We’re kicking things off this week with a pair of new disc reviews...

Tim has posted his thoughts on Neil Jordan’s The Company of Wolves (1984) in 4K Ultra HD from Scream Factory.

And Stephen has checked in with his take on Daniel Kwan and Daniel Scheinert’s Best Picture-winning Everything Everywhere All at Once (2022) in 4K Ultra HD from A24 via Lionsgate.

In announcement and release news today, we have several interesting items for you...

First, our friends at MVD Entertainment have revealed the first 4K title in their MVD Rewind Collection, and it’s none other than Wes Craven’s Swamp Thing (1982)! Look for it to arrive on 7/25, and it will include both the Unrated International Version as well as the US Theatrical Version (which is rated PG). The title is also coming to Blu-ray that same day. You can see the cover artwork above left and also below.

Both versions are restored from new 16-bit 4K scans of the original camera negative, presented in the correct 1.85 aspect ratio with Dolby Vision HDR and audio in English 2.0 mono in DTS-HD Master Audio format (as well as Spanish mono). [Read on here...]

We’ve got another new disc review for you, or technically two of them: Stephen has checked out George A. Romero’s Martin (1977), which is now available in 4K Ultra HD and 4K Ultra HD Limited Edition from the good folks at Second Sight in the UK. And Stephen has taken a look at both versions for your reading convenience. This is an import release and note that the Blu-ray in the package is Region B only.

Now then, we have a couple of big studio announcements to cover for you today...

First up, Marvel Studios and Disney have officially set Peyton Reed’s Ant-Man and The Wasp: Quantumania for release on Blu-ray, DVD, and 4K Ultra HD on 5/16, with the Digital release expected on 4/18. The 4K SKU will feature HDR10 high dynamic range and Dolby Atmos audio (while the Blu-ray will include 7.1 DTS-HD Master Audio).

Extras on all versions will include audio commentary with Reed and writer Jeff Loveness, a gag reel, 2 deleted scenes, and a pair of featurettes (All in the Family and Formidable Foes). You can see the cover artwork at left and also below the break.

Meanwhile, Warner Bros. Home Entertainment and DC have also just set David F. Sandberg’s Shazam! Fury of the Gods for release on Blu-ray, DVD, and 4K Ultra HD on 5/23, with the Digital release due tomorrow on 4/7. Both the Blu-ray and 4K Ultra HD will feature Dolby Atmos audio, while the 4K will include both HDR10 and Dolby Vision high dynamic range. [Read on here...]

All right, we’ve got a lot of ground to cover today. We have several new disc reviews—at least one from each member of the Bits review team—and plenty of announcement news for you as well. First, those reviews...

First, I’ve posted my review of John Huston’s first film, The Maltese Falcon (1941), in a beautiful new 4K Ultra HD restoration from Warner Bros.

Stephen has reviewed Lucio Fulci’s City of the Living Dead (1980) in 4K Ultra HD from Cauldon Films.

Dennis has turned in his thoughts on Jim McBride’s Breathless (1983) in Blu-ray from Fun City Editions via Vinegar Syndrome.

Stuart has offered his thoughts on Joseph McGrath’s The Bliss of Miss Blossom (1968) on Blu-ray from Kino Lorber Studio Classics, as well as Sam Woods’s Goodbye Mr. Chips (1939) on Blu-ray from the Warner Archive Collection.

And Tim rounds things out with his reviews of William Peter Blatty’s The Exorcist III (1990) in 4K Ultra HD from Scream Factory, as well as Tope Hoper’s The Texas Chain Saw Massacre (1974) in 4K Ultra HD from Turbine Medien in Germany.

More new reviews are on the way as well in the coming days, so be sure to keep checking back for them. [Read on here...]

Welcome to the first week of April, everyone!

As you might expect, over the weekend we’ve posted several more new disc reviews for you all to enjoy, including...

My reviews of Jonathan Frakes’ Star Trek: Insurrection (1998) and Stuart Baird’s Star Trek: Nemesis (2002) in 4K Ultra HD from Paramount. That completes my look at all four of the newly-remastered Star Trek: The Next Generation feature films in 4K.

Stuart’s thoughts on Clarence Brown’s Wife vs. Secretary (1936) on Blu-ray from the Warner Archive Collection and Milton Moses Ginsberg’s The Werewolf of Washington (1973) on Blu-ray from Kino Classics.

And last but certainly not least, Stephen’s in-depth review of Wilfred Jackson, Hamilton Luske, and Clyde Geronimi’s original classic animated Cinderella (1950) in 4K Ultra HD from Disney, currently available from the Disney Movie Club, but coming widely later this year.

Key note about Cinderella—it looks like Disney’s actually done this one right, with a stunning 4K remaster that respects the film’s original photochemical production by leaving its line-work, fine detail, and grain structure fully intact! This really bodes well for future 4K animated titles from the studio, and one certainly hopes that all of these original animated classics will be revisited on the format going forward. [Read on here...]

We begin as always today with several more new disc reviews for you to enjoy here at The Bits...

First of all, I’ve begun to review Paramount’s new Star Trek: The Next Generation feature films in 4K Ultra HD, and so far I’ve completed David Carson’s Star Trek: Generations (1994) and Jonathan Frakes’ Star Trek: First Contact (1996). I should also have Star Trek: Insurrection (1998) finished by the end of the day as well.

Meanwhile, Tim has posted his thoughts on the regular Amaray 4K and Steelbook 4K Ultra HD versions of Tobe Hooper’s The Texas Chain Saw Massacre (1974) from Dark Sky Films. He’s also shared his take on John D. Lamond’s Nightmares (1980) on Blu-ray from Vinegar Syndrome. And he’s just posted his look at Don Coscarelli’s Bubba Ho-Tep (2003) in 4K Ultra HD from Scream Factory.

Stuart has delivered a review of Jerry Hopper’s Secret of the Incas (1954) on Blu-ray from Kino Lorber Studio Classics.

And Stephen has offered his review of Nicolas Winding Refn’s Drive (2011) in 4K Ultra HD, a UK-import title from Second Sight.

More reviews are on the way, including the rest of the Star Trek: TNG films in 4K, as well as All Quiet on the Western Front, Disney’s new Cinderella (1950) 4K, and much more, so be sure to keep checking back. [Read on here...]

We’ve got three new disc reviews for you this morning to start the week off right...

Stephen has taken a look at the wide Amaray release of Paul W.S. Anderson’s Event Horizon (1997) in 4K Ultra HD, as well as Adam and Aaron Nee’s The Lost City (2022) in 4K Ultra HD, both from Paramount.

And I’ve reviewed Matthew Robbins’ long-awaited Dragonslayer (1983) in 4K Ultra HD Steelbook from Paramount as well. This is a terrific remaster that’s also now available in Blu-ray format, so fans of the film should be very pleased.

More reviews are forthcoming, as always, so be sure to stay tuned for them.

Now then, we’ve got a few good things to report here at The Bits today, in terms of new and catalog title release news...

First, Umbrella Entertainment is taking pre-orders on a new Blu-ray Limited Collector’s Edition of the 1967 Rankin/Bass classic Mad Monster Party. [Read on here...]

We start today with four more new disc reviews...

Stephen has taken a look at Calin Cazan, Dan Chisovski, and Mircea Toia’s animated The Son of the Stars (1985) on Blu-ray from Deaf Crocodile and Vinegar Syndrome.

Dennis has checked in with his thoughts on Darren Aronofsky’s The Whale (2022) on Blu-ray from Lionsgate, a film that just netted star Brendan Fraser the Academy Award for Best Actor.

And Stuart has taken a look at Vincente Minelli’s The Long, Long Trailer (1954) on Blu-ray from the Warner Archive Collection, along with Ulli Lommel’s The Devonsville Terror (1983) on Blu-ray from Vinegar Syndrome.

More reviews are forthcoming, so be sure to stay tuned for them.

Also today, we’ve posted our latest update of the Release Dates & Artwork section (see the Cover Art link at the top of the website), which includes all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. As always, a portion of anything you order after clicking to Amazon from one of our links goes to help support our work here at The Bits and we really do appreciate it. [Read on here...]

We know there are a lot of classic TV fans who read The Digital Bits, so this next bit of breaking news should be very welcome indeed!

CBS and Paramount have just announced the DVD release of Bonanza: The Official Complete Series on 5/23 (SRP $244.99)! The massive set includes all 14 seasons—431 episodes—on 112 discs, and the series has been completely remastered from the original 35 mm camera negatives.

Also coming to DVD that same day are Bonanza: The Complete Second Season (now in a single volume this time and also remastered—the previous release came in two volumes and was mastered from older, analog source material), as well as Bonanza: The Complete Twelfth Season, Bonanza: The Complete Thirteenth Season, and Bonanza: The Complete Fourteenth Season (SRP $50.99 each).

These will be welcome SKUs for those of you who have been purchasing these episodes on DVD all along.

Note that The Official Complete Series will come with an exclusive bonus disc containing nearly two and a half hours of rare special features. You’ll find all the details and cover art below the break. [Read on here...]

We’re rounding out the week here at The Bits with a little bit more announcement news today, but first a couple more reviews...

Tim offered his thoughts on Travis Knight’s Kubo and the Two Strings in 4K Ultra HD from Laika via Shout! Factory—both the regular Amaray version as well as the Steelbook packaging.

Pressing on to this afternoon’s release news, Kino Lorber Studio Classics has just revealed that they’re bringing Charles Laughton’s classic noir thriller The Night of the Hunter (1955) to 4K Ultra HD on 5/30, complete with a new scan and Dolby Vision HDR grade.

Also newly revealed as coming to Blu-ray from KLSC are Dave Thomas’ The Experts (1989) on 5/9 and Robert Aldrich’s Hustle (1975) on 5/16.

In addition, they’re working on “coming soon” Blu-ray releases of René Clément’s The Day and the Hour (1963)—this one mastered from a new 4K restoration by Gaumont—as well as Stephen Norrington’s Death Machine (1994). [Read on here...]

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