All right, first things first today: Criterion has just announced its February 2020 slate of Blu-ray and DVD titles.

Look for it to include Alfonso Cuarón’s Roma (Spine #1014 – Blu-ray and DVD) on 2/11, Pier Paolo Pasolini’s Teorema (Spine #1013 – Blu-ray and DVD) and an updating of Hiroshi Teshigahara’s Antoni Gaudí (Spine #425 – Blu-ray and DVD) on 2/18, and Jeannie Livingston’s Paris is Burning (Spine #1018 – Blu-ray and DVD) and Three Fantastic Journeys by Karel Zeman (Blu-ray and DVD) on 2/25. That last set includes Journey to the Beginning of Time (Spine #1015), Invention for Destruction (Spine #1016), and The Fabulous Baron Munchausen (Spine #1017). You can read more here at the Criterion website.

Those are all fine titles, but Roma is particularly appreciated given that it was a Netflix release last year and hasn’t been available on physical media yet.

Also today, our own Michael Coate has a new History, Legacy & Showmanship column here at The Bits—first posted yesterday afternoon—in which he looks back at James Cameron’s The Abyss with historian Matthew Kapell in honor of the film’s 30th anniversary. It’s a great piece, so do give it a look. And who knows? Maybe it will remind the director that he’s got a new 4K HDR grade of the film to approve so we can all watch it on Blu-ray and UHD sooner rather than later. [Read on here...]

Published in My Two Cents

The Abyss does something that every single Cameron film does: explores new frontiers in the technology of film making. And that’s important.” — Matthew Kapell, editor of The Films of James Cameron: Critical Essays

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of The Abyss, James Cameron’s (The Terminator, Titanic) underwater sci-fi adventure starring Ed Harris (The Right Stuff) and Mary Elizabeth Mastrantonio (The Color of Money).

Also starring Michael Biehn (Aliens) and featuring groundbreaking visual effects, The Abyss opened thirty years ago this past summer. For the occasion The Bits features a package of statistics and box-office data that places the movie’s performance in context, along with passages from vintage film reviews, a reference/historical listing of the movie’s showcase presentations, and, finally, an interview segment with a film historian who reflects on the film three decades after its debut. [Read on here...]

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