Displaying items by tag: Kaleidescape Strato

We’re starting things off today with a new Blu-ray review, this one of John Gilling’s The Flesh and the Fiends (1960) starring Peter Cushing, now available from Kino Lorber Studio Classics. Dennis has posted his thoughts on the film and the disc for you today, so do give it a look.

Meanwhile, in announcement news this afternoon, Kino Lorber has announced its August slate of Blu-ray and DVD releases, which is set to include the following...

Look for Salome Chasnoff’s Code of the Freaks (2020 – Blu-ray and DVD) and Justin Pemberton’s Capital in the Twenty-First Century (2019 – Blu-ray and DVD) on 8/4, Anne Sweitsky’s Sonja: The White Swan (2018 – Blu-ray and DVD), Halina Dyrschka’s Beyond the Visible: Hilma af Klint (2019 – Blu-ray and DVD – for Zeitgeist Films), Sasie Sealy’s Lucky Grandma (2019 – Blu-ray and DVD – for Good Deed Entertainment), and Paul Aaron’s A Different Story (1978 – Blu-ray – for Scorpion Films) on 8/11, Atom Egoyan’s Guest of Honor (2018 – Blu-ray and DVD), Forbidden Fruit: Volume 6 – She Should’a Said No/Devil’s Sleep (1949 – Blu-ray – for Kino Classics), and Lucio Fulci’s Conquest (1983 – Blu-ray – for Code Red) on 8/18, and The Reginald Denny Collection (includes The Reckless Age, Skinner’s Dress Suit, and What Happened to Jones? – 1924/26 – Blu-ray and DVD – for Kino Classics), Martha Kehoe & Joan Tosoni’s Gordon Lightfoot: If You Could Read My Mind (2019 – DVD – for Greenwich), Simon Amstel’s Benjamin (2019 – DVD – for Artsploitation Films), Nicholas Leytner’s The Tobacconist (2019 – Blu-ray and DVD – for Menemsha Films), and Larry Yust’s Trick Baby (1972 – Blu-ray – for Scorpion Films) on 8/25. [Read on here...]

One of the most interesting aspects of having served as the editor of The Digital Bits website for over twenty years now, is that I’ve had a front row seat to some pretty dramatic changes in the home video industry.

At 53, I’m old enough to remember watching movies on black-and-white televisions—square analog displays that required the viewer to adjust a pair of “rabbit ear” antenna to get a decent picture. Like some of you, I saw the advent of cable television and the arrival of VHS and Betamax videotape—a technology the film industry fought tooth-and-nail to kill until its profit potential finally became obvious.

And of course, as a longtime film enthusiast, I’m someone who strongly embraced the Laserdisc format back when it was the only option for watching movies in their original widescreen aspect ratios at home.

I founded The Digital Bits in late 1997 (it actually began as an industry newsletter shared by email in late ’96) in part because I knew that DVD would be a hit. Having worked at a record store a decade earlier, when Compact Discs took the music world by storm, it was obvious to me that consumers would embrace the idea of movies on a disc that was—to them—essentially identical to the CDs they already loved. [Read on here...]