Displaying items by tag: Severin Films

All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s 8½ (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]

The big news today is that Warner Bros. Discovery Home Entertainment has just set M. Night Shayamalan’s Trap (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 11/5, with the Digital release expected on 8/30. Extras on the 4K will include 2 featurettes (Setting the Trap: A New M. Night Shayamalan Experience and Saleka as Lady Raven), as well as 3 deleted scenes, and an extended concert scene. The press release doesn’t indicate the A/V specs, but it’s reasonable to expect Dolby Atmos audio and HDR10 high dynamic range.

Here’s something pretty terrific: Severin Films has just a 13-disc All the Haunts Be Ours: A Compendium of Folk Horror – Volume Two box set for release on 11/12. The set includes 24 international folks horror classics, with 55+ hours of extras, and a 252-page hardcover of new folk horror fiction. [Read on here...]

The big news today is that Walt Disney Studios Home Entertainment has just announced the Blu-ray, DVD, and 4K Ultra HD release of Disney and Pixar’s Inside Out 2 (2024) on 9/10. The Digital release is expected on 8/20.

Extras will include a pair of behind-the-scenes featurettes (including New Emotions and Unlocking the Vault) along with 5 deleted scenes (among them Cold Open, Broken Joy, Pool Party, Puberty Prank, and Shame Spiral).

The 4K will be released as a Limited Edition 4K + Blu-ray Steelbook. There will also be Blu-ray + DVD package, and a standalone DVD. An Inside Out 2-Movie Collection will also be available on Digital.

Audio on the 4K disc will be Dolby Atmos, with 7.1 DTS-HD Master Audio included on the Blu-ray. We presume the HDR will be HDR10 only. The 4K disc is confirmed to be limited to 66 GB. You can see the cover artwork at left and also below the break. [Read on here...]

We’ve got two more new disc reviews for you to enjoy today, including...

My take on Trey Parker and Matt Stone’s Team America: World Police in 4K Ultra HD from Paramount, which streets this coming Tuesday.

Also, my review of Alfonso Cuarón’s Gravity (2013), which is available in a new reissue Blu-ray (essentially a repackage of the 2015 Diamond Luxe Edition with Dolby Atmos audio) from Warner Bros. Discovery Home Entertainment.

I’m working on more disc reviews for early next week, including South Park: Bigger, Longer, and Uncut (1999) and also The Ministry of Ungentlemanly Warfare (2024), both in 4K UHD. And the rest of the review team will be back next week as well with a bunch more.

In announcement news today, Warner Bros. Discovery Home Entertainment has officially set Ishana Night Shyamalan’s The Watchers (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 8/27. Expect the Digital release to become available on 6/28. Extras will include 4 featurettes (Welcome to the Show: The Making of The Watchers, Creating The Watchers, Constructing the Coop, and Ainriochtán and the Irish Fairy Folklore) as well as a deleted scene. You can see the cover artwork at left and also below. [Read on here...]

We’ve got a big new disc review for you all today here at The Bits, and it’s a title that a lot of you have been waiting for: My look at Tony Gilroy’s Andor: The Complete First Season (2023) in 4K Ultra HD Steelbook from Lucasfilm and Disney! All the details are in the review, but suffice it to say that the release absolutely does not disappoint. The video quality is stunning.

We’ve also got a bunch of recent reviews that our staffers have shared over the last few days that I need to round up here for you guys, including...

Stephen’s reviews of Sergio Martino’s The Great Alligator (1979) in 4K Ultra HD from Severin Films, Rod Lurie’s The Last Castle (2001) in 4K Ultra HD from Kino Lorber Studio Classics, John Ford’s 3 Godfathers (1948) on Blu-ray from the Warner Archive Collection, and Walter Hill’s The Long Riders (1980) on Blu-ray from Kino Lorber Studio Classics.

Tim’s reviews of Frank Henenlotter’s Basket Case (1982) in 4K Ultra HD from Arrow Video, Michael Laughlin’s Strange Invaders (1983) on Blu-ray from Imprint, and Hanna-Barbera’s animated Scooby-Doo Meets the Boo Brothers (1987) on Blu-ray from the Warner Archive Collection.

And finally, Dennis’ review of Nancy Savoca’s Dogfight (1991) on Blu-ray from the Criterion Collection.

Meanwhile, we have a couple or housekeeping items to report here at The Bits today... [Read on here...]

Afternoon, folks! We’ve got a few new disc reviews, some great release news, and a fine bit of streaming TV news for you today as well! First as always, those reviews...

Kicking things off, Stephen has turned in his thoughts on Michael Mann’s Ferrari (2023), as released in 4K Ultra HD by Eagle Pictures in Italy. It’s a great little film, and here’s hoping that Neon and Decal will see fit to release it here in the States in 4K soon as well.

Stephen has also reviewed Lucio Fulci’s City of the Living Dead (1980) in 4K Ultra HD from our friends at Arrow Video.

Not to be outdone, Tim has turned in his thoughts on Jesús Franco’s Night of the Blood Monster (1970), aka The Bloody Judge, in 4K Ultra HD from the good people over at Blue Underground.

Dennis has offered his take on Theodore J. Flicker’s The President’s Analyst (1967) on Blu-ray from Kino Lorber Studio Classics.

And Stuart rounds things out today with his review of Yasuharu Hasebe’s Black Tight Killers (1966) on Blu-ray from the team at Radiance Films.

As always, more reviews are on the way so be sure to keep your eyes peeled for them!

Now then, a quick follow up. As many of you know, we’ve been running an interactive poll on our Patreon and Twitter/X pages over the past week on behalf of Lionsgate Home Entertainment. The question was: For the studio’s new 4K catalog Steelbook line, would you prefer new custom artwork or original poster artwork? Nearly three thousand of you voted in all (2,959 to be exact), with 1,166 votes (38.41%) for new custom artwork and 1,793 votes (60.59%) for original poster artwork. [Read on here...]

To kick off a new week today, we have some interesting release news and a new disc review to share as well. Let’s get to the latter first...

Tim has offered his thoughts on Michele Soavi’s The Church (1989) in 4K Ultra HD from our friends at Severin Films.

More reviews are forthcoming this week, so be sure to stay tuned for them.

Also today here at The Bits, we’ve expanded our Patreon poll about Lionsgate 4K catalog Steelbooks to our Twitter/X page with just a day and a half left. The question is: Lionsgate Home Entertainment is developing a new line of 4K Ultra HD catalog Steelbooks, including many titles released previously as Best Buy exclusives, and they’d like your opinion: Would you prefer the covers to 1) feature newly-created custom artwork, or 2) the film’s original poster artwork? You can vote right now here on Patreon or here on Twitter/X and please take a moment to do so before the polls end on Wednesday. Thank you!

Now then, the big release news today is that Criterion has just announced its July 2024 slate of Blu-ray and 4K Ultra HD titles, and this batch has some real gems as well as a couple of surprises. [Read on here...]

We have a new disc review for all of you to enjoy today here at The Bits...

Our own Tim Salmons has just weighed in on the Warner Archive Collection’s Looney Tunes: Collector’s Choice – Volume 1 Blu-ray, which includes 20 classic animated shorts from 1945 to 1959, among them some real rarities. Tim will be reviewing Volume 2 and Volume 3 on Blu-ray soon as well, so watch for those to follow in the coming days.

We’ve also updated our 4K Ultra HD Release List here at The Bits today with some new titles and Amazon.com pre-order links, so you’ll definitely want to check that out here.

And over on our Patreon page today, I’ve shared a feature entitled Steelbooks (And Why Hollywood Loves Them)! that looks back at the origins and history of Steelbook packaging, and why it’s become so popular with both the Hollywood studios and retailers. This post is free and open to everyone for a couple of reasons.

First, we want to give you all a taste of the kinds of content we’re creating exclusively for our paying supporters on Patreon. And second, we’re going to be running a poll on our Patreon page on behalf of a major Hollywood studio that wants your opinion on a Steelbook project they’re considering. That will appear in the next couple days there and it too will be free and available to all. [Read on here...]

Today’s new disc reviews here at The Bits include...

Stuart’s look at Edward Dmytryk’s The Carpetbaggers (1964) on Blu-ray from Paramount via Kino Lorber Studio Classics.

Dennis’ take on William Dieterle’s All That Money Can Buy (1941) on Blu-ray from The Criterion Collection.

And Stephen’s thoughts on Saul Bass’s Phase IV (1974) on 4K Ultra HD from Paramount via Vinegar Syndrome.

Also, today on our Patreon page we’ve invited our supporters to offers their two cents on catalog films they would most like to see released on 4K Ultra HD. We’re going to compile those lists and pass them on to the relevant studios, so do consider joining is there and offering your take!

In announcement news today, Paramount has officially set Bob Marley: One Love for Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook release on 5/28. Extras will include multiple featurettes (Join Kingsley B, Becoming Bob Marley, The Story, The Cast, On Location: Jamaica and England, and The Band), plus extended and deleted scenes. You can see the cover art at left and also below. [Read on here...]

We’ve got four more new disc reviews for you today, including...

Stuart’s take on Douglas Sirk’s Has Anybody Seen My Gal (1952) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ look at Harry Beaumont’s Faithless (1932) on Blu-ray from the Warner Archive Collection, as well as Giuseppe Fiorello’s Fireworks (2023) on DVD from Cinephobia Releasing.

And Stephen’s review of Ishirō Honda’s Invasion of Astro-Monster (1965) in 4K Ultra HD from Toho Studios in Japan (note that this release has no English subtitles).

Also this afternoon, we’ve asked our supporters on The Bits’ new Patreon page to share their Ten Favorite TV Series, and we’ve updated our 4K Ultra HD Release List here at The Bits with new titles as well.

In announcement news today, Kino Lorber Studio Classics has just officially set Fred Zinnemann’s High Noon (1942) for release on Blu-ray and 4K Ultra HD on 4/16. The film will include a collection of legacy special features (from previous Blu-ray and DVD releases) along with a pair of new audio commentary track by film historians, one by Alan K. Rode and another by Julie Kirgo. You can see the cover artwork above left and also below. Look for Dolby Vision HDR on the 4K disc. [Read on here...]