.

Based upon Mario Puzo’s best-selling 1969 novel, the film adaptation starring Marlon Brando (A Streetcar Named Desire, On the Waterfront) won three Academy Awards (including Best Picture), was for a period of time the highest-grossing motion picture, spawned two sequels, and influenced countless filmmakers. The Godfather also starred Al Pacino (Dog Day Afternoon, Scarface), James Caan (Rollerball, Thief), Richard Castellano (A Fine Madness, Lovers and Other Strangers), Robert Duvall (The Great Santini, Tender Mercies), Sterling Hayden (The Killing, The Long Goodbye), John Marley (Faces, Love Story), Richard Conte (I’ll Cry Tomorrow, Ocean’s 11), and Diane Keaton (Annie Hall, Looking for Mr. Goodbar). [Read on here...]

We begin today with our latest Halloween Bag-o-Tricks reviews for Tuesday, 10/25...

Stephen has turned in his thoughts on William Eubank’s Underwater (2020) on Blu-ray from 20th Century Fox Home Entertainment—one of the last films the studio greenlit before the Disney takeover.

Dennis offers his take on Gerard Kikoine’s Buried Alive, aka Edgar Allan Poe’s Buried Alive (1990) on Blu-ray from Vinegar Syndrome.

And Tim has posted his review of Mario Bava’s Spanish-Italian science fiction/horror class, Planet of the Vampires (1965) on Blu-ray from Kino Lorber Studio Classics.

So enjoy the reviews and be sure to check back for more of them here at The Bits tomorrow! [Read on here...]

We’re finishing out the week here at The Bits beginning with two more new disc reviews, including...

Tim’s look at Martin Campbell’s No Escape (1994, aka Escape from Absolom) on Blu-ray from Unearthed Films.

And Dennis’ take on Joseph Anthony’s The Rainmaker (1956) on Blu-ray from Kino Lorber Studio Classics.

And we definitely have some significant news to report today, both in terms of titles and more general industry goings-on...

First up, Imprint Films has just announced their very first 4K Ultra HD title and it’s an upgrade of their debut Imprint Collection Blu-ray release... Byron Haskin’s The War of the Worlds (1953). The street date is 12/15. The 2-disc set will feature both a 4K UHD and the previous Blu-ray edition in Steelbook packaging, housed in a 3D lenticular hardcase with a 44-page collector’s booklet. You can see the packaging below. [Read on here...]

We have four new disc reviews for you to enjoy today, along with some release news...

First, I’ve taken a look at the long-awaited physical 4K Ultra HD release of Joseph Kosinski’s Top Gun: Maverick from Paramount. You’ll be glad to know that the disc’s A/V quality is demo worthy, though the extras are somewhat wanting and you have to buy the Blu-ray version separately.

Stephen has offered up a review of Tobe Hooper’s Poltergeist, also in 4K Ultra HD from Warner Bros. And he’s got a review of Rob Zombie’s The Munsters on regular Blu-ray as well from Universal.

Finally, Tim has reviewed a film that was thought to be lost but has now been re-discovered and restored for Blu-ray release: George A. Romero’s The Amusement Park (1975) from Shudder and RLJ Entertainment.

More reviews are definitely on the way, so be sure to watch for them.

And we’ve also posted a major update of our Release Dates & Artwork section here at The Bits (listed as Cover Art in the navigation bar above), featuring a ton of new Blu-ray, DVD, and 4K Ultra HD cover images and Amazon.com pre-order links. As always, anytime you order literally anything from Amazon after clicking through to them from one of our links, you’re helping to support our work here at The Bits and we really appreciate it! (Thanks to our own Russell Hammond for his work on that section.) [Read on here...]