Displaying items by tag: Rogue One: A Star Wars Story 4K Steelbook

All right, we’ve got some interesting Blu-ray and 4K news for you today, but first...

Bill & Ted Face the Music is now officially available via multiple digital/streaming services. Amazon currently has it on their Prime Video service for a $19.99 rental and a $24.99 digital purchase, both in full 4K (click here for that).

The good news is that Rotten Tomatoes shows an 82% “fresh” score this afternoon, and word I’ve heard from friends who have seen it is that it’s a worthy and enjoyable sequel. And I would expect nothing less from Dean Parisot, the director of Galaxy Quest. So great news indeed.

Now then, our friends at Arrow Video have just announced their November slate of Blu-ray and 4K titles, and there are some good ones.

For the US, Canada, and the UK, they’ve got Lake Michigan Monster and Burst City coming to Blu-ray (on November 2 and 9, respectively). For the US and Canada only, they have Silent Running coming to Blu-ray on November 17. Then for the UK only, they have Abel Ferrera’s King of New York coming to Blu-ray and 4K on November 16, followed by David Cronenberg’s Crash on Blu-ray and 4K on November 30. [Read on here...]

All right, I’m busy working on a review of Studio Canal’s new 4K Ultra HD release of Bill & Ted’s Excellent Adventure, which is available now (click here). Note however the disc only has 2.0 audio. It’s a release that superfans of the film will certainly want, but for almost everyone else, the terrific Shout! Factory release is still going to be the preferred version (though sadly it’s essentially out of print). I hope to have the review up soon.

Meanwhile, Tim has posted reviews of another pair of 4K titles from our friends at Blue Underground and director Lucio Fulci, the horror/gaillo titles The House by the Cemetery (1981) and The New York Ripper (1982). Looks like both discs are worth your time, if you’re a fan of the filmmaker (though I will confess that graphic horror and gore isn’t really my thing).

In any case, if you’re wondering why we’ve blacked out the cover artwork (save for the title logos), it’s this: Google advertising routinely flags images that are sexually suggestive or violent. Not that either of these is especially bad, but it’s not a person that makes these decision, it’s an AI that tends to flag things randomly. When it does flag something, it turns off advertising and then it’s a whole stupid process of requesting a review. Given our limited resources, we really can’t waste time dealing with it. So there you go.

Yes, it turns out the Internet is just as stupid as everything else in 2020. [Read on here...]