Displaying items by tag: Lionsgate

We have more new disc reviews for you today, and finally some official details on the Blu-ray and 4K release of West Wide Story from 20th Century Studios. As always, reviews first...

Dennis has turned in his thoughts on Ian Sharp’s The Final Option (1982) on Blu-ray from Kino Lorber Studio Classics.

Tim has delivered his take on Jack Gold’s The Medusa Touch (1978) on Blu-ray from Imprint.

And Stephen has taken a look at Paramount’s new 30th anniversary Steelbook Blu-ray release of Wayne’s World (1992), as directed by Penelope Spheeris. Enjoy!

Now then, as we mentioned yesterday 20th Century Studios is releasing Steven Spielberg’s West Side Story (2021) on Blu-ray, DVD, and 4K Ultra HD on 3/15, with the Digital and Disney+ streaming offerings available on 3/2. [Read on here...]

We have a couple more new disc reviews this afternoon and more release news for you as well. As always, reviews first...

Stephen has checked out a pair of Blu-ray titles today, including Craig Lahiff’s Black and White (2002) from Umbrella Entertainment—another Sunburnt Screens label title—and also Allan Arkush’s Get Crazy (1983) from Kino Lorber Studio Classics. Both are well worth a look, and it sounds like Get Crazy in particular includes a bunch of great bonus content. So enjoy Stephen’s reviews.

Now then, our friends over at The Warner Archive Collection have begun to reveal some great new catalog Blu-ray titles that they’re working on for release in 2022 (they’re listed as “coming soon” at the moment) and the three they’ve mentioned so far are real gems.

First up is Michael Curtiz’s Captains of the Clouds (1942) starring James Cagney. This is mastered from a new 4K scan of the original nitrate Technicolor camera negatives. Extras will include a 1942 Newsreel, the vintage 1942 color WB short Rocky Mountain Big Game, the classic Bugs Bunny cartoons What’s Cookin’, Doc? and Hold the Lion, Please (in HD), and the original theatrical trailer. [Read on here...]

First things first today: The Criterion Collection has just announced their April Blu-ray and 4K release slate and—as always—it’s another great list of titles.

Look for Alex Cox’s Walker (Spine #423 – Blu-ray and DVD) on 4/12, Vittorio De Sica’s Miracle in Milan (Spine #1119 – Blu-ray and DVD) and Frank Tashlin’s The Girl Can’t Help It (Spine #1120 – Blu-ray only) on 4/19, and Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (Spine #1121 – Blu-ray and DVD), Bertrand Tavernier’s ‘Round Midnight (Spine #1122 – Blu-ray and DVD), and Al Reinert’s For All Mankind (Spine #54 – 4K Ultra HD – Blu-ray and DVD already available) on 4/26. You can see the 4K art for For All Mankind on the left, and we’ll post the rest of the cover artwork over the next few days as the titles become available for pre-order on Amazon.

Here’s some more great breaking news: Our friends at Powerhouse Films have just informed us that their outstanding Indicator label—which already delivers fantastic special edition Blu-ray titles to the UK and European market—is officially coming to the US!

The company has partnered with Distribution Solutions, a division of Alliance Entertainment, to ensure that retailers throughout North America will be able to carry Indicator releases. These will include Amazon, Barnes and Noble, Sunrise, Critics Choice, and DiabolikDVD. The first Indicator titles should start becoming available here in the US starting this week. [Read on here...]

Wednesday afternoon here at The Bits brings new disc reviews and more release news as well...

First, Tim has posted his thoughts on Michael Felsher’s excellent new documentary After Effects: Memories of Pittsburgh Filmmaking, now available on Limited Edition Blu-ray from his own new label, Red Shirt Video. Sounds like it’s a pretty terrific release so do check it out.

By the way, after you enjoy that, here’s a link to an interview I did way back in 2005 (on the original Bits website) with writer/director John Harrison about Effects and his work with Romero and other Pittsburgh filmmakers. (Just pardon the messy formatting.)

Also this afternoon, Stephen has posted reviews of William Beaudine’s The Old Fashioned Way (1934) on Blu-ray from Kino Lorber Studio Classics, as well as Sarah Smith, Jean-Philippe Vine, and Octavio E. Rodriguez’s Ron’s Gone Wrong in 4K Ultra HD from 20th Century Studios.

More reviews are forthcoming in the days ahead, including several that I’m working on, so be sure to keep your eyes peeled for them. [Read on here...]

We’ve got more disc reviews for you today, along with another great film retrospective column, a bit more release news, and some news that... well, I’m not sure what to think of it. But you’ll understand what I mean in a minute. First, those disc reviews...

Tim has checked in over the last couple of days with no less than four new reviews, starting with his thoughts on Mei-Chun Chang’s Revenge of the Shogun Women (1982) on Blu-ray from Kino Lorber Studio Classics, a disc that includes both polarized 3D and anaglyph 3D presentations (as well 2D) thanks to our friends at The 3-D Film Archive. It’s a good disc and a rare 3D treat for those who love that format, so do give it a look.

Tim has also reviewed Arrow Video’s Giallo Essentials: Red Edition – Volume One and Yellow Edition – Volume Two, each of which includes three classics of the genre on Blu-ray.

And Tim has posted his thoughts on Brian Trenchard-Smith’s Stunt Rock (1978) on Blu-ray from Umbrella Entertainment (#8 in their Ozploitation Classics line-up) ad well. All are worth your time. [Read on here...]

Today’s update is a quick one, as we’re doing a lot behind-the-scenes work here at the site today. (I’m personally digging into some interesting upcoming title rumors.) But we do have some good updates for you on forthcoming 4K Ultra HD titles, and there’s a bunch of new 4K titles available for pre-order.

First up... a great piece of announcement news: Our friends at Kino Lorber Studio Classics have just revealed that they’re going to be releasing Stanley Kubrick’s B&W war classic Paths of Glory (1957) on 4K Ultra HD sometime early in 2022. Street date is listed as “coming soon.” As many of you will already know, the film stars Kirk Douglas as a French army commander in World War I. It’s a brilliant piece of work, and should look great in 4K.

While we’re talking Kino Lorber Studio Classics, the company has also provided updates on other classic catalog titles that are coming soon to 4K. Out of Sight (1998) is currently due in Spring 2022. To Live and Die in L.A. (1985) is awaiting the attention of director William Friedkin to grade and approve the Dolby Vision HDR master. And Orson Welles’ Touch of Evil (1958) is now set to arrive on 4K UHD in February. [Read on here...]

Let’s have a quick round-up of Blu-ray and 4K Ultra HD release news, and then I must dive back into my own review work over the next several days...

First up, it does indeed appear that Disney is preparing a 4K Ultra HD release of Pirates of the Caribbean: The Curse of the Black Pearl. I’ve now got multiple retail and industry sources confirming this. However, don’t expect the sequels to be announced anytime soon. It’s possible that the studio is planning to release more films in the series next year if this first one sells well (and possibly promoted by the success of the films in streaming on Disney+) but for now Curse of the Black Pearl seems to be the only film immediately in the offing.

Also, while we’re on the topic of Disney, it seems that the Heat 4K release continues to be in limbo, but is still expected to arrive on the format sometime next year.

Meanwhile, Denis Villeneuve’s Dune is definitely shaping up for release on Blu-ray, DVD, and 4K Ultra HD in early January sometime. Info some retailers suggests that the studio is targeting 1/11/22 as the street date. And for those of you who have been waiting, not only does it finally arrive in theaters tomorrow (with sneak peek preview screenings tonight in many US cities), the film premieres IN JUST TWO HOURS in 4K with HDR and Dolby Atmos on HBO Max. So get ready to enjoy a helluva good cinematic experience. [Read on here...]

We’re starting out the new week today here at The Bits with a trio of new disc reviews...

First up, Tim and I have taken a look at Arrow Video’s terrific new Limited Edition Blu-ray of Ridley Scott’s Legend. The 2-disc set is absolutely loaded with vintage and new extras, and it includes the US Theatrical Cut newly-remastered from a 4K scan, as well as the Director’s Cut. Legend is a challenging title for a lot of reasons, but Arrow’s done a really great job with this one. If you’re a fan of the film, this is as good as it’s ever looked, and this is essentially a complete archive of all the previous special features and more.

Also today, Stephen has reviewed Chloe Zhao’s first film, Songs My Brothers Taught Me, newly-released on Blu-ray from Kino Lorber. If that name is familiar, it’s because Zhao is the filmmaker who’s just made The Eternals for Marvel Studios. It sounds like this earlier work is pretty terrific.

And finally, Dennis has given Wallace Worsley’s 1923 version of The Hunchback of Notre Dame a look on Blu-ray from Kino Classics. As many of you will already be aware, this version features the great Lon Chaney in the role of Quasimodo. It’s worth a look if you haven’t seen it yet.

While we’re on the subject of Universal Monsters, I’m currently working on a review of the Universal Classic Monsters: Icons of Horror Collection in 4K and should have that up by the end of the week. I’m giving myself the week to work on it, however, because I’m attending a studio screening of Denis Villeneuve’s Dune tomorrow afternoon. And I have a sneaking suspicion that’s going to occupy my mind for the next few days afterwards. I’ll definitely post a few non-spoiler thoughts about that film as well this week, rest assured. [Read on here...]

We’ve got a quick release news update here at The Bits for you today. But first, more new disc reviews...

I’ve just given a pair of titles from Sony’s new Columbia Classics: Volume 2 box set a look in 4K Ultra HD, including Carol Reed’s Oliver! (1968) and Otto Preminger’s Anatomy of a Murder (1959). That last review includes film comments by our dear friend Barrie Maxwell, the late great Digital Bits classic film columnist.

Also, Tim has taken a look at Random Space Media’s recent Resident Evil: Six Movie Collection, which includes the first six films in that series in 4K Ultra HD. It’s very similar in content to Sony’s 2020 release and it’s an all-region Australian import.

And Stephen has reviewed Ari Aster’s Misdommar: Director’s Cut in 4K Ultra HD, which is only available directly from A24 via their online web shop.

All of these releases are well worth a look for cinema fans, so do check out the reviews.

Just to give you a sneak peek at what’s coming next review-wise, I’m going to continue working my way through Sony’s Columbia Classics: Volume 2 4K titles as well as the Universal Classic Monsters: Icons of Horror Collection in 4K. All of those reviews should be posted here at The Bits by mid next week. Tim’s also working on Legend on Blu-ray from Arrow, and Stephen and Dennis are working through a stack of new titles too. So stay tuned for lots more reviews in the week ahead and beyond. [Read on here...]

We start today with three more new disc reviews.

First up is my look at Random Space Media’s recent Breaking Bad: The Complete Series Blu-ray box set, an all region release that includes the Netflix streaming sequel El Camino. Note that this set is currently selling for the same price on Amazon as Sony’s wide-release Blu-ray set that does not include the sequel film.

Also today, Tim has posted his thoughts on Roland Klick’s Deadlock (1970), a fascinating film newly released in 4K by Subkultur Entertainment via Vinegar Syndrome.

And Stephen has turned in a new 4K review as well, this one of Stephanie Rothman’s Terminal Island (1972) on Ultra HD, also from Vinegar Syndrome.

Now then, in announcement news today, Warner Bros. Home Entertainment has made their Mad Max Anthology official for release on 4K Ultra HD and Digital on 11/2, just as we’ve been expecting for weeks now. [Read on here...]