Displaying items by tag: James Bond

“It’s the worst Bond movie ever made.” — Lee Pfeiffer, co-author of The Essential Bond: The Authorized Guide to the World of 007

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 45th anniversary of the release of The Man with the Golden Gun, the ninth (official) cinematic James Bond adventure and second entry to feature Roger Moore as Agent 007.

In case you missed them or desire a refresher read, this column’s other celebratory 007 articles in this series include The World Is Not Enough, Licence to Kill, Moonraker, Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1974’s The Man with the Golden Gun. [Read more here...]

“The World Is Not Enough is the first and only Bond film to feature a woman as the arch-villain. For this reason, it is worthy of recognition” — Lisa Funnell, co-author of The Geographies, Genders, and Geopolitics of James Bond

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of The World is Not Enough, the 19th (official) cinematic James Bond adventure and third of four to feature Pierce Brosnan as Agent 007.

Our previous celebratory 007 articles include Licence to Kill, Moonraker, Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1999’s The World is Not Enough. [Read more here...]

“With his wealth of dramatic stage experience, Timothy Dalton seemed ideally suited to this harsher take on Bond, bringing both depth and sensitivity to the character while creditably articulating his quiet rage and single-mindedness. This was Bond, but not as we knew him — now much closer to the tone, if not the setting, of the original Fleming texts.” — Thomas A. Christie, author of The James Bond Movies of the 1980s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of Licence to Kill, the 16th (official) cinematic James Bond adventure and second (and final) entry to feature Timothy Dalton as Agent 007.

Our previous celebratory 007 articles include Moonraker, Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1989’s Licence to Kill. [Read on here...]

“I remember thinking as Bond tumbled out of the airplane that this was going to be the greatest film ever. And then, moments later, Jaws flapped his arms falling toward a circus tent. I felt my own internal seismograph plummet. I was for the first time in my life, embarrassed for the filmmakers of a James Bond film.” — John Cork, co-author of James Bond Encyclopedia

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Moonraker, the 11th (official) cinematic James Bond adventure and the fourth of seven to feature Roger Moore as cinema’s most popular secret agent.

Our previous celebratory 007 articles include Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1979’s Moonraker. [Read on here...]

Afternoon, all. We’ve got a couple interesting items for you today...

First, Tim has posted a new review of Powerhouse Films and Indicator’s outstanding William Castle at Columbia: Volume Two Blu-ray box set, which streeted late last month and includes Zotz!, The Old Dark House, 13 Frightened Girls!, and Strait-Jacket. Do check it out and if you haven’t seen these films, they’re a hoot.

Also today, we have a new History, Legacy & Showmanship column from our own Michael Coate featuring a look back at the James Bond film Quantum of Solace in honor of its 10th anniversary. The column features another terrific roundtable discussion, this time with historians Robert A. Caplen, John Cork, and Lisa Funnell. Enjoy!

And we’ve also posted the weekly update of the Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking through one of our links, you’re helping to support our work here at The Bits and we greatly appreciate it. [Read on here...]

“Quantum of Solace demonstrates that the Bond franchise still relays a British imperialist standpoint through its depiction of the global south and continues to rely on problematic politics of representation that draw into question whether the films of the Daniel Craig era can be considered progressive within the Bond film canon.” — Lisa Funnell, co-author of The Geographies, Genders, and Geopolitics of James Bond

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 10th anniversary of the release of Quantum of Solace, the 22nd (official) cinematic James Bond adventure and second to feature Daniel Craig as Agent 007.

Our previous celebratory 007 articles include From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 2008’s Quantum of Solace. [Read on here...]

All right, we’re back finally. We were sort of back last week, but a combination of server work and various houseguests kept me from really diving back into things here at The Bits, though Tim and the crew have been active in posting reviews. I’ve also been up to something very exciting over the last few months, which I’ll talk more about in a minute.

We have a trio of recent Blu-ray reviews for you to check out today, including Tim’s look at Cutting Class from Vinegar Syndrome, Dennis’ review of Not Without My Daughter from MVD, and David’s look at Topper Takes a Trip from VCI.

And I am about to embark on an in-depth review of Damien Chazelle’s recent Neil Armstrong biopic First Man, which was one of my favorite films of 2018. I’ve gotten my hands on the 4K Ultra HD from Universal and it’s tremendous. So watch for that review later today or first thing in the morning. [Read on here...]

“From Russia with Love is, quite simply, one of the greatest spy films ever made. It is relentlessly entertaining, sexy, sophisticated, elegant yet raw, beautifully shot, brilliantly edited, wonderfully cast, with a score that puts 99.999% of all other modern films to shame.” — John Cork, author of James Bond Encyclopedia

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 55th anniversary of the release of From Russia with Love, the second cinematic James Bond adventure.

Our previous celebratory 007 articles include Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, influence and legacy of 1963’s From Russia with Love. [Read on here...]

“This is a 1983 film with the director of the highest-grossing film of 1980, the cinematographer of the highest-grossing film of 1981, and Sean Connery starring as James Bond. What could go wrong?” – John Cork, author of James Bond Encyclopedia

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 35th anniversary of the release of Never Say Never Again, the remake of 1965’s Thunderball and the final film in the long-running series to feature Sir Sean Connery as Agent 007.

Our previous celebratory 007 articles include Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1983’s Never Say Never Again. [Read on here...]

“[Live and Let Die is] an early A-list film that recognized the value and influence of the generally under regarded blaxploitation film genre.” — Josiah Howard, author of Blaxploitation Cinema

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 45th anniversary of the release of Live and Let Die, the eighth (official) cinematic James Bond adventure and notably the first to feature Sir Roger Moore as Agent 007.

Our previous celebratory 007 articles include Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1973’s Live and Let Die. [Read on here...]