Displaying items by tag: Paul Verhoeven

We’ve got three new disc reviews for you this morning to start the week off right...

Stephen has taken a look at the wide Amaray release of Paul W.S. Anderson’s Event Horizon (1997) in 4K Ultra HD, as well as Adam and Aaron Nee’s The Lost City (2022) in 4K Ultra HD, both from Paramount.

And I’ve reviewed Matthew Robbins’ long-awaited Dragonslayer (1983) in 4K Ultra HD Steelbook from Paramount as well. This is a terrific remaster that’s also now available in Blu-ray format, so fans of the film should be very pleased.

More reviews are forthcoming, as always, so be sure to stay tuned for them.

Now then, we’ve got a few good things to report here at The Bits today, in terms of new and catalog title release news...

First, Umbrella Entertainment is taking pre-orders on a new Blu-ray Limited Collector’s Edition of the 1967 Rankin/Bass classic Mad Monster Party. [Read on here...]

A funny thing happened on the way to yesterday’s My Two Cents post! For some reason, I lost track of a day this week, so I thought yesterday was Friday. Then I wake up and here’s Friday again, much to my surprise. LOL. So anyway, while a bit of yesterday’s post still applies this afternoon, we’ve got some great breaking release news to share with you all today...

First up, the fine Imprint Films (down in Australia) has just announced their March 2022 Blu-ray slate, which is due to street on 3/30/22. It will include Sam Peckinpah’s The Osterman Weekend (1983 – mastered from new 2K scans of the director’s cut negative and the theatrical cut, so it will include both versions), Buzz Kulik’s The Hunter (1980 – starring Steve McQueen), Samuel Fuller’s China Gate (1957), Byron Haskin’s Conquest of Space (1955 – produced by George Pal), John Sturges’ Marooned (1969), Robert Wise’s Audrey Rose (1977), and Dalton Trumbo’s Johnny Got His Gun (1971). Not bad at all!

As usual, all of these Blu-rays should be region free. You’ll find them available here on the Imprint website.

But here’s the whopper today... Arrow Video has just announced its March 2022 slate as well, which includes no less than three new 4K UHD catalog titles! [Read on here...]

We’ve got another quick update for you as we work on new disc reviews today. Speaking of which...

I’ve just posted my in-depth thoughts on GKids and Shout! Factory’s new Blu-ray release of Hayao Miyazaki’s 2013 animated masterpiece The Wind Rises. It streets on 9/22, and like all of these new GKids/Shout! Studio Ghibli Blu-ray reissues, it’s absolutely the definitive release of the film on disc for fans in the US. Don’t miss it.

My review of Bill & Ted 4K is up next, and over the weekend I’ll be looking at Goonies and Beetlejuice 4K as well. Tim and Dennis are hard at work on reviews too. So be sure to watch for those.

Now then... the big 4K announcement news today is that StudioCanal has officially set the 4K Ultra HD release of Paul Verhoeven’s Total Recall: 30th Anniversary Edition in the UK for 23 November. The 16-bit 4K scan and remaster was done from the original camera negative, with color grading in HDR10 and Dolby Vision HDR. [Read on here...]

We have some new release news, announcements, and an interesting rumor to report on today. But first, we’ve got some new disc reviews here at The Bits for you, including...

Tim’s look at Terence Fisher’s 1962 Hammer Studios production of The Phantom of the Opera, available now as a new Collector’s Edition Blu-ray from our friends at Scream Factory. He’s also taken a look at John Harrison’s Tales from the Darkside: The Movie, also available on Collector’s Edition Blu-ray from Scream.

[Editor’s Note: While you’re listening to the audio commentary with Harrison and George Romero on that disc, know that I was in the booth as it was being recorded back in November of 2001. You can see my coverage of the day here on The Bits, complete with pictures. John’s become a friend over the years, and let me tell you, George was every bit as warm and lovely a human being as you’d hope. It makes me very happy to see this film and commentary get another appearance on disc for fans to rediscover.]

Not done yet with reviews... I’ve just posted my thoughts on David Twohy’s Pitch Black, soon to arrive on 4K Ultra HD from our friends at Arrow Video. The film really does benefit from both the new 4K scan of the original camera negative and the HDR grade, though the audio is the same 5.1 DTS-HD MA mix found on the previous Blu-ray. The disc is also loaded with extras, including nearly all the legacy content and new material too. It’s a worthy upgrade for fans. Note however that the title shipped without a slipcover due to a production problem. So if you happen to be surprised that your copy doesn’t have a slipcover, that’s why. [Read on here...]

Okay, we’ve got some significant release and industry news to report today. But first, new disc reviews...

Tim has just posted a review of Pierre B. Reinhard’s Revenge of the Living Dead Girls (1987) on Blu-ray from Severin Films.

And Dennis has turned in his thoughts on Budd Boetticher’s World War II drama The Red Ball Express (1952), now available on Blu-ray from Kino Lorber Studio Classics.

Also, I’ve just gotten my hands on Arrow Video’s new Pitch Black 4K Ultra HD, so I’m going to have a review of that up by Friday.

But tomorrow is likely to be an interesting news day, as that’s when the industry’s mid-year numbers get released. So I’ll have more on that tomorrow afternoon. [Read on here...]

“In many ways, RoboCop was ahead of its time, foreshadowing a future that is with us now. The Reagan-era gap between rich and poor has grown ever wider, with the 1% using an increasingly militarized police force to protect gentrified communities while other parts of cities have become postindustrial wastelands, abandoned to crime and drugs. RoboCop himself, a man made over into a machine by an unfeeling corporation, can be seen as a literal example of American workers being replaced by robots.” — Film scholar and Paul Verhoeven author Douglas Keesey

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of RoboCop, Paul Verhoeven’s (Soldier of Orange, Basic Instinct) franchise-inspiring and Saturn- and Oscar-winning satirical action film starring Peter Weller (The Adventures of Buckaroo Banzai, Leviathan) and Nancy Allen (Dressed to Kill, Blow Out). [Read on here...]

All right, after several days of hard work (with lots more to go), The Bits is finally up and running on newly-updated database software. You may have noticed that The Bits looks a little different here today, and this is why. We’ve got lots more tweaking to do, and there will probably be some things that are broken around here that we’ll have to get around to fixing, but for now the basics seem to be working. Please bear with us as we dial everything in here at the site and get things buttoned up. Code and functionality updates like this are the bane of any webmaster, but you gotta get them done.

Meanwhile, here at The Bits today, we’ve got a pair of new Blu-ray reviews. Tim has checked out William Friedkin’s To Live and Die in L.A.: Collector’s Edition from Shout Select, as well as Michael Anderson’s Doc Savage: The Man of Bronze from the Warner Archive.

And I’ve got a whole mess of 4K Ultra HD Blu-ray reviews coming, now that our server updates are nearly completed. Watch for those starting Monday with Denis Villeneuve’s The Arrival from Paramount first up on deck.  [Read on here…]