Displaying items by tag: The Digital Bits

We’ve got a trio of new disc reviews to round out the week today, including...

My thoughts on David Anspaugh’s Rudy (1993) which streets in 4K Ultra HD from Sony next Tuesday (11/14), featuring not only the original Theatrical Version but also a new Director’s Cut that’s 13 minutes longer.

Stephen’s take on Chuck Russell’s 1988 remake of The Blob in 4K UHD from Shout! and Scream Factory.

And Dennis’ take on Ron Winston’s The Gamblers (1970) on Blu-ray from VCI Entertainment.

More reviews are on the way, including my own look at Billy Wilder’s Stalag 17 (1953) in 4K from Kino Lorber Studio Classics. So be sure to watch for those soon.

Also today, over on our Patreon we’ve kicked off an in-depth poll asking our supporters what video, audio, special features, and packaging options 4K Ultra HD fans value most on their catalog titles on the format. The poll will remain open until next Friday (11/17) at Noon Pacific, so if you sign up as a supporter between now and then, you can weigh in with your picks. And we’ll share the results here on the website.

We’re going to run these kind of polls regularly on Patreon, both for our own edification and also to provide that information to studio sources who might ask for it, so this is a great chance to make your opinions heard. [Read on here...]

Heads-up Bits readers! I’ll be participating in a Facebook Live stream later this afternoon (November 9, at 5:30 PM PST), hosted by our friends John Schuermann and Steve Crabb of THE SCREENING ROOM AV, and joined by famed AV calibrator Kris Deering (of DEEP DIVE AV) to talk about:

• The future of physical media – DVD vs. Blu-ray vs. UHD Blu-ray
• The future of “special features”
• Licensing titles to the boutique labels
• The latest on upcoming releases
• Best Buy’s actual market share
• How good is streaming vs. physical / Kaleidescape / “Purestream”?
• Plex / Zappiti
• ...and more! We’ll also be doing Q&A, taking live viewer and listener questions.

You can read more here at The Screening Room A/V’s promo page for the event:

https://www.thescreeningroomav.com/tsrav-video-podcast

And you can join us live this afternoon at this link:

https://fb.me/e/4VLzZ79RE

We hope to see you all there! –BH

(You can follow Bill on social media at these links: Twitter and Facebook)

We have three more new disc reviews for you today…

First up, Stephen has turned in his thoughts on Lucio Fulci’s The House by the Cemetery (1981) on 4K Ultra HD from Arrow Video in the UK.

Also, Tim has posted his thoughts on Jess Franco’s Lorna the Exorcist (1974) on Blu-ray from Kino Lorber Studio Classic via their new Kino Cult line.

And finally, Stuart has weighed in with a review of Jack Smight’s Number One with a Bullet (1987), starring Robert Carradine and Billy Dee Williams, a Cannon title on Blu-ray from Kino Lorber Studio Classics.

There’s not a lot in the way of announcement news to report today, but we do have this: Paramount is releasing Lindsey Anderson Beer’s Pet Sematary: Bloodlines (2023) on Blu-ray, DVD, and 4K Ultra HD on 12/19. Extras will include 5 featurettes (among them Origins, Fresh Blood, Death’s Design, Method to the Madness, and War Comes Home). You can see the 4K cover artwork at left.

CBS and Paramount are also preparing to release Star Trek: Lower Decks – Season Four on Blu-ray and DVD on 12/19. We don’t have the final cover artwork yet, but you can now pre-order the title on Amazon here. [Read on here...]

All right, I certainly hope you all had a lovely weekend. We’ve got some great new disc reviews for you to enjoy today, as well as some terrific release news.

Before we get to that, however, I wanted to make another pitch for those of you who’ve long read and enjoyed our work here at The Digital Bits to consider supporting the site via our new Patreon (or PayPal, if you prefer). We’re up to 127 subscribers now (with nearly 50 more followers), and we appreciate each and every one. (Next stop… 200!) So if you value what we do here—if you find that our work regularly brings a little bit of joy into your life as a fan of physical media—please consider subscribing to help us keep The Bits going indefinitely. I’m making regular—really almost daily—blog posts on Patreon, most of which are exclusive to our backers, and I’m trying to ensure that those complement what we do here on the website. So please consider joining us, and we thank you for the support!

Now then, let’s get to those reviews...

First, I’ve posted my thoughts on Apple TV’s For All Mankind: Season One, which is new on Blu-ray from Sony Pictures Home Entertainment, as well as For All Mankind: Season Two, which was released on Region B Blu-ray by Dazzler a few months ago. This is shaping up to be one of the great science fiction series, one that’s worthy of the legacy and spirit of optimism about the future that we all loved about classic Star Trek. It’s well worth your time.

Also, Dennis has turned in his thoughts on Tod Browning’s Sideshow Shockers on Blu-ray from the Criterion Collection, a disc that includes Browning’s Freaks (1932), The Unknown (1927), and The Mystic (1925).

And Stuart has delivered his take on Dan M. Kinem and Levi Peretic’s Adjust Your Tracking: The Untold Story of the VHS Collector (2013) on Blu-ray from Vinegar Syndrome.

Note that I’m also working on a review of Sony’s new Rudy 4K Ultra HD Steelbook release, which is pretty great. More on that here soon. [Read on here...]

All right, today’s news update here is going to be a quick one, as I’ve got a couple disc reviews to start working on this afternoon. But first, we’ve got a couple more reviews to share with you this afternoon...

Tim has delivered an in-depth look at Brian De Palma’s Carlito’s Way (1993), which is now available in 4K Ultra HD from our friends at Arrow Video.

Tim’s also just posted his thoughts on Menahem Golan’s Enter the Ninja (1981), a Cannon Films actioner new on Blu-ray from the good people over at Kino Lorber Studio Classics.

And I’m about to start work on reviews of Sony’s For All Mankind: Season One on U.S. Blu-ray, as well as their new 4K Ultra HD Steelbook release of David Anspaugh’s Rudy (1993), both titles I have a great deal of affection for. So watch enjoy today’s reviews, and watch for more here on Monday.

In terms of release news on this lovely Friday afternoon, Kino Lorber Studio Classics has just signaled that their long-awaited 4K Ultra HD release of Ivan Reitman’s Kindergarten Cop (1990) is going to street on 1/23/24. It looks like they’re just awaiting the final cover artwork to share the news on their social media, but we expect that to happen anytime now. And thanks to Bits reader Brian B. for the heads-up. [Read on here...]

Good afternoon (or evening as the case may be), Bits readers! My wife and I had a houseguest here visiting yesterday, so today’s post is a little later than usual. But we’re starting as always with some new disc reviews...

First of all, on Monday I posted my thoughts on Christopher McQuarrie’s Mission: Impossible – Dead Reckoning Part One (2023) on 4K Ultra HD from Paramount, and just today I added a couple of additional Editor’s Notes discussing one of the film’s key story points as well as the 4K video quality (which I’ve revised downward just a tad from A to A-, the reason for which is explained in my review).

Also, Stephen has turned in his thoughts on Hideaki Anno’s (et al) Evangelion: 3.0+1.11 Thrice Upon a Time (2021) in 4K from GKids and Shout! Factory, and for those of you who aren’t familiar, he also gives you a good little primer on the topic.

Meanwhile, Stuart has weighed in with looks at William Dieterle’s The Life of Emile Zola (1937) and Richard Brooks’ The Last Time I Saw Paris (1954) on Blu-ray from the Warner Archive Collection, as well as Lise Akoka and Romane Gueret’s The Worst Ones (2022) on DVD from Kino Lorber.

Dennis has offered his take on Julian Schnabel’s Before Night Falls (2000) on Blu-ray from the Warner Archive as well as Mark Pellington’s The Severing (2022) on Blu-ray from Kino Lorber.

And finally, Tim has delivered an in-depth review of Kevin Connor’s Motel Hell (1980) in 4K Ultra HD from Scream Factory. [Read on here...]

Afternoon, Bits readers and welcome to the new week and, of course, Halloween Eve!

We’ve got a little bit of ground to cover here today, but first I wanted to personally thank all those of you who have signed up to support The Digital Bits via Patreon. Since we first launched our Patreon five days ago, we’re up to 77 backers (and 104 members total), and we really appreciate your support. It means a lot, and it will make a real difference here, let me tell you.

Already, I’ve decided on a couple things: I’m making regular (almost daily) blog posts exclusively for our Patreon supporters that are a little different than the kind of thing I post here and on our social media. For example... my first-take thoughts on things I’m hearing from sources (release news, industry developments, and the like), first impressions on new review discs that I’ve had the chance to look at (before I publish the full in-depth reviews here on the site), and other odds and ends—the kinds of things that offer you a essentially a more personal and candid look behind the scenes here at The Bits. I’m also making the occasional public post for all members there, with information that’s relevant to all our readers—the kind of thing I’m going to share here in a minute today (disc replacement news, a PS5 firmware update of relevance to disc fans, the occasional piece of significant breaking news). And we’ll add more Patreon-exclusive features over time as we get used working there, learning what kinds of perks are possible, and what we can do without dramatically increasing our workload.

Anyway, just know that we really, really appreciate those of you who are willing to support our work with your hard-earned money. Thanks to all 77 paying backers (here’s to reaching 100!) and thanks to all of you who are following us there.

Now then... I’m going to be spending the rest of my day working on a review of Paramount’s Mission: Impossible – Dead Reckoning Part One in 4K UHD for posting here hopefully tomorrow. But first, there’s some important breaking news... [Read on here...]

All right, a quick heads-up for those of you who have purchased Paramount’s new Rosemary’s Baby 4K Ultra HD: An error has been discovered on the 4K disc’s soundtrack. When Dr. Sapirstein’s line “We happen to be in labor here” is spoken in the film, the only word audible in the mix is “here.” Note that this also pertains to the disc included in Paramount’s new Paramount Scares 4K box set.

Having been made aware of this error, Paramount intends to fix it and launch a disc replacement program. So if you have the new disc, visit this online form: https://phe-physical-consumer-support.imoxiemedia.com/

Select issue type “Other,” format “UHD,” put “Rosemary’s Baby 4K Ultra HD” in the title field, and in the brief description box add “Replacement Disc.” You might also want to specify whether you have the stand-alone disc or the Paramount Scares box set version.

You’ll be asked for your shipping info and (possibly) for a proof of purchase (which is often just a picture of the disc and its packaging). The fixed discs will be shipped out in the next couple of months when they’re ready. Thanks to Paramount for responding to this issue and taking steps to make it right.

Now then, in announcement news today, our friends at Arrow Video have indeed announced their January 2024 Blu-ray and 4K Ultra HD slate as planned, and it’s pretty exciting.

It includes Brian De Palma’s Carrie (1976) on 4K Ultra HD on 1/22 (in the UK only—Scream Factory has already released the film here in the States on the format), as well as Peter Yates’ Murphy’s War (1971) on Blu-ray on 1/30 (in the US and Canada only), and both John Milius’ Conan the Barbarian (1982) and Richard Fleischer’s Conan the Destroyer (1984) on Blu-ray and 4K Ultra HD on 1/16 (in the US and Canada only). You’ll be able to buy the two Conan films individually, or in The Conan Chronicles: Limited Edition 3-disc set on Blu-ray or 4K Ultra HD. [Read on here...]

All right, I’d like to start today’s post out by saying a big thank you to everyone who’s signed up to support our Digital Bits Patreon, or expressed the intent to do so soon, or made a PayPal donation, or simply sent us good wishes. Thanks also to those among you who are using our Amazon affiliate links whenever you shop or pre-order new Blu-ray and 4K titles. The overall response has been very encouraging and very understanding, and we appreciate each and every one of you. So thank you!

Now then, we’re going to catch up on some news, plus we’ve got a bunch of new disc reviews for you here, and then I’m going to spend the next few days working on a few Blu-ray and 4K reviews myself. But first, here are some reviews our team has posted for you all to enjoy in the last few days...

Stuart has chimed in with reviews of Henry Hathaway’s Nevada Smith (1966), John Cassavetes’ Gloria (1980), and Ida Lupino’s Outrage (1950) all on Blu-ray from Kino Lorber Studio Classics, François Ozon’s Everything Went Fine (2021) on Blu-ray from Cohen Media Group, and John Mackenzie’s Unman, Wittering and Zigo (1971) on Blu-ray from Arrow Video.

Dennis has offered his thoughts on Dorothy Arzner’s Christopher Strong (1933) on Blu-ray from the Warner Archive Collection, Harley Cokeliss’ Malone (1987) on Blu-ray from Kino Lorber Studio Classics, Chalit Krileadmongkon and Pakphum Wongjinda’s Creepy Crawly (2022) on Blu-ray from Well Go USA, and Brian Paulin’s At Dawn They Sleep (2000) on Blu-ray from Saturn’s Core and Vinegar Syndrome.

Stephen has taken an in-depth look at Louis Malle’s Pretty Baby (1978) on Blu-ray from Kino Lorber Studio Classics, Godfrey Ho’s Undefeatable (1993) on 4K Ultra HD from Vinegar Syndrome, and Allen Plone’s Night Screams (1987) also in 4K Ultra HD from Vinegar Syndrome.

And Tim has reviewed Brendon Small and Tommy Blacha’s direct-to-video animated finale Metalocalypse: Army of the Doomstar (2023) on Blu-ray from Adult Swim and Warner, as well as Amy Holden Jones and Deborah Brock The Slumber Party Massacre (1982) and The Slumber Party Massacre II (1987) in 4K Ultra HD from Scream Factory. [Read on here...]

Well, it’s been a big couple of weeks at The Bits, as detailed in Monday’s editorial here at the site. The response to that piece has been overwhelming—and overwhelmingly positive, I’m pleased to report. I’ve had a good number of people within the industry tell me they’ve been quietly (and no so quietly) cheering its message, hoping the powers that be at certain studios will listen.

One of the interesting side effects of the last couple of weeks is that it’s really highlighted some of the key challenges we face here at the site. The first is that so much of my time as editor of The Bits is dedicated to communicating with sources, researching stories, responding to everyone who wants to engage with us after we post major news or a big editorial, or simply dealing with behind-the-scenes issues, that it’s become hard for me to do all that effectively and still write Blu-ray and 4K reviews too. I have a stack of titles I keep trying to get to, but when a well-known filmmaker or high-level studio executive contacts me wanting to talk, you definitely can’t—and shouldn’t!—say no in my position.

The other problem was illustrated by what happened when we broke the news of Best Buy’s exit of the physical media business—the website simply couldn’t handle all the traffic we were getting! Off and on, from Thursday night (10/12) to the following Monday (10/16), the site simply wouldn’t load for some people or took a long time to load. That’s not a knock on our infrastructure, our server team, or our hosting company—99% of the time, there’s no problem at all. And they do an incredible job of managing all that in the face of ever more difficult cybersecurity challenges. It’s really rather shocking how difficult that problem has become—not just for The Bits but almost literally every website online. Frankly, it’s a wonder the Internet even still works at all. [Read on here...]