All right, we’ve got a few things for you today...
First, our own Michael Coate posted a great new History, Legacy & Showmanship retrospective last night celebrating Steven Spielberg’s Close Encounters of the Third Kind on the occasion of the film’s 40th anniversary. Michael’s column looks back at the film’s initial theatrical run and features another great roundtable discussion of film historians. It’s a good read, so be sure to give it a look.
Now then... a quick commentary. Almost every day, I get asked this question in some form via email or social media: “Why no 3D?” As in: My favorite film was available in 3D in the theater, but how come the studio didn’t release it on Blu-ray 3D for the home? [Read on here…]
“Close Encounters helps demonstrate perhaps better than any other why Steven Spielberg is one of the greatest American filmmakers.” — Spielberg biographer Joseph McBride
The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 40th anniversary of the release of Close Encounters of the Third Kind, Steven Spielberg’s legendary science-fiction film starring Richard Dreyfuss as Roy Neary, an electrical lineman who obsesses over the sighting, physical evidence and, ultimately, contact with a UFO.
The film, which also starred Teri Garr, Melinda Dillon and Francois Truffaut, was nominated for eight Academy Awards, winning for Vilmos Zsigmond’s cinematography (and also receiving a special achievement award for sound effects editing). [Read on here...]
“Leave it to Beaver offers the complete package of what a television show should be for yesterday, today, and tomorrow.” — Classic TV historian Herbie J Pilato
The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 60th anniversary of the premiere of Leave it to Beaver, the memorable situation comedy which originally ran from 1957 to 1963 and starred Jerry Mathers as the titular character and Tony Dow as brother Wally. [Read more here...]
“The Living Daylights was an admirable attempt to inject the series with renewed purpose and to ensure that it remained germane to moviegoers of the time.” — 007 historian Thomas A. Christie
The Digital Bits is pleased to present this retrospective commemorating the 30th anniversary of the release of The Living Daylights, the fifteenth (official) cinematic James Bond adventure and, most notably, the first to feature Timothy Dalton in the lead role and the last to feature a musical score by John Barry.
As with our previous 007 articles (see The Spy Who Lived Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong), The Bits and History, Legacy & Showmanship continue the series with this retrospective featuring a Q&A with an esteemed group of James Bond scholars, documentarians and historians who discuss the virtues, shortcomings and legacy of The Living Daylights. [Read on here...]
Good afternoon, everyone! So there’s a LOT of ground to cover today, including new announcements and some interesting Blu-ray, DVD, and 4K news that came out of Comic-Con this past weekend.
First, though, Tim has checked in with reviews of three films on Blu-ray – reviews originally written by Adam Jahnke here at The Bits, but updated by Tim to cover Shout! Factory and Scream Factory’s recent Steelbook editions: The Fog, They Live, and Escape from New York. Do give them a look.
Also today, Michael Coate is celebrating the 25th anniversary of Ron Howard’s Far and Away with a new retrospective in his History, Legacy & Showmanship column. Far and Away, as some of you may know, was one of the last high-profile film productions in 70 mm before the recent theatrical resurgence that’s led (most recently) to Christopher Nolan’s Dunkirk. Michael details the film’s original theatrical release in 70 mm and also interviews Howard biographer Beverly Gray. The article is well worth your time, as always, so we hope you enjoy it. [Read on here…]
“[The failure of Far and Away] taught Ron Howard that even in a star-driven vehicle, the story must be strong, and that action and character elements must be well integrated in order to achieve a successful outcome.” — Ron Howard: From Mayberry to the Moon… and Beyond author Beverly Gray
The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective article commemorating the silver anniversary of the release of Far and Away, Ron Howard’s 70mm Irish immigrant epic starring Tom Cruise and Nicole Kidman. [Read on here...]
All right, there’s a lot going on here today, so today’s update will be relatively quick...
First up, Tim has posted a new Blu-ray review, shared today in honor of the passing of George A. Romero. It’s Knightriders, available on BD via our friends at Shout! Factory. We hope you enjoy, and more on George in a moment.
Also, Michael Coate has posted a new History, Legacy & Showmanship column in which he celebrates the 30th anniversary of director Paul Verhoeven’s original RoboCop. The piece features another great retrospective look at the film’s original theatrical release and also an interview with author Calum Waddell. Don’t miss it. [Read on here…]
“In many ways, RoboCop was ahead of its time, foreshadowing a future that is with us now. The Reagan-era gap between rich and poor has grown ever wider, with the 1% using an increasingly militarized police force to protect gentrified communities while other parts of cities have become postindustrial wastelands, abandoned to crime and drugs. RoboCop himself, a man made over into a machine by an unfeeling corporation, can be seen as a literal example of American workers being replaced by robots.” — Film scholar and Paul Verhoeven author Douglas Keesey
The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of RoboCop, Paul Verhoeven’s (Soldier of Orange, Basic Instinct) franchise-inspiring and Saturn- and Oscar-winning satirical action film starring Peter Weller (The Adventures of Buckaroo Banzai, Leviathan) and Nancy Allen (Dressed to Kill, Blow Out). [Read on here...]
All right, we’ve got a couple of things for you today, including a little bit of follow-up on this Disney/Guardians Vol 2 4K Dolby Vision thing. More on that in a moment...
First, Michael Coate has a great new History, Legacy & Showmanship column for you today that celebrates Sir Roger Moore and the 40th Anniversary of the classic Bond installment The Spy Who Loved Me. Michael is joined by another fine roundtable of Bond experts to discuss the film and I think you’ll really enjoy reading what they have to say. So you’ll find that here.
Now then... some announcement news: Universal has officially set The Mummy (2017) for Blu-ray, DVD, and 4K Ultra HD release on 9/12, with the Digital HD release expected on 8/22. [Read on here…]
“The Spy Who Loved Me was a celebration the moment it premiered. It’s not so much a movie or a story as it is a wondrous tour through the exotic, sexy, dangerous, and beautiful world of Roger Moore’s 007.” — 007 historian John Cork
The Digital Bits is pleased to present this retrospective commemorating the 40th anniversary of the release of The Spy Who Loved Me, the tenth (official) cinematic James Bond adventure and, arguably, the fan favorite of the Roger Moore era.
As with our previous 007 articles (see You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong), The Bits and History, Legacy & Showmanship continue the series with this retrospective featuring a Q&A with an esteemed group of James Bond scholars, documentarians and historians who discuss the virtues, shortcomings and legacy of The Spy Who Loved Me. [Read on here...]