Displaying items by tag: Arrow Video

I’m about to dive back into disc reviewing here this afternoon, but before I do we have two new reviews for you this morning and a major piece of release news as well. First those reviews...

Stephen has checked in with his thoughts on a fascinating Russian fantasy film from 1956, Aleksandr Ptushko’s Ilya Muromets, which also happens to be the first Russian film in both anamorphic widescreen and color. Russian cinema is fascinating, and this film is no exception, so it’s definitely worth a look on Blu-ray from Vinegar Syndrome.

Stephen has also given Cy Endfield, Roger Corman, and Gordon Hessler’s De Sade (1969) a look on Blu-ray from Kino Lorber, also a fascinating film from American International Pictures.

Now for that news... Marvel and Disney have just officially set Sam Raimi’s Doctor Strange in the Multiverse of Madness for release on Blu-ray, DVD, and 4K Ultra HD release on 7/26, with the Digital release anticipated for 6/22. [Read on here...]

We begin today with four more new Blu-ray Disc reviews for you to enjoy, including...

Tim’s take on Robert Altman’s The Long Goodbye (1973) from Kino Lorber Studio Classics, along with Lucio Fulci’s Demonia (1990) from Severin Films.

Stephen’s thoughts on Simon Wincer’s The Lighthorsemen (1987) from Umbrella Entertainment.

And Dennis’ look at Lewis Milestone’s Edge of Darkness (1943) from The Warner Archive Collection.

Moving on to release news today, Paramount has officially announced their 6/14 4K Steelbook re-release of Raiders of the Lost Ark (single-disc, same 4K disc as before with HDR10, Dolby Vision & Dolby Atmos, includes a Digital copy code and a mini-poster reproduction but no Blu-ray). That much we already knew. [Read on here...]

We’ve got four more disc reviews for you all to enjoy today, including three new 4K Ultra HD titles...

Tim has turned in his look at Terry Gilliam’s 12 Monkeys in 4K UHD from Arrow Video, a fine upgrade of their previous Blu-ray edition (but one that’s going to require a disc replacement program—the details are in the review).

Stephen has offered his thoughts on Michael Winner’s Death Wish II (1982) as well as Bill Hunzman’s FleshEater (1988), both in 4K Ultra HD from Vinegar Syndrome.

And Dennis has a look at Alfred Hitchcock’s Stage Fright (1950), as recently released on Blu-ray by our friends at The Warner Archive Collection.

As always, more reviews are on the way so be sure to stay tuned for them. [Read on here...]

We have four new disc reviews for you to enjoy today, as follows...

Stephen has taken a look at Vinegar Syndrome’s new 4K Ultra HD double feature release of Schizoid and X-Ray here at The Bits, each an early 1980s B-grade slasher film.

Stephen has also reviewed Tom DeSimone’s Reform School Girls (1986) from Vinegar Syndrome, as well as George Marshall and Edward F. Cline’s You Can’t Cheat an Honest Man (1939) from Kino Lorber Studio Classics, each on standard Blu-ray.

And finally, Tim has checked in with a look at the Blu-ray 3D release of Genndy Tartakovsky’s Hotel Transylvania from Sony Pictures Animation.

As always, more reviews are on the way this week so be sure to check back for them. [Read on here...]

The big piece of announcement news today is that Universal Studios Home Entertainment has set Paul Thomas Anderson’s excellent and Best Picture-nominated film Licorice Pizza for release on Blu-ray and DVD on 5/17. The Digital version is already available (including 4K), though there are no current plans for a physical 4K Ultra HD release. Extras on the Blu-ray will include camera tests, a deleted scene, a Fat Bernie’s Commercial, and a Behind-the-Scenes featurette. You can see the cover artwork at left and also below.

Also, Sony Pictures Home Entertainment has officially set The Boys: Seasons 1 & 2 Collection for release on Blu-ray and DVD on 5/17. Of course, the Amazon-exclusive series is already available for streaming on Amazon Prime. This release is no doubt timed to support the 6/3 debut of Season 3 on Prime. Extras on the discs will include deleted scenes and a blooper real for each season, plus Butcher: A Short Film. Again, you can see the cover artwork below.

One hopes that the this means Sony might consider releasing other series it produces for streamers on physical media eventually, including (hopefully) Apple TV’s outstanding For All Mankind (which I’d kill to own on physical 4K). [Read on here...]

We’ve got a quick early news update for you here at The Bits this morning featuring a major new disc review and some great breaking title announcement news as well. First the review...

Tim has just weighed in with his thoughts on John Landis’ An American Werewolf in London: Limited Edition in 4K Ultra HD from our friends at Arrow Video.

Sounds like it’s a loaded package, with best-ever image and sound quality for this film, so if you’re a fan you won’t want to miss it.

Now then, we’ve learned that Shout! and Scream Factory are just about to announce their May Blu-ray, DVD, and 4K Ultra HD slate, and it includes a trio of great and much-loved catalog titles in 4K Ultra HD. [Read on here...]

We’ve got just one quick final news post for you here at The Bits this week to report that Arrow Video has officially announced their April Blu-ray and 4K slate, and there are some real gems in the mix as well as a pair of great new Ultra HD releases.

On Blu-ray in the US and Canada only, look for The Eight Diagram Pole Fighter (1984) in two different cover art SKUs (original theatrical art and new artwork) on 4/5.

In the UK only, look for Henry: Portrait of a Serial Killer (1986) on both Blu-ray and 4K Ultra HD on 4/18.

And in all three regions, look for Terry Gilliam’s 12 Monkeys (1995) on 4K Ultra HD on 4/26, as well as Twisting the Knife: Four Films by Claude Chabrol—which will include The Swindle (1997), The Color of Lies (1999), Nightcap (2002), and The Flower of Evil (2003)—also on 4/26 on Blu-ray only, and Rogue Cops and Racketeers: Two Crime Thrillers by Enzo G. Castellari on Blu-ray only—which includes the films The Big Racket (1976) and The Heroin Busters (1977)—on 4/19. [Read on here...]

We’ve got more disc reviews for you today, along with another great film retrospective column, a bit more release news, and some news that... well, I’m not sure what to think of it. But you’ll understand what I mean in a minute. First, those disc reviews...

Tim has checked in over the last couple of days with no less than four new reviews, starting with his thoughts on Mei-Chun Chang’s Revenge of the Shogun Women (1982) on Blu-ray from Kino Lorber Studio Classics, a disc that includes both polarized 3D and anaglyph 3D presentations (as well 2D) thanks to our friends at The 3-D Film Archive. It’s a good disc and a rare 3D treat for those who love that format, so do give it a look.

Tim has also reviewed Arrow Video’s Giallo Essentials: Red Edition – Volume One and Yellow Edition – Volume Two, each of which includes three classics of the genre on Blu-ray.

And Tim has posted his thoughts on Brian Trenchard-Smith’s Stunt Rock (1978) on Blu-ray from Umbrella Entertainment (#8 in their Ozploitation Classics line-up) ad well. All are worth your time. [Read on here...]

Today’s update here at The Bits will be a quick one, as we have one major title announcement to report, plus what appears to be an audio problem on a key forthcoming 4K catalog title that we’re tracking.

First though, we have a few new disc reviews for you...

Tim has posted his thoughts on Wes Craven’s The Hills Have Eyes (1977), as released in 4K Ultra HD by our friends at Arrow Video.

Meanwhile, Stephen has checked in too with his thoughts on Wes Craven’s Scream (1996), newly released in 4K Ultra HD by Dimension Films via Paramount.

And Dennis has weighed in as well with his two cents on Liesl Tommy’s recent Aretha Franklin biopic, Respect, new on Blu-ray from MGM via Universal Pictures. [Read on here...]

Morning, folks! We’ve got an early Bits news post here today with some big catalog announcement news for 4K Ultra HD fans. But first, we’ve got more new Blu-ray Disc reviews for you…

Tim has posted his thoughts on David Nelson’s Death Screams (1982) from Arrow Video, along with John D. Lamond’s Nightmares (1980) from Umbrella Entertainment.

Meanwhile, Dennis has turned in a look at Kurt Neumann’s The Secret of the Blue Room (1933) from Kino Lorber Studio Classics, as well as M. Night Shyamalan’s Old from Universal.

And Stephen has checked in as well with comments on the Warner Archive Collection’s new Val Lewton Double Feature of The Ghost Ship (1943) and Bedlam (1946), as well as their recent Tex Avery Screwball Classics: Volume 3.

More reviews are on the way throughout the week, so be sure to check back for them! [Read on here...]