Displaying items by tag: 20th Century Studios

Afternoon, folks! I certainly hope that those of you who celebrate it have had a great Christmas holiday, and that the rest of you are enjoying the holiday season.

I’ve got just a quick update here for you today and I’ll post a little more as the week goes on. This time of year there’s typically very little news-wise worth reporting, but there are some odds and ends to cover.

First though, I want to catch you up on the latest disc reviews we’ve posted here at The Bits since our last news post last week. Now available for your reading pleasure here are...

My reviews of James Cameron’s Avatar: Collector’s Edition (2009) and Avatar: The Way of Water – Collector’s Edition (2022) in 4K Ultra HD from Lightstorm and 20th Century Studios.

Tim’s thoughts on Richard Donner’s Scrooged: 35th Anniversary Edition (1988) in 4K from Sony and George Mihalka’s My Bloody Valentine: Collector’s Edition (1981) in 4K from Scream Factory.

Dennis’ takes on David Gordon Green’s The Exorcist: The Believer (2023) in both Blu-ray and 4K Ultra HD from Universal, as well as Oren Rudavsky’s The Treatment (2006) on Blu-ray from Kino Lorber, and Richard Attenborough’s In Love and War (1996) on Blu-ray from the Warner Archive Collection.

Stephen’s reviews of Charles Kaufman’s Mother’s Day (1980) in 4K from Troma via Vinegar Syndrome, Emma Tammi’s Five Nights at Freddy’s in 4K from Universal, and Ti West’s Pearl (2022) in 4K from A24 via Turbine Media.

And finally Stuart’s look at Succession: The Complete Series on DVD from HBO, Alain Resnais’ La Guerre est finie (1966) on Blu-ray from The Film Desk and Vinegar Syndrome, and Paul Lynch’s The Hard Part Begins (1973) on Blu-ray from Canadian International Pictures via Vinegar Syndrome. [Read on here...]

Published in My Two Cents

We’re rounding out the week here with three more new disc reviews, including...

Dennis’ take on Costa-Gravas’ Mad City (1997) on Blu-ray from the Warner Archive Collection.

And Stuart’s thoughts on Frederic C. Hobbs’s Godmonster of Indian Flats (1973) on Blu-ray from AGFA, Something Weird, and Vinegar Syndrome, and the Villages of the Damned: Three Horrors from Spain Blu-ray release also from Vinegar Syndrome, which includes Pedro Olea’s The Forest of the Beast (1970), Silvio Narizzano’s The Sky Is Falling (1975), and Gonzalo Suárez’s Beatriz (1976).

Meanwhile, the rest of us are already working on a bunch more new Blu-ray and 4K UHD reviews for next week. And I do mean a bunch. So be sure to watch for them.

We also have a couple significant pieces of catalog news for you this afternoon before we go...

The first is that Kino Lorber Studio Classics has just officially set Ivan Reitman’s Kindergarten Cop (1990) for release on 4K Ultra HD on 1/23, featuring two new audio commentaries (by film historians Alexandra Heller-Nicholas and Josh Nelson, and a second by film historian Samm Deighan). [Read on here...]

Published in My Two Cents

All right, Digital Bits readers...

Having reported on the long and twisted saga of The Abyss and True Lies on Blu-ray and 4K Ultra HD for over thirteen years now—and having first broken news of this release all the way back in March—it gives me enormous pleasure to be able to share this with all of you: The day has come at last!

Not only are The Abyss and True Lies finally coming to 4K Ultra HD and Blu-ray, so too are Aliens, the recently-announced Titanic, and new versions of both Avatar (with all three versions of the film) and Avatar: The Way of Water!

Here’s the full text of Disney and Lightstorm’s official press release today…

SIX ICONIC JAMES CAMERON FILMS INCLUDING FOR THE FIRST TIME EVER ON 4K UHD™ ALIENS, THE ABYSS AND TRUE LIES!

IN ADDITION, SPECIAL COLLECTOR EDITIONS FOR TITANIC, AVATAR AND AVATAR: THE WAY OF WATER WITH:

** IMMERSIVE DOLBY ATMOS AUDIO
** STUNNING 4K DOLBY VISION HDR PICTURE QUALITY
** HOURS OF COMPELLING NEW BONUS FEATURES

BURBANK, CA. (November 15, 2023) – A piece of cinema history comes home this year when six box-office juggernauts from Oscar®-winning director James Cameron are released. The six titles—The Abyss, True Lies, Aliens, Titanic, Avatar and Avatar: The Way of Water—will be made available in 4K Digital and 4K Ultra HD + Blu-ray.

Cameron, who has helmed three of the five highest grossing movies of all time, says “There’s a world of emotions in revisiting these films and I hope we’ve captured some of that in the new bonus materials we created for our fans.”

Oscar®-winning producer Jon Landau added, “We really wanted to deliver the best possible experience at home so viewers could immerse themselves both in the films and the journeys we went through to make them.”

The 4K transfer for each release will be presented in superb Dolby Vision HDR and with an immersive Atmos audio mix. Additionally, most of the releases will arrive with several hours of captivating all-new bonus features. From the eight hours of Avatar: The Way of Water bonus including all-new deleted scenes to the five hours of new and legacy Titanic extras, fans will delight in the numerous hours of never-before-seen materials. [Read on here...]

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Good afternoon (or evening as the case may be), Bits readers! My wife and I had a houseguest here visiting yesterday, so today’s post is a little later than usual. But we’re starting as always with some new disc reviews...

First of all, on Monday I posted my thoughts on Christopher McQuarrie’s Mission: Impossible – Dead Reckoning Part One (2023) on 4K Ultra HD from Paramount, and just today I added a couple of additional Editor’s Notes discussing one of the film’s key story points as well as the 4K video quality (which I’ve revised downward just a tad from A to A-, the reason for which is explained in my review).

Also, Stephen has turned in his thoughts on Hideaki Anno’s (et al) Evangelion: 3.0+1.11 Thrice Upon a Time (2021) in 4K from GKids and Shout! Factory, and for those of you who aren’t familiar, he also gives you a good little primer on the topic.

Meanwhile, Stuart has weighed in with looks at William Dieterle’s The Life of Emile Zola (1937) and Richard Brooks’ The Last Time I Saw Paris (1954) on Blu-ray from the Warner Archive Collection, as well as Lise Akoka and Romane Gueret’s The Worst Ones (2022) on DVD from Kino Lorber.

Dennis has offered his take on Julian Schnabel’s Before Night Falls (2000) on Blu-ray from the Warner Archive as well as Mark Pellington’s The Severing (2022) on Blu-ray from Kino Lorber.

And finally, Tim has delivered an in-depth review of Kevin Connor’s Motel Hell (1980) in 4K Ultra HD from Scream Factory. [Read on here...]

Published in My Two Cents

Afternoon, Bits readers and welcome to the new week and, of course, Halloween Eve!

We’ve got a little bit of ground to cover here today, but first I wanted to personally thank all those of you who have signed up to support The Digital Bits via Patreon. Since we first launched our Patreon five days ago, we’re up to 77 backers (and 104 members total), and we really appreciate your support. It means a lot, and it will make a real difference here, let me tell you.

Already, I’ve decided on a couple things: I’m making regular (almost daily) blog posts exclusively for our Patreon supporters that are a little different than the kind of thing I post here and on our social media. For example... my first-take thoughts on things I’m hearing from sources (release news, industry developments, and the like), first impressions on new review discs that I’ve had the chance to look at (before I publish the full in-depth reviews here on the site), and other odds and ends—the kinds of things that offer you a essentially a more personal and candid look behind the scenes here at The Bits. I’m also making the occasional public post for all members there, with information that’s relevant to all our readers—the kind of thing I’m going to share here in a minute today (disc replacement news, a PS5 firmware update of relevance to disc fans, the occasional piece of significant breaking news). And we’ll add more Patreon-exclusive features over time as we get used working there, learning what kinds of perks are possible, and what we can do without dramatically increasing our workload.

Anyway, just know that we really, really appreciate those of you who are willing to support our work with your hard-earned money. Thanks to all 77 paying backers (here’s to reaching 100!) and thanks to all of you who are following us there.

Now then... I’m going to be spending the rest of my day working on a review of Paramount’s Mission: Impossible – Dead Reckoning Part One in 4K UHD for posting here hopefully tomorrow. But first, there’s some important breaking news... [Read on here...]

Published in My Two Cents

I’ve been thinking a lot, in recent days, about the future of physical media.

Frankly, I can’t recall a time in this industry that’s offered greater cognitive dissonance than this past week, which began with the news that Best Buy is exiting the disc business—and saw a Digital Bits headline on the subject appear in Jimmy Fallon’s Tonight Show monologue—but ended not only with the release of Barbie and The Exorcist in 4K, but also with the Ultra HD announcement of Titanic, The Color Purple, and Oppenheimer, to say nothing of the revelation (by Kino Lorber Studio Classics) that Stanley Kubrick’s earliest films are coming to the format!

What’s the opening line of A Tale of Two Cities again? “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity.” Charlies Dickens was nothing if not a visionary.

This coming December, I’ll mark my twenty-sixth year as editor of The Digital Bits, and my thirty-fifth as a working professional in the business of media more generally. For most of that time, I’ve had a front row seat from which to view the ebbs and flows of the disc business—both its public-facing portion, as well a singularly-unique insider’s perspective. I launched The Bits website in 1997, at the height of LaserDisc and the dawn of DVD, to create a nexus between fans of these formats and the industry professionals who create them.

Soon afterwards, I gave the world its first look at Circuit City’s pay-per-view DIVX format, then led the crusade against it. I co-led a campaign that convinced George Lucas to begin releasing his beloved Star Wars films on DVD. I reported from the trenches on—and correctly predicted the outcome of—the high-definition format war between Blu-ray and HD-DVD. And I’ve covered every minute of the Golden Age of Physical Media, the rise and stumbles of Digital and streaming, and the continuing adventures of our favorite little format that could… 4K Ultra HD. [Read on here...]

Published in My Two Cents

All right, we’ve got some ground to cover today here at The Bits, so first things first. We have a trio of new disc reviews for you to enjoy this afternoon, including...

Tim’s take on Amando de Ossorio’s Tombs of the Blind Dead (1972) on Blu-ray from Synapse Films.

And Dennis’ thoughts on William A Wellman’s Westward the Women (1951) on Blu-ray from the Warner Archive Collection, as well as James Foley’s After Dark, My Sweet (1990) on Blu-ray from Kino Lorber Studio Classics.

Don’t forget, Amazon’s Prime “Big Deal” Days Sale continues until the end of the day today, so be sure to take advantage of all the great prices on Blu-ray, DVD, and 4K Ultra HD titles, box sets, and collections. Click here and here to see what’s on sale and act fast!

For the record, some of today’s deals include...

So be sure to act fast if you’re interested.

Also today here at the site, we’ve got word on some long-awaited 4K Ultra HD catalog titles... [Read on here...]

Published in My Two Cents

We’ve got some interesting release news for you today, as well as updates on forthcoming 4K catalog titles we’ve been tracking for a while, and of course more new disc reviews. So let’s get to the latter first...

Our own Stephen Bjork has posted his in-depth review of Loki: The Complete First Season in 4K Ultra HD Steelbook from Marvel Studios and Disney. The short version is that the studio really does seem to have done this title right, in terms of AV quality, which bodes well for forthcoming Disney+ streaming series in 4K UHD.

Stephen has also turned in a look at Barry Levinson’s Rain Man (1988) in 4K Ultra HD from the MVD Marquee Collection.

And Stuart has delivered his take on Kino Lorber Studio Classic’s Audie Murphy Collection II on Blu-ray, which features Sierra (1950), Kansas Raiders (1950), and Destry (1954).

In terms of new release news, we’re hearing from retail sources that Universal’s forthcoming Blu-ray, DVD, and 4K Ultra HD release of David Gordon Green’s The Exorcist: Believer (2023) will arrive in stores on 12/19.

Lionsgate has also delayed their 4K Ultra HD + Blu-ray release of Jean-Luc Godard’s Contempt (1963) from 9/26 to 10/24. Adjust your plans accordingly. [Read on here...]

Published in My Two Cents

Morning Bits-ers. We’ve got a quick early post today with some news relevant to James Cameron’s The Abyss.

At a special event last night in LA, Cameron screened a 2K DCP (sourced from the new 4K remaster) of The Abyss: Special Edition as part of the annual Beyond Fest film festival. Word from people who attended was that it looked fantastic.

At the end of the screening, Cameron participated in a Q&A with the audience.

Knowing that this would be happening—and that someone would almost certainly ask about the 4K Ultra HD and Blu-ray release—I put out a call on social media yesterday for any readers who might be attending to record the relevant portion of the Q&A for all to see.

And I’m pleased to say that Bits reader Chuck Pennington did just that and has posted it on YouTube. (Thank you, Chuck!) You’ll find it below the break… [Read on here...]

Published in My Two Cents

All right, we’ve got a lot of catching up to do in terms of release news today, in the wake of the recent Disney and Fox title announcements. So let’s get right to it...

Paramount has just set a pair of fan-favorite catalog films for release on 4K Ultra HD on 11/7... John Landis’s Trading Places (1983) and Richard Donner’s Scrooged (1988). We haven’t seen official announcements yet, so we don’t know for sure what the details are, but they’re now available for pre-order on Amazon.com. You can see the cover art at left and also below the break, where we’ll include the Amazon links. If the studio follows their usual release pattern however, the discs should include Dolby Vision HDR, DTS-HD MA soundtracks, and (possibly) the previously-released extras. It appears that Scrooged will not include a Blu-ray copy however—it’ll will be 4K UHD + Digital Code only.

Speaking of Paramount, their previously-announced South Park: The Complete Twenty-Sixth Season is finally available for pre-order on Amazon and you can see the cover art below.

Lionsgate has just announced a new John Wick: Chapters 1-4 Blu-ray collection for release on Blu-ray, DVD, and Digital on 10/17. All of the previous special features will be included.

Also newly-announced by Lionsgate for release on Blu-ray, DVD, and Digital that same day is The Twilight Saga: The Complete Collection – 15th Anniversary Edition. Included will be Twilight (2008), The Twilight Saga: New Moon (2009), The Twilight Saga: Eclipse (2010), The Twilight Saga: Breaking Dawn – Part 1 and the Breaking Dawn: Part 1 – Extended Edition (2022), as well as The Twilight Saga: Breaking Dawn – Part 2 (2012). The package will also include “three alternative artwork cards that can be swapped into the front cover of the package” and most or all of the previous legacy extras.

And here’s the big one: Lionsgate and AMC are releasing a massive The Walking Dead: The Complete Collection Blu-ray box set on 10/17. SRP for this one is $209.97. You can see the cover artwork for all three of these Lionsgate sets below the break. [Read on here...]

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