Displaying items by tag: Kino Cult

Greetings, Bits-ers! We’ve got some great announcement news for you this afternoon, but first...

Tim has taken a look at a couple of new releases on disc for you all, including Sergio Martino’s Torso (1973), an Italian giallo title from Arrow Video in 4K Ultra HD, and also Antonio Margheriti’s Cannibal Apocalypse (1980) in 4K Ultra HD from Kino Cult. So that should take care of your schlock horror cravings for today.

Morning reviews are on the way, so be sure to keep your eyes peeled.

Now then, the big announcement news today is that 20th Century Studios has just officially set Fede Alvarez’s Alien: Romulus (2024) for 4K Ultra HD, Blu-ray, and DVD release on 12/3, with the Digital release expected in a couple of weeks on 10/15. The title will come in Steelbook packaging only. Look for HDR10 high dynamic range and Dolby Atmos audio on a 66GB disc. The aspect ratio (per the press release) is 2.39:1.

[Editor’s Note: The studio press release indicates HDR10 only, but the open packaging shot—when zoomed in—reveals that the disc has the Dolby Vision logo on it. We’ve asked the studio to confirm and will post an update here when we hear back.]

[Editor’s Update – 10/1/24: Just a quick heads up to clarify... I’ve confirmed with studio sources that the Alien: Romulus 4K will indeed have Dolby Vision HDR, despite the fact that their press release suggested otherwise. However: No, Disney and 20th Century aren’t necessarily adding DV to all future Ultra HD titles. Instead, they’re making the decision to include it on a case by case basis going forward.]

Extras will include the Return to Horror: Crafting Alien: Romulus documentary, which includes 4 parts (The Director’s Vision, Creating the Story, Casting the Faces, and Constructing the World). You’ll also get 2 additional featurettes (Inside the Xenomorph Showdown and Alien: A Conversation which features Alvarez talking with original Alien director Ridley Scott). And a selection of Alternate/Extended Scenes will also be included. You can see the packaging at left and also below. [Read on here...]

All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s 8½ (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]

We’ve got two more new disc reviews for you today, including...

Stephen’s look at Roger Donaldson’s No Way Out (1987) in 4K Ultra HD from Kino Lorber Studio Classics.

And Tim’s thoughts on Jeff Lieberman’s Squirm (1976) on Blu-ray, from KLSC’s Kino Cult line.

Also today, we’ve have word from retail sources (and customers who have pre-ordered the tiles) that Warner Bros. Discovery Home Entertainment’s recently street-dated 4K catalog titles—Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984)—have been pushed to 11/19 from 11/5. That probably has to do with the added time needed to replicate enough production to meet demand. Adjust your plans accordingly.

In any case, be aware that North by Northwest (1959) and Blazing Saddles (1974) will each include HDR10 and Dolby Atmos audio, while The Terminator (1984) will include both Dolby Vision HDR and Dolby Atmos audio.

In terms of special features The Terminator will also include Creating The Terminator: Visual Effects & Music, The Terminator: Close to the Real Thing, Unstoppable Force: The Legacy of the Terminator, and 7 deleted scenes. (It appears that the video-based features may be all-new.) Blazing Saddles will include Inappropriate Inspiration: The Blazing Saddles Effect, scene-specific commentary with Mel Brooks, Blaze of Glory: Mel Brooks’ Wild, Wild West, Back in the Saddle, and additional scenes. And North by Northwest will include audio commentary with screenwriter Ernest Legman, North by Northwest: Cinematography, Score, and the Art of the Edit, Destination Hitchcock: The Making of North by Northwest, The Master’s Touch: Hitchcock’s Signature Style, North by Northwest: One for the Ages, and A Guided Tour with Alfred Hitchcock. [Read on here...]

We’ve got several new disc reviews for all of you to enjoy today, including...

Tim’s thoughts on the new Bill & Ted’s Most Triumphant Trilogy in 4K Ultra HD from Shout! Studios, which includes Stephen Herek’s Bill & Ted’s Excellent Adventure (1989), Peter Hewitt’s Bill & Ted’s Bogus Journey (1991), and Dean Parisot’s Bill & Ted Face the Music (2020). Tim has also taken a look at Enzo G. Castellari’s High Crime (1973) in 4K UHD from Blue Underground.

Dennis’ thoughts on George McCowan’s Frogs (1972) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s take on Howard Hawks’ Red Line 7000 (1965) on Blu-ray from Arrow Video.

And finally, Stuart’s look at Imprint Films’ Film Focus: Kim Novak Blu-ray box set, which includes Pal Joey (1957), Jeanne Eagles (1957), and Middle of the Night (1959).

We’ve also shared our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and pre-order links, all organized (and sortable) by date and format, and complete with our Amazon Affiliate links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we appreciate it!

In announcement news today, we’ve confirmed that Warner’s previously-revealed 4K and 4K Steelbook editions of Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984) will all officially street on 11/5. We also have the final cover artwork for the wide-release 4K of The Terminator, which I suspect was delayed by the need for James Cameron approval (and the fact that he has finally approved it is why we now have a street date). You can see the final cover artwork for all of these titles below the break, with Amazon.com pre-order links. [Read on here...]

We’ve got a trio of new disc reviews for you today to start the new week, including...

Tim’s review of Columbo: The Return (1989-2003) on Blu-ray from Kino Lorber Studio Classics, featuring the final 24 episodes of the series.

Stuart’s take on Patrice Leconte’s The Hairdresser’s Husband (1990) on Blu-ray from Kino Classics.

And Dennis’ thoughts on Bert I. Gordon’s The Food of the Gods (1976) on Blu-ray from American International Pictures via Kino Lorber Studio Classics’ new Kino Cult line.

More discs are on the way this week as well, so be sure to watch for them.

It’s a slow morning for release news, but we do have a couple things for you.

First, Paramount has set ZAZ: The Collection! for release on 4K Ultra HD on 11/19. That’s Zucker, Abrahams & Zucker to you! The collection will include Airplane! (1980), Top Secret! (1984), and The Naked Gun: From the Files of Police Squad! (1988). The first two are new to the format.

Kino Lorber Studio Classics is going to be releasing Claude Miller’s Deadly Circuit (1983) on Blu-ray on 10/29. The company has also revealed that Herbert Ross’ Play It Again Sam (1972) is coming soon to Blu-ray, while Michael Anderson’s Orca (1977) is coming soon to 4K Ultra HD. [Read on here...]

We’re finishing up the week with a pair of additional disc reviews here, including...

Stephen’s look at John Krasinski’s If (2024) in 4K Ultra HD from Paramount.

And Stuart’s thoughts on Vittorio De Seta’s Bandits of Orgosolo (1960) on Blu-ray from Radiance Films.

As always, more reviews are on the way, so be sure to watch for them.

We’ve also just finished a massive update of our 4K Ultra HD Release List here at The Bits as promised to include everything announced for the format in the last few weeks, with A/V details (if known) and Amazon.com pre-order links (if available). We’ve also included some rumored titles from our industry sources and there are a few surprises in there, so you’ll definitely want to give it a look!

And we’ve got a few more new disc announcements for you here today, starting with Imprint’s revelation that they’re releasing Wolfgang Petersen’s The NeverEnding Story (1984) on 4K Ultra HD on 11/27, the final of four catalog 4Ks the company is releasing that month! The release is timed to celebrate the film’s 40th anniversary. This will be a 5-disc set that includes the original US Theatrical Cut and the German Extended Cut on separate 4K Ultra HD discs, the former with Dolby Vision HDR and the latter with HDR10. Both cuts will also be included on separate Blu-rays, and you’ll get an additional Blu-ray that features Lisa Downs’ all-new Life After NeverEnding Story feature-length documentary. [Read on here...]

We’re rounding out the week here at The Bits with a pair of additional disc reviews, including...

Stephen’s thoughts on Yuzuru Tachikawa’s anime Blue Giant (2023) on Blu-ray from GKids via Shout! Studios.

And Dennis’ take on Sophie Compton and Reuben Hamlyn’s Another Body (2023) on Blu-ray from Vinegar Syndrome.

Also today, we’ve updated our 4K Ultra HD Release List here at The Bits with all the latest announced 4K titles as well as those we’ve learned are coming from our industry sources.

Over on our Patreon page, many of you have asked us for an Annual Membership option in order to get the best value while backing us and supporting The Bits there. So we’re very pleased to finally make it available today. Signing up as a Patreon supporter of The Bits via the Annual Membership option (at whatever support level you choose) gives you a 10% discount.

And while we’re talking Patreon, we’re going to be holding a members-only Digital Bits: “Ask Us Anything” Live Chat on Patreon tomorrow (Saturday, June 15th) at 11 AM Pacific (1 PM Central, or 6 PM UTC). I’ll be on hand to participate, along with Tim Salmons and Stephen Bjork. You can ask us about physical media, 4K, Blu-ray, film in general, our work, our interests—pretty much any topic other than politics is fair game. While there may be a few questions (about specific upcoming titles) that we can’t answer, we’ll do our best to tackle all questions as they come in. Our goal is to go live for at least an hour. And if everything goes smoothly, we’ll continue for a second hour (provided there’s enough demand/questions to warrant doing so). We hope to see you there! [Read on here...]

Happy Leap Day, Bits readers! February 29th only comes around once every four years, so enjoy it while you can.

I want to take a moment to thank all of you for your patience. We haven’t done a news update here for a couple days, and the reason is that I’ve been doing a lot more digging about that Disney and Sony physical media distribution deal, and I have in fact learned a little bit more information that will put the deal in better context. So after having a few last conversations with sources tonight, I’ll have a bit more to share on that front in tomorrow’s news update here at The Bits.

In the meantime, we’ve posted a bunch more new disc reviews here at the site as follows...

Dennis has posted his thoughts on Raoul Walsh’s The Roaring Twenties (1939) on Blu-ray from our friends at The Criterion Collection, as well as Ralph Murphy’s The Man in Half Moon Street (1945) on Blu-ray from Imprint, Robin Spry’s One Man (1977) and Elly Kenner and Norman Thaddeus Vane’s The Black Room (1982) on Blu-ray from Vinegar Syndrome, and Damien LeVeck’s A Creature Was Stirring (2023) on Blu-ray from Well Go USA.

Stewart has taken a look at Norman Jewison’s The Russians Are Coming, the Russians Are Coming (1966) on Blu-ray from Kino Lorber Studio Classics, Nigel Cole’s Saving Grace (2000) on Blu-ray from the Warner Archive Collection, and Alan Rudolph’s Mrs. Parker and the Vicious Circle (1994) on Blu-ray from Imprint.

And finally, Stephen has check in with his take on David Cronenberg’s eXistenZ (1999) on 4K Ultra HD from Vinegar Syndrome. All are well worth a look (both the films and the discs). [Read on here...]

We’ve got some more new announcement for you today, including a few interesting ones. And we have new disc reviews today as well. But first, I saw Dune: Part Two last night. So let me just share some very quick and non-spoiler comments. Here’s my initial reaction posted on social media afterwards...

“You see a film like DUNE: PART TWO and you think: That’s either the last great film of a dying Hollywood, or proof that there’s still a bit of life left in this industry. Either way, it’s a wonder. And absolutely perfect. Don’t look now, but Denis Villeneuve has just casually knocked out three of the greatest science fiction films of all time. See it on the BIGGEST POSSIBLE SCREEN.”

I guess “three of the greatest” depends on whether you calculate Dune as a single film or not. But Arrival, Blade Runner: 2049, and the combined Dune adaptation are all superb. I would rank them right up there with Kubrick’s 2001: A Space Odyssey, Ridley Scott’s Blade Runner and Alien, and the Wachowskis’ The Matrix. Maybe I’d add Spielberg’s Close Encounters of the Third Kind in there as well. All extraordinary pieces of hard science fiction cinema.

Honestly, if you liked Dune: Part One—and particularly if you loved Frank Herbert’s original novel, which is rightly regarded as the greatest work of science fiction literature—Villeneuve has just nailed the landing. [Read on here...]

Well, yesterday was kind of a big day in terms of industry news, but as it happens, there have been quite a lot of interesting 4K Ultra HD and Blu-ray announcements in the last 24 hours too!

But before we get to those, we have a few more new disc reviews for you...

I’ve just taken a look at John Sturges’ Gunfight at the O.K. Corral (1957) in 4K Ultra HD from Kino Lorber Studio Classics, as well as Ron Maxwell’s cult classic Little Darlings (1980) in 4K UHD from Vinegar Syndrome’s new Cinématographe Films label.

Stephen has turned in his thoughts on Nia DaCosta’s The Marvels (2023) in 4K Ultra HD from Marvel and Disney, along with Yoshimitsu Banno’s Godzilla vs. Hedorah (1971) on 4K UHD (sans English subs) from Toho Studios in Japan.

Dennis has given Ted Kotcheff’s Split Image (1982) a look on Blu-ray from Kino Lorber Studio Classics, along with Vincente Minnelli’s Madame Bovary (1949) on Blu-ray from the Warner Archive Collection.

And Stuart has reviewed Andrew V. McLaglen’s The Devil’s Brigade (1968) on Blu-ray from Kino Lorber Studio Classics and Steve Zaillian’s Searching for Bobby Fischer (1993) on Blu-ray from Imprint Films.

Many more reviews are forthcoming, including Footloose, Conan the Destroyer, and Justice League: Crisis on Infinite Earths – Part One in 4K, so be sure to keep your eyes peeled for them.

Now then... in terns of title announcements, Paramount’s just dropped a couple of big ones starting with confirmation of a title we’ve mentioned here at The Bits recently: Alex Proyas’ The Crow (1994) officially streets on 4K Ultra HD and 4K Steelbook on 5/7. The 4K disc will include Dolby Vision and HDR10 high dynamic range. [Read on here...]