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This is just a quick update for those keeping score. Disney’s Investor Day included some... ahem... significant content news this afternoon.

First up, the studio revealed that Disney+ has now reached 86 million subscribers worldwide. You recall that Disney18+ rumor we’ve been talking about? Well, it’s true, and it’s called Star, but it will only be integrated with Disney+ internationally—that’s where all the Fox (read 20th Century Studios and Searchlight) content will go for viewers around the world. Here in the States, it will continue to go to Hulu.

Among that content will be original films, ESPN+ programming, and ABC News original content, along with The Handmaid’s Tale: Seasons 4 and 5 (the former due in early 2021), a Rolling Stones limited series drama, four more seasons of It’s Always Sunny in Philadelphia, and a new Alien series from Noah Hawley (Fargo) and Ridley Scott.

Meanwhile, Disney+ will also see “roughly” 10 new Marvel shows, 10 new Star Wars shows, 15 Disney live-action, Disney animation, and Pixar series, and 15 Disney live-action, Disney animation, and Pixar feature films over the next few years. [Read on here...]

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We’ve got just a quick post for you today as we’ll be working on reviews for the rest of the day.

But we do have a couple of things to report...

First, today is Disney’s Investor Day, which means the is expected to reveal big plans for Disney+, how the studio will handle its forthcoming theatrical slate for the next year, and what new streaming series and films they have in the pipeline (Star Wars, Marvel, etc). They MIGHT even reveal that long-rumored Disney18+ service expansion, that would see the studio adding R-rated films from Fox to their streaming service (in a section of the service protected from discovery by younger children by a passcode). Whatever news is revealed today, we expect that Disney means to make a big splash—their stock is trading at an all-time high today in anticipation of the news (see this link). Be sure to watch the trades this afternoon as word breaks—Deadline, Variety, and the Hollywood Reporter.

[Editor’s Note: Disney has now confirmed that its Disney+ streaming service has reached over 86 million global subscribers, and that it plans to launch “roughly” 10 new Marvel shows, 10 new Star Wars shows, 15 Disney live-action, Disney animation, and Pixar series, and 15 Disney live-action, Disney animation, and Pixar feature films over the next few years. They’re also integrating a new Star service with Disney+ (for now only internationally) which will include R-rated Fox content. (This appears to be the source of the Disney18+ rumor.) In the US, it appears that R-rated Fox content (from 20th Century Studios and Searchlight) will appear on Hulu.]

Meanwhile, Criterion has just revealed plans to release a new World of Wong Kar-wai Blu-ray collection on March 23, 2021. [Read on here...]

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All right, we’ve got an announcement news update for you here at The Bits this afternoon...

First up today, Kino Lorber Studio Classics has officially set their long-awaited Spaceballs (1987) 4K Ultra HD for release on 4/12. The 4K disc will include Dolby Vision HDR and audio commentary by Mel Brooks. Audio will be includes in 5.1 and 2.0 (format TBA) with optional English subs. You’ll also get the film on Blu-ray, which will include lots of additional legacy extras. You can see the 4K art at left. We’ve updated our 4K Ultra HD Release List here at The Bits accordingly.

The company also has a nice March slate of catalog Blu-ray titles, which is expected to include Sidney Lanfield’s My Favorite Blonde (1942), David Butler’s Caught in the Draft (1941), and Elliott Nugent’s Nothing But the Truth (1941) on 3/2 (all Bob Hope films), followed by Don Jones’ The Forest (1982, for Code Red), Sam Peckinpah’s Bring Me the Head of Alfredo Garcia (1974), Robert Aldrich’s The Choirboys (1977), and Richard Fleischer’s The Don is Dead (1973) on 3/9, Jim O’Connoly’s Tower of Evil (1972, for Scorpion Releasing), Andy Anderson’s Positive I.D. (1986), Francis Megahy’s Taffin (1988), Andrei Konchalovsky’s Runaway Train (1985), and Marty Feldman’s The Last Remake of Beau Geste (1977) and In God We Trust (1980) on 3/16, Don Jones’ Schoolgirls in Chains (1973, for Code Red), Frank Perry’s Doc (1971), George Seaton’s Showdown (1973), Henry Hathaway’s Shoot Out (1971), and Richard Fleischer’s Crossed Swords (1977, aka The Prince and the Pauper) on 3/23, and Otto Preminger’s Rosebud (1975), Andrew Bergman’s Isn’t She Great (2000), Édouard Molinaro’s A Pain in the Ass (1973), and Ang Lee’s Lust, Caution (2007) on 3/30. [Read on here...]

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Afternoon, folks! We’ve got a late Bits post for you today with some reviews and catch up on a bit of release news as well. First, those reviews...

Tim has checked in with his thoughts on Douglas Trumbull’s Silent Running (1972), now available on Blu-ray from our friends at Arrow Video.

He’s also posted a review of Douglas Sirk’s Taza, Son of Cochise (1954), a classic Technicolor western staring Rock Hudson, now available on Blu-ray from Kino Lorber Studio Classics. The disc includes a new 3D presentation restored by the 3D Film Archive as well.

Not done yet: Tim has also reviewed Terence Fisher’s The Brides of Dracula (1960), the Hammer Films classic staring Peter Cushing newly available on Collector’s Edition Blu-ray from the good folks over at Scream Factory.

And finally, Dennis has checked in with his thoughts on Mario Camerini and Mario Bava’s Ulysses (1954) on Blu-ray, also from Kino Lorber Studio Classics. [Read on here...]

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Well folks, this news is not unexpected. But it’s certainly shocking to see a major Hollywood film studio finally do more than just dip their toes in the streaming waters.

Warner Bros. has now official confirmed that it plans to bypass traditional theatrical windowing and release its entire 2021 slate of films titles day-and-date on HBO Max with the normal theatrical release. Each film will be available for streaming on the service for a 31-day window. This includes Dune, The Matrix 4, The Suicide Squad, Godzilla vs. Kong, and Space Jam: A New Legacy.

We already saw Warner Bros. signal this shift last month with the announcement that Wonder Woman 1984 will arrive on HBO Max with its long-awaited theatrical release on 12/25. Now it looks like they’ve just pushed their chips all in on this move. [Read on here...]

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Well... the day is finally here. Many of you are no doubt picking up or receiving in the mail your copies of Warner’s The Lord of the Rings and The Hobbit in 4K Ultra HD. I hope you all enjoy them as much as I did!

There have been reports of Amazon and other retailers running out of stock this week, and that’s no doubt because Warner Bros. Home Entertainment is scrambling to manufacture enough copies to meet demand.

Keep in mind that there’s only one physical media replication plant in all of North America now and every studio is trying to get their big Q4 titles produced there at the moment.

But I would imagine that more stock will arrive in the next week or two, so that everyone who wants a copy should be able to get one by Christmas. [Read on here...]

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Afternoon, everyone and happy Cyber Monday. We hope you’ve all had a happy and safe Thanksgiving holiday, for those of you here in the States. And for everyone else, we hope you had a great weekend.

We were very busy here at The Bits over the weekend. I’ve completed our in-depth review of Peter Jackson’s The Lord of the Rings: The Motion Picture Trilogy in 4K Ultra HD from Warner Bros. The disc streets tomorrow, but we’re hearing that supplies are a little short so it might take another few weeks for everyone who ordered to get their copies.

For those of you who want the short version, the set is fantastic. It includes all three films—The Fellowship of the Ring, The Two Towers, and The Return of the King—in both the Theatrical Cuts and Extended Editions on separate discs (the Extended Editions are split over two UHD discs, as they were on Blu-ray and DVD). There are no special features in the set beyond a Digital Copy code. However, the new 4K remasters are spectacular. Truly, these films have never looked better—not even during their original run in theaters. The 4K-remastered image falls a bit short of reference quality, but trust me when I say that they’re so much better than their previous Blu-ray versions that there’s just no comparison. And the new HDR color grade is breathtaking. Not to mention the sound—each film includes a new Dolby Atmos surround sound mix that absolutely IS reference quality. So I highly recommend that you all check out my review here. [Read on here...]

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Afternoon, folks!

All right, there was no post yesterday because we’ve spent the entire weekend focused on getting more new disc reviews done for you. And on that note...

Tim and I have posted our in-depth look at George A. Romero’s Dawn of the Dead, as newly released in a fabulous 4K Ultra HD Limited Edition by Second Sight Films in the UK. It’s hands down one of the best home video releases of the year on any format. You can find that here.

Also, I’ve now posted my thoughts on Paramount’s Beverly Hills Cop and Coming to America, both starring Eddie Murphy and both coming to 4K Ultra HD on 12/1.

I’ve also just reviewed Kino Lorber Studio Classics’ new standard Blu-ray release of George Miller’s Mad Max, which streets today. I’ll be reviewing their new 4K release too as soon as it arrives. [Read on here...]

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We’re closing out the week here at The Bits with a couple more reviews...

I’ve posted my in-depth thoughts on Warner Bros. Home Entertainment’s new Bugs Bunny: 80th Anniversary Collection Blu-ray set. You’ll be glad to know that it’s pretty great. The remastered shorts look fantastic, and the new hour-long documentary is worth every minute of your time. And for those of you who might be wondering, I’ve compiled a list of the Bugs Bunny shorts that remain unreleased on Blu-ray AFTER this set (also accounting for the shorts included on all the previous Looney Tunes: Platinum Collection BD sets). You’ll find that at the end of the review.

Also today, Tim has posted his thoughts on Alain Jessua’s Shock Treatment (1973) on Blu-ray from Severin Films.

And we’ll be working on more Blu-ray and 4K reviews all weekend here at the site. Next up for me is a look at Kino Lorber Studio Classics’ restored Blu-ray of Mad Max (the 4K review will be added as soon as we receive the disc), as well as HBO’s Chernobyl in 4K Ultra HD. And there are more to follow. [Read on here...]

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We’re starting things off today with no less than FOUR new disc reviews here at The Bits...

First, Tim has a look for you at director Ryland Brickson Cole Tews’ Lake Michigan Monster (2018), a wonky low-budget cult film on Blu-ray from Arrow Video. He’s also posted his thoughts on Guy Hamilton’s Evil Under the Sun (1982), an Agatha Christie adaptation on Blu-ray from Kino Lorber Studio Classics featuring Peter Ustinov as detective Hercule Poirot.

Meanwhile, I’ve just posted a review of South Korean filmmaker Yeon Sang-ho’s latest film, Peninsula, the sequel to his excellent 2016 zombie thriller Train to Busan. That’s on 4K Ultra HD from our friends at Well Go USA. I also posted a look at Weathering with You (2019), the latest anime from Your Name director Makoto Shinkai, coming soon from GKids and Shout! Factory in a 4K Ultra HD Limited Collector’s Edition.

And more Blu-ray and 4K reviews are on the way, rest assured. There are a number of good titles coming in right now, and we’re working our way through them as fast as we can. [Read on here...]

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