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Morning, folks! Hope you guys are all enjoying your holiday break. We’ve actually got some Blu-ray announcement news for you today...
First up, Twilight Time has announced the limited Blu-ray release of Zulu (1964), Khartoum (1966), Titus (1999) and Man in the Dark 3D (1953) – 3,000 copies each will be available. They’ve also revealed that less than 600 copies each remain of Enemy Mine (1985) and Stagecoach (1966). SRP for these BDs is $29.95 each. Head to Screen Archives Entertainment to get your copies. [Read on here…]
Most film columnists start writing their Christmas pieces around August, churning out their memories of It’s a Wonderful Life (which is a story in itself – this generation has no idea that the film was considered an oddity and a flop until Jimmy Stewart mentioned it on The Tonight Show and, as it was in the public domain and available for cheap airings, it has since been considered a “classic”) and other routine movies that just happen to tell a Christmas like story. Movies like Miracle on 34th Street and Christmas in Connecticut still hold up and there are others I’m sure that do as well, but few movies that are singularly about Christmas float my boat. I’ve seen them a million times and most are creaky. Here are my favorite Christmas movies, a list my successful and thoughtful brother calls Christmas Movies for People Who Aren’t Enamored with Christmas Movies. [Read on here…]
Criterion has just announced their March Dual Format BD/DVD release slate, and here’s what’s coming: David Gordon Green’s George Washington (Cat #152 – due 3/11), Errol Morris’ A Brief History of Time (Cat #699 – 3/18), Akira Kurosawa’s The Hidden Fortress (Cat #116 – 3/18), Paul Sorrentino’s The Great Beauty (Cat #702 – 3/25), Ingmar Bergman’s Persona (Cat #701 – 3/25) and Fred C. Newmeyer and Sam Taylor’s The Freshman (Cat #703 – 3/25). [Read on here…]
All right, we promised you some reviews and we’ve got a couple for you this morning. Plus there’s some very exciting release news. More on that in a minute.
First, I’ve turned in my thoughts on Twilight Time’s Oliver!, a nice Blu-ray upgrade of the classic musical. It sports a fine transfer, nearly all of the previous DVD extras and new content as well. Just 3,000 copies are available – see the review for details.
Also, I’ve finished a review of CBS’ forthcoming Star Trek: The Next Generation – Season Five on Blu-ray, which features 26 more episodes, all of the previous DVD extras (including the Best Buy bonus featurettes) and abundant new material too, including 4 audio commentaries, deleted scenes and a gag reel in HD and over 90 minutes of great new documentary content from our friends Roger Lay, Jr. and Robert Meyer Burnett. Don’t miss it. [Read on here…]
All right, couple things today…
First, I’ve got that Blu-ray review I promised yesterday: My thoughts on Zack Snyder’s Man of Steel, coming in HD from Warner on 11/12. I know this film divided movie geeks over the summer, but I have no uncertainty in my feelings for it. I think it’s a great take on the mythos and a rare superhero film that I’m actually excited about. And the Blu-ray’s not half bad either. Do check it out. [Read on here…]
This was all we needed to hear: The DUKE was coming to Oklahoma City.
It was the year of our Lord, 1972 and The National Cowboy Hall of Fame and Western Heritage Center in Oklahoma City (now called the National Cowboy Museum and Western Heritage Center) hosted every year a grand event called the Western Heritage Awards, where they gave a trophy called “The Wrangler” to outstanding theatrical and television Westerns and the winner this particular year was a film called “The Cowboys,” starring, well, you know who. [Read on here...]
I’ve never been one to go to a movie solely based on casting because, let’s face it, actors sometimes aren’t the best judge of script or director material. The exceptions these days might be, for me, Leo DiCaprio, Nicholson or
As The Bits’ resident champion for the release of obscure and forgotten films on DVD, I naturally pay a lot of attention to smaller, independent labels like Shout! Factory, Olive Films, Kino, Synapse and, of course, Criterion. These companies and many others like them are doing important work, taking on projects that the major studios are no longer interested in producing. I support these companies both by writing about their work on this site and, more importantly, by purchasing their products as often as I can. [...]