We’ve got another big title announcement for you here at The Bits today, as well as more new disc reviews. So let’s get to the latter first...

Tim has posted his thoughts on Kevin Reynolds’ The Beast (1988) on Blu-ray from Kino Lorber Studio Classics, as well as Brian Tenchard-Smith’s Day of the Panther (1988)/Strike of the Panther (1989) double feature from Umbrella Entertainment (via Vinegar Syndrome).

Dennis has shared his take on Jack Conway’s Saratoga (1937) on Blu-ray from the Warner Archive Collection.

And Stuart has offered his reviews of Russell Rouse’s The Fastest Gun Alive (1956) and Joseph Losey’s The Boy with Green Hair (1948) on Blu-ray from Warner Archive, along with Kino Lorber Studio Classic’s excellent Anna May Wong Collection, a Blu-ray box set that includes the films Dangerous to Know (1938), Island of Lost Men (1939), and King of Chinatown (1939). Enjoy!

Now then, the big piece of announcement news this afternoon is that Warner Bros. Discovery Home Entertainment has just officially set Andrew Davis’ The Fugitive (1993) for 4K Ultra HD and Digital release on 11/21. The 4K disc will include HDR10 high dynamic range, as well as a new Dolby Atmos sound mix. [Read on here...]

The big release news today, of course, is that Warner Bros. Discovery Home Entertainment has announced the Blu-ray, DVD, and 4K Ultra HD release of Greta Gerwig’s Barbie on 10/17. The Digital version is already available. Now the highest-grossing film in Warner Bros’ 100-year history (per the studio’s own press release), the 4K will include HDR10 high dynamic range, along with English Dolby Atmos audio (the Blu-ray will include Atmos as well). Both discs will also offer six behind-the-scenes featurettes (including Welcome to Barbie Land, Becoming Barbie, Playing Dress-Up, Musical Make-Believe, All-Star Barbie Party, and It’s a Weird World). You can see the cover artwork at left and also below.

Warner Bros. has also officially set The Nun II for Blu-ray, DVD, and 4K Ultra HD release on 11/14, with the Digital version set to become available for purchase today (10/3). Extras will include two featurettes (Demons in Paradise and Handcrafter Nightmares). Audio on both the Blu-ray SKUs will be Dolby Atmos.

And in international release news, our friends at Turbine Medien GmbH in Germany have just set Chris McKay’s Renfield for release on 4K Ultra HD Steelbook in December. [Read on here...]

Boy, we’ve got a lot of ground to cover here at The Bits over the next few days! It’s been very busy here around the office these past several days. For one thing, my wife and I have had family staying with us for the weekend. I’ve also finally replaced my defunct Epson 5040UB home theater projector here at The Bits with a brand new JVC DLA-RS1100/NP5, and have spent time installing and calibrating it. (I’ll definitely have more to say about that later this week, though I’ll just note for now that I’m very pleased with the choice.)

But I would like to take this opportunity to thank my good friends John Schuermann (of The Screening Room AV, the fantastic home theater design and equipment retailer well known for their annual Projector Shootouts) and Kris Deering (the outstanding ISF calibrator, formerly of Sound and Vision magazine as well as his own Deep Dive AV) for their help and advice in selecting the RS1100 and getting it up and running. (Your counsel is very much appreciated, my friends!) If you’re ever in the market for home theater hardware or calibration, there’s no better place to start.

Needless to say, while I’ve been occupied with all that, our dedicated team here at The Bits has posted a number of great new disc reviews. So let’s quickly run them all down...

First of all, Stuart has offered his thoughts on Anthony Mann’s A Dandy in Sapic (1968) and Abraham Polonsky’s Force of Evil (1948) on Blu-ray from Kino Lorber Studio Classics, as well as Suzanna Raes’ documentary Close to Vermeer (2023) on DVD from Kino Lorber.

Dennis has shared his thoughts on Peter Hall’s Three Into Two Won’t Go (1969) on Blu-ray from Kino Lorber Studio Classics, as well as Luis Valdez’s La Bamba (1987) on Blu-ray from The Criterion Collection.

Stephen has delivered his reviews of Jean Renoir’s legendary classic The Rules of the Game (1939) in 4K Ultra HD from Criterion, along with Jiří Barta’s The Pied Piper (1986) on Blu-ray from Deaf Crocodile (via Vinegar Syndrome), and Ulli Lommel’s The Boogey Man (1980) in 4K UHD from Vinegar Syndrome.

And finally, our hard-working reviews editor Tim Salmons has posted his own take on David Lynch’s Lost Highway (1997) in 4K Ultra HD, also from Criterion.

As always, more new disc reviews are forthcoming all week, so be sure to check back for them.

All right… now let’s move on to the latest release news. And there’s quite a lot of it today. In fact, it’s fair to say that it’s going to be a very expensive Q4 for fans of Blu-ray and 4K Ultra HD! [Read on here...]

Morning Bits-ers. We’ve got a quick early post today with some news relevant to James Cameron’s The Abyss.

At a special event last night in LA, Cameron screened a 2K DCP (sourced from the new 4K remaster) of The Abyss: Special Edition as part of the annual Beyond Fest film festival. Word from people who attended was that it looked fantastic.

At the end of the screening, Cameron participated in a Q&A with the audience.

Knowing that this would be happening—and that someone would almost certainly ask about the 4K Ultra HD and Blu-ray release—I put out a call on social media yesterday for any readers who might be attending to record the relevant portion of the Q&A for all to see.

And I’m pleased to say that Bits reader Chuck Pennington did just that and has posted it on YouTube. (Thank you, Chuck!) You’ll find it below the break… [Read on here...]

All right, today’s update is going to be brief, because of a couple factors. First, I’m talking with a number of sources about some forthcoming and exciting 4K Ultra HD catalog titles, which I’ll talk about here when I can. Second, I’m dealing with replacing my recently defunct Epson 5040ub projector. And more on that soon as well.

In the meantime, we have some very exciting 4K Ultra HD news today that I know a lot of you will be pleased about. And of course, we have more new disc reviews for you as well. So let’s start with those first...

Stephen has posted his thoughts on Warner’s long-awaited 4K Ultra HD release of Eric Radomski and Bruce W. Timm’s animated Batman: Mask of the Phantasm (1993)! And it appears the title has been worth the wait.

Stuart has also weighed in with a look at Robert Mulligan’s The Spiral Road (1962) on Blu-ray from Imprint Films and Via Vision Entertainment.

Dennis has offered his two cents on Jacques Tourneur’s Wichita (1955) on Blu-ray from the Warner Archive Collection, as well as Charlotte Le Bon’s Falcon Lake (2022) on Blu-ray from Vinegar Syndrome.

And last but not least, Tim has shared a review of Luca Bercovici’s Ghoulies (1985) in 4K Ultra HD from the MVD Rewind Collection, as well as Ray Kellogg’s The Giant Gila Monster (1959) and The Killer Shrews (1959) in a new double-feature Blu-ray release from Film Masters.

More disc reviews are forthcoming, so be sure to stay tuned for them. Now then, let’s get to the big release news... [Read on here...]

We’re starting the new week with a trio of disc reviews...

First up, I’ve posted my look at Dan Trachtenberg’s Prey (2022), which streets in long-awaited 4K Ultra HD on 10/3 from 20th Century Studios and Buena Vista Home Entertainment. And I’m pleased to say that the disc does not disappoint in terms of A/V quality.

Also today, Stuart has offered his thoughts on Compton Bennett and Andrew Marton’s King Solomon’s Mines (1950), as recently released on Blu-ray by The Warner Archive Collection.

And Tim has turned in his take on Ryan Meade’s Tom Sullivan documentary Invaluable: The True Story of an Epic Artist (2014) on Blu-ray from Synapse Films.

In terms of announcement news today, Sony Pictures Home Entertainment has just announced a new Resident Evil: 6-Movie Collection 4K Ultra HD in Steelbook packaging. That’s due on 11/21. The set includes all 6 films in both Blu-ray and 4K, and all of the 4Ks will feature Dolby Vision HDR and Dolby Atmos audio, plus the previous 5.1 mixes. You can see the cover artwork at left. [Read on here...]

Greeting, Bits-ers! Sorry I’ve been a little MIA here this week. I’ve had a couple unexpected things happening here over the last few days, not the least of which is that my longtime workhorse home theater projector—an Epson 5040UB—decided to die unexpectedly. It appears to be a problem with the mainboard, so I find myself in the position of either having to repair it (which I’m currently investigating) or replacing it (which I’m also researching). If I go with the latter option, it will almost certainly be one of the new JVC models, which I’ve been hearing raves about for a while now. But of course, given the challenges and expenses of running a website in the 21st century—especially at a time when everyone else seems to be publishing everything they do on the wildly passive-aggressive, unvetted information vortex that is social media—suffice it to say that equipment failure was not on my 2022 budgetary Bingo card.

In any case, while I deal with that, I’ve just gotten not only Prey 4K and Loki: The Complete First Season 4K for review, and I’ve already launched into work on a review of the former using my flat panel. So look for that to be posted very soon.

Also today, our very own Stuart Galbraith IV has just chimed in with a review of Imprint’s excellent new Film Focus: Gene Hackman box set, which includes I Never Sang for My Father (1970), Bite the Bullet (1975), March or Die (1977), and The Domino Principle (1977) all on Blu-ray. Enjoy! [Read on here...]

We’ve got a bunch of great title announcement news and “revels” to report today, so let’s get right to it...

First up, our friends at Kino Lorber Studio Classics have just revealed on their social media that they’re working on a new 4K Ultra HD release of Fred Dekker’s The Monster Squad (1987)! And we have street date: Look for it to arrive on 11/28, complete with a new 4K scan of the original camera negative with Dolby Vision HDR on a UHD-100 disc. The 3-disc set will also include the film remastered in 1080p HD on Blu-ray (which will also be available separately) and you’ll get a bonus disc with the Wolfman’s Got Nards (2018) documentary. Plus the set will include a ton of legacy special features. You can see the 4K cover artwork at left.

Sony Pictures Home Entertainment has also just revealed the Region A/US Blu-ray release of Ron Moore and Apple TV+’s fantastic alternate/near future science fiction series For All Mankind: Season One. Look for that to street on 11/14. Unfortunately, no 4K Ultra HD release is currently planned. Also, the cover artwork leaves a lot to be desired; it’s identical to the key art used on Dazzler’s UK release (which we reviewed here) but it shares nothing in common with the show’s actual logo or promotional artwork, causing a number of fans we’ve heard from to say it looks like a bootleg. In any case, it’s a great series—one of my favorites actually, along with Apple TV’s Foundation—and it’s great to finally have a legit US Blu-ray option. You can see the cover (with the Amazon pre-order link) below the break.

Sony has also just set FX’s Justified: City Primeval – Season One for release on Blu-ray and DVD on 11/14. And we’ve got that cover artwork for you below as well. [Read on here...]

• 1201      Guillermo del Toro’s Pinocchio
• 1202      Lone Star
• 1203      Chantal Akerman Masterpieces, 1968–1978
• 1204      Trainspotting
• 1205      Mudbound
• 1206      Eric Rohmer’s Tales of the Four Seasons
• 1207      The Heroic Trio/Executioners
• 1208      The Roaring Twenties (BD)
• 1209      Nothing but a Man
• 1210      All the Beauty and the Bloodshed
• 1211      The Runner
• 1212      Saint Omer
• 1213      To Die For
• 1214      I Am Cuba
• 1215      Werckmeister Harmonies
• 1216      Dogfight (BD)
• 1217      Three Revolutionary Films by Ousmane Sembène
• 1218      Anatomy of a Fall
• 1219      Girlfight (BD)
• 1220      Bound (BD)
• 1221      Querelle
• 1222      Victims of Sin
• 1223      The Underground Railroad
• 1224      Pat Garrett and Billy the Kid
• 1225      Black God, White Devil
• 1226      Perfect Days
• 1227      Risky Business
• 1228      Farewell My Concubine
• 1229      Brief Encounters/The Long Farewell: Two Films by Kira Muratova
• 1230      Not a Pretty Picture
• 1231      Real Life
• 1232      Mother
• 1233      Teen Apocalypse Trilogy (Totally F***ed Up, The Doom Generation, Nowhere)
• 1234      All of Us Strangers
• 1235      Happiness
• 1236      TBA
• 1237      TBA
• 1238      TBA
• 1239      TBA
• 1240      TBA
• 1241      TBA
• 1242      TBA
• 1243      TBA
• 1244      TBA
• 1245      TBA

Welcome to the new week, Bits-ers! We’re starting as always today with a trio of new disc reviews for you to check out...

Stuart has offered his thoughts on Andrei Konchalovsky’s Duet for One (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has delivered a look at Renato Polselli’s Delirium (1972) on Blu-ray from Vinegar Syndrome.

And Tim rounds things out with his review of George A. Romero’s Creepshow (1982) in 4K Ultra HD from Scream Factory.

We also have several more reviews currently in the works for the next few days, so be sure to keep checking back for them.

The big news this morning is that the Criterion Collection has just unveiled its December slate of titles, including one new 4K Ultra HD release. The slate includes an upgraded version of Allen Baron’s Blast of Silence (1961) (Spine #428 – Blu-ray and DVD) on 12/5, followed by The Red Balloon and Other Stories: Five Films by Albert Lamorisse (1951-1965) (Spine #1200 – Blu-ray and DVD – includes Bim, the Little Donkey, White Mane, The Red Balloon, Stowaway in the Sky, and Circus Angel) and Guillermo del Toro’s Pinocchio (2022) (Spine #1201 – 4K UHD + Blu-ray, Blu-ray, and DVD) on 12/12.

You can see the cover art for Guillermo del Toro’s Pinocchio at left and all three of them below the break. [Read on here...]