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We have several more new disc reviews for all of you to enjoy today, including...

Stuart’s look at Ting Shan-hsi’s A Queen’s Ransom (1976) on Blu-ray from Eureka Entertainment, Alain Cavalier’s Fill ‘er Up with Super (1976) on Blu-ray from Radiance Films, Peter Bogdanovich’s Daily Miller (1974) on Blu-ray from Kino Lorber Studio Classics, and William Wyler’s Friendly Persuasion (1956) on Blu-ray from the Warner Archive Collection.

Dennis’ take on Raoul Walsh’s Pursued (1947) on Blu-ray from Kino Lorber Studio Classics and Fred Zinnemann’s Act of Violence (1949) on Blu-ray from the Warner Archive Collection.

And Stephen’s thoughts on Paul Schrader’s Touch (1997) on Blu-ray from Vinegar Syndrome’s Cinématographe line.

We have a bunch more new Blu-ray and 4K Ultra HD reviews cooking as well—the whole team is working on reviews over the weekend—so be sure to watch for more here at The Bits next week.

In announcement news today, our friends at Imprint Films have just unveiled their October Blu-ray and 4K slate, which will include Luca Guadagnino’s Suspiria (2018) in 4K Ultra HD and Blu-ray, The Blair Witch Project Collection on Blu-ray—which includes The Blair Witch Project (1999) and Book of Shadows: Blair Witch (2000)—Alberto De Martino’s The Antichrist (1974) on Blu-ray, James W. Roberson’s Superstition (1982) on Blu-ray, Dick Richards’s Death Valley (1982) on Blu-ray, and the Directed By… Roman Polanski Blu-ray box set—which includes Bitter Moon (1992), Death and the Maiden (1994), and The Ninth Gate (1999). The street date for all is 10/30, and each is limited to 1500 copies. You can see what the titles look like below the break. [Read on here...]

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All right, first things first today—this is officially Prime Day on Amazon.com, so there are a TON of deals to be had on all kinds of items from Blu-rays, DVDs, and 4Ks, to books, computer stuff and all kinds of household items.

As you know, The Digital Bits is an Amazon Affiliate, so whenever you’re planning on shopping for literally anything from Amazon—particularly on a day like today—we’d sure appreciate it if you started by clicking on one our affiliate links first (like this one, or the logo below).

It makes a huge difference for us in keeping The Bits going, so thank you in advance for your support!

Click here to shop for Prime Day Deals on Amazon!

Now then, we’re starting today with three more new disc reviews from our staffers here, including...

Tim’s thoughts on Peter Collinson’s The Italian Job (1969)—a big favorite of ours here at The Bits—in 4K Ultra HD from Kino Lorber Studio Classics.

Stuart’s take on Anthony Mann’s The Tin Star (1957)—a great VistaVision Western starring Henry Fonda and Anthony Perkins—on Blu-ray from Arrow Video.

And Dennis’ look at Alfred Hitchcock’s Mr. & Mrs. Smith (1941)—a classic Robert Montgomery and Carole Lombard screwball comedy—on Blu-ray from the good people of the Warner Archive Collection.

More reviews are forthcoming this week, so be sure to check back for them!

Now then, we’ve got some very good release physical media news for you today, starting with this: I’ve confirmed that the new US 4-disc Godzilla Minus One: 4K Ultra HD + Blu-ray Deluxe Collector’s Edition from Toho is just the latest of multiple planned physical media releases of the film. More editions are apparently “coming soon” in the months ahead. So expect wide-release versions eventually, and probably international SKUs as well. That’s definitely good news for fans around the world, and there are definitely a lot of you out there! [Read on here...]

Published in My Two Cents

Good afternoon, Bits readers! We’re starting the new week today with a pair of new disc reviews from a new staff reviewer... Sam Cohen!

We’ll let Sam introduce himself to all of you...

“Hello, Digital Bits readers! I’m Sam Cohen and I cannot be more excited to join the incredible team here, as well as engage with our readers about everything going on in the physical media world. My journey with film started when I was a wee tot growing up on Cape Cod and not caring much about the beach, then it developed into a full-blown addiction when my Dad exposed me to so many classics at such a young age. Naturally, that love for film didn’t let up and only blossomed as I got older, and my studies as a communication professional helped me prepare for the wild world of film criticism. My writing has been featured at Sumo Skinny, Under the Gun Review, EDGE Media Network, High-Def Digest and now, here!

“While my day job is dedicated to Search Engine Optimization (SEO), I’m deeply passionate about all the boutique and studio releases that keep flying our way at a breakneck pace, and even have a nice movie theater that I built into my basement with an LG OLED display plus a 7.1.2 Dolby Atmos surround sound system from Klipsch. My favorite directors include Claire Denis, George Miller, Michael Mann, Frank Tashlin and Jacques Rivette, among many, many others.

“I’m elated to be here amongst other physical media experts and look forward to covering, discussing and living with all of these wonderful films on disc that continue to keep our passion for film fresh and unrelenting. Oh, and if you’re asking who is my favorite boutique label? It’s Mondo Macabro, with those sickos at Vinegar Syndrome and film lovers at Arrow Video tied for second. Check out Mondo Macabro for some of the weirdest and grotesque genre oddities from across the world.” [Read on here...]

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We’ve got more interesting release news here today to close out the week, and a few more new disc reviews as well. First the reviews...

Stephen has turned in his thoughts on Abel Ferrara’s Dangerous Game (1993) on Blu-ray from Vinegar Syndrome via their fine new Cinématographe line.

And Dennis has reviewed Bryce McGuire’s Night Swim (2024) on Blu-ray from Blumhouse via Universal, as well as Raoul Walsh’s The Man I Love (1947) on Blu-ray from the Warner Archive Collection.

More reviews are on the way for next week, including my take on Hayao Miyazaki’s animated The Boy and the Huron (2023) in 4K Ultra HD from GKids. So be sure to stay tuned for them.

Also, my apologies for the lack of news updates this week, but I was struck a bout of vertigo last Saturday, and I’ve been having to take it a bit easy to reset everything back to normal. It’s nothing serious—mine is caused by tension in my shoulders aggravating the nerves in my neck, in this case triggered by sleeping with my neck in an awkward position. So the key is to fix my pillow situation and try to relax a little bit more. I’m sure some of you out there can relate!

Anyway, the big news lately is that Second Sight in the UK has finally set their long-awaited 4K remaster of Robert Harmon’s The Hitcher (1986) for release on both 4K Ultra HD and Blu-ray on 9/30. It’s currently exclusive to their website in a 4K + Blu-ray Limited Edition, as well as separate (and standard) 4K UHD and Blu-ray editions. [Read on here...]

Published in My Two Cents

We’ve got two new disc reviews for you today, as well as some great release news. But first those reviews...

Dennis has turned in his thoughts on director Leslie Fenton’s Saigon (1948) on Blu-ray from Kino Lorber Studio Classics. The film stars Alan Ladd and Veronica Lake.

And Tim has taken a look at the new Wes Craven Film Collection on Blu-ray from Via Vision Entertainment down under, a region-free box that includes Deadly Blessing (1981), The Serpent and the Rainbow (1988), and The People Under the Stairs (1991).

And now for that great piece of release news: We’ve been wondering for a while now who was going to be releasing Toho’s outstanding Godzilla Minus One (2023), directed by Takashi Yamazaki, on physical media here in the States, and now we know... it’s Toho themselves!

Toho has decided to release their excellent 4-disc box set Godzilla Minus One: Blu-ray Deluxe Japan Collector’s Edition to US customers exclusively on Godzilla.com! For $65, you’ll get the exact same box set that was released in Japan (and that our own Stephen Bjork reviewed here at The Bits back in May) in the same packaging, simply re-authored with English menus and the option to select the theatrical release English subtitles for Godzilla Minus One and Godzilla Minus One/Minus Color. [Read on here...]

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We’re starting things off this week as always with another new disc review...

Stephen has just checked in with his in-depth thoughts on Roman Polanski’s Chinatown (1974) in 4K Ultra HD, a new Paramount Presents title that also includes Jack Nicholson’s 1990 sequel, The Two Jakes, on Blu-ray. Sounds like it’s a pretty good release, so do give it a look.

Speaking of good 4K, I had the great fortune yesterday afternoon to attend the West Coast premiere of the new Janus Films 4K restoration of Akira Kurosawa’s legendary masterpiece Seven Samurai (1954), which was held at the Egyptian Theatre in Hollywood. It was my... I don’t know, forty or fiftieth viewing of the film? And I brought my friend Tom Beckett-Maines along for his first ever viewing. It goes without saying that we both enjoyed the film, and it was very encouraging to experience it with a packed crowd filled with young people who were really into it. Tip of the hat to the American Cinematheque for a great screening. If I lived a little closer to L.A. I would definitely become a card-carrying member, because they always do it right.

I think we can reasonably expect that Seven Samurai will be announced for physical 4K Ultra HD release by Criterion sooner rather than later, and I personally can’t wait for it. I still have a few “holy grail” physical media releases on my bucket list, and one of them is surely a Blu-ray/4K Ultra HD upgrade of Criterion’s wonderful AK100 DVD box set. But I’ll take all the Kurosawa I can get in 4K in the meantime. [Read on here...]

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We’re back today with some release news as well as a bunch more new disc reviews, including...

My take on Alex Garland’s Civil War (2024) in 4K Ultra HD from A24 and Lionsgate, a film I didn’t even want to see but that I ended up really impressed with, that also happens to be the most demo-worthy 4K release since Dune: Part Two, Oppenheimer, and Top Gun: Maverick. It also has a terrific documentary from our old friend Charles de Lauzirika, so it’s well worth your time.

Stephen’s thoughts on Abel Ferrara’s Bad Lieutenant (1992) in 4K Ultra HD from Kino Lorber Studio Classics, as well as the Wachowskis’ Bound (1996) in 4K Ultra HD from Criterion.

Dennis’ review of Sidney J. Furie’s The Lawyer (1970) and Frank Tuttle’s The Hour Before Dawn (1944) on Blu-ray from Kino Lorber Studio Classics.

And finally, Tim’s look at J. Lee Thompson’s Death Wish 4: The Crackdown (1987) and Allan A. Goldstein’s Death Wish V: The Face of Death (1994) on Blu-ray also from KL Studio Classics.

We definitely have more reviews cooking at The Bits, but with the 4th of July holiday here in the States falling on a Thursday (tomorrow) this year, we’re giving everyone the next few days off to recharge with their families. So we’ll be back on Monday with more new reviews and—we would imagine—plenty of breaking release news too.

In announcement news today, Kino Lorber Studio Classics has revealed that Ralph S. Singleton’s Graveyard Shift (1990) is coming soon to 4K Ultra HD. Also newly-revealed as coming soon to Blu-ray is Willard Juyck’s Best Defense (1984). [Read on here...]

Published in My Two Cents

Morning everyone, and welcome to the first week of July!

I’ve been very busy over the weekend working on new disc reviews, frankly probably a little too hard—I should probably have taken more of a break to recharge. Nevertheless, I’ve completed a trio of new reviews for you all to enjoy, so today we present...

My take on Luc Besson’s La Femme Nikita (1990) new on 4K Ultra HD Steelbook from Sony Pictures Home Entertainment—a great 4K remaster of one of my favorite films.

My look at Ron Frank’s funny and poignant documentary Remembering Gene Wilder (2023) on Blu-ray from Kino Lorber—which covers the actor’s life and career in detail, and features interviews with Mel Brooks and other friends.

And finally, my review of a surprise title that just arrived on Sunday morning: Jan de Bont’s Twister (1996) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment—a terrific remaster that leaves this film looking and sounding better than it ever has before.

I’m also working to finish another review today, which is Alex Garland’s Civil War. I expect to have that up here by tomorrow. And of course, the rest of the Bits team is working on new reviews as well, so be sure to check back for those over the coming days.

Now then, in announcement news this afternoon, Universal has officially set David Leitch’s The Fall Guy (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 7/23. The package will include both the Theatrical Cut and an Extended Cut of the film with 20 minutes of additional footage. Extras will feature audio commentary on both of those with director Leitch and producer Kelly McCormick, a gag reel, alternate takes, the 5-part Stunts on Stunts: Breaking Down the Action documentary, and 6 featurettes (Making a Meta Masterpiece, How to Break a World Record, Nightclub Mayhem, The Art of Doubling, Making Metalstorm, and Falling for The Fall Guy with Rob Reese). You can see the cover artwork at left and also below. [Read on here...]

Published in My Two Cents

All right, we haven’t had a lot of news updates this week, because frankly there just hasn’t been a lot of news to report. And also because we’ve all been working on a lot of disc reviews for you to enjoy. In fact, today we have no less than TEN to share with you, including...

My thoughts on Guy Ritchie’s The Ministry of Ungentlemanly Warfare (2024) in 4K Ultra HD from Lionsgate, Akira Kurosawa’s Dreams (1990) in 4K UHD from The Criterion Collection, and Gil Kenan’s Ghostbusters: Frozen Empire (2024) in 4K UHD from Sony Pictures Home Entertainment.

Tim’s review of Ernie Fosselius’ Hardware Wars (1978) on Blu-ray and Albert Band’s Ghoulies II (1987) in 4K UHD from the MVD Rewind Collection, Gualtiero Jacopetti and Franco Prosperi’s Goodbye Uncle Tom (1971) in 4K from Blue Underground (which is definitely not for the faint of heart), and Jason Reitman’s Ghostbusters: Afterlife (2021) in 4K UHD from Sony Pictures Home Entertainment.

Dennis’ take on Ted Geoghegan’s Brooklyn 45 (2023) on Blu-ray from Shudder.

And Stephen’s look at Mark Waters’ Mean Girls (2004) on 4K Ultra HD from Paramount, as well as the import version of Michael Mann’s Ferrari (2023) in 4K UHD from Neon and Sky via Universal in UK.

More reviews are on the way for Monday, including my look at Luc Besson’s La Femme Nikika (1990) in 4K from Sony, and Alex Garland’s Civil War (2024) in 4K from Lionsgate, so be sure to watch for them.

Also, just a heads up: Our very own Russell Hammond has posted the new update of our ever-popular Release Dates and Cover Art section (see Cover Art above), which includes all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. As always, you can sort by date, by format, even isolate the Criterion titles! And as an Amazon Affiliate, literally anything you order from Amazon after clicking to them through one of our links (like this one) goes to help support our work here at The Bits and we greatly appreciate it! [Read on here...]

Published in My Two Cents

We’re starting the new week here at The Bits, as always, with more new disc reviews...

Stephen has turned in his thoughts on Albert Magnoli’s celebration of all things Prince, Purple Rain (1984), in 4K Ultra HD from Warner Bros. Discover Home Entertainment. The film celebrates its 40th anniversary this summer, and the city of Minneapolis has been partying all weekend in honor of it (more on that here).

Also, I’ve shared my thoughts on Trey Parker and Matt Stone’s South Park: Bigger, Longer & Uncut (1999) in 4K Ultra HD from Paramount Home Entertainment. I’m not sure the title actually needed a 4K upgrade, but what the heck—blame Canada. You can read all the details here.

And Dennis has shared his perspective on The Wachowskis’ Bound (1996), which is new on Blu-ray (and 4K UHD) from our friends at The Criterion Collection.

More reviews are forthcoming this week, so be sure to stay tuned for them.

Now then... we’ve got a pretty significant piece of industry news to share with you today. Sony Pictures Home Entertainment has completed an “umbrella” distribution deal with Studio Distribution Services (SDS) that covers not only their own Blu-ray, DVD, and 4K Ultra HD product, but also titles from Lionsgate and Disney (along with 20th Century Studios, Touchstone, Hollywood Pictures, and the other Disney-owned labels), which Sony produces for those studios. We first broke the news of this for our Patreon subscribers over the weekend.

The reason this deal is important is that it guarantees Sony, Disney, 20th Century Studios, and Lionsgate a direct and stable distribution channel for their physical media product into Walmart stores. And as we’ve reported previously, Walmart is the biggest disc retailer in North America with a whopping 45% share of the disc sales market (as of earlier this year—that number may have grown a bit with the recent exit of Best Buy, which had approximately 4% of the business). [Read on here...]

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