Displaying items by tag: Baz Luhrmann

We’ve got a few more great new Blu-ray and 4K Ultra HD release announcements for you here today to close out the week…

First up, we’ve confirmed that Lionsgate will be dropping both Ric Roman Waugh’s Greenland (2020) and Greenland 2: Migration (2026) in 4K Ultra HD on 3/31. The Greenland 4K release is a US first, and of course the sequel will also be released on Blu-ray.

Imprint Films has announced three new Limited Edition Blu-ray box sets for release in April, including Essential Film Noir: Collection 6—with Naked Alibi (1954), Ring of Fear (1954), Hell’s Island (1955), and Flame of the Islands (1956)—Tales of Adventure Collection 10—featuring The Magic Carpet (1951), Sudan (1945), Salome (1953), The Sword of Ali Baba (1965), and the bonus film 1001 Arabian Nights (1959)—and Tales of the Wild West Collection 2—with 5 Card Stud (1968), Will Penny (1968), Something Big (1971), The Revengers (1972), and Posse (1975). The street date for all three is 4/29, and they’re limited to 1500 copies each.

Kino Lorber Studio Classics has set the Abbott and Costello film Hold That Ghost (1941) for release on 4K Ultra HD on 3/28.

Also coming from KLSC in 4K UHD for their Kino Cult label is Paul Harrison’s The House of Seven Corpses (1973). This is in conjunction with Dark Force Entertainment. Look for that on 4/21.

Speaking of which, the other day we mentioned Deaf Crocodile’s 4/21 release of Marcell Jankovics’ Song of the Miraculous Hind (2002) on Blu-ray—it’s actually a 4K Ultra HD + Blu-ray release, which is even better! [Read on here...]

We’re finishing the week here at The Bits with a spate of new disc reviews for you to check out and enjoy...

First, I’ve taken a look at Michael Mann’s Heat (1995) which is finally available in a long-awaited new 4K Ultra HD release from 20th Century Studios. The new 4K master is impressive, though not reference-quality.

It’s important to note, however, that Mann made creative changes to the film’s color grading in 2017, as he was preparing his new Director’s Definitive Edition (see his own comments on this at the time here). This means the film is somewhat darker looking, with slightly-desaturated color, than it was before—even with the new HDR grade. This in turn has caused a host of “fan” reviewers to claim that the disc is defective, when the truth is that they simply don’t like the new color grade. Meanwhile, professional reviewers have almost all praised the disc’s image improvements, while acknowledging the darker grading. Those of you with genuinely bright 4K displays (with effective tone-mapping) will appreciate the new color grade the most. The point is, you’re going to see a lot of diverse opinions about this title out there on the Interwebs and social media. It’s only by understanding that these changes were initiated by the director himself that you can sort the reality from opinion. Anyway, I break it down in the review.

Also today, Stephen has turned in his thoughts on Sam Raimi’s Doctor Strange in the Multiverse of Madness in 4K Ultra HD from Marvel and Disney. [Read on here...]