My Two Cents

Displaying items by tag: The Zero Boys

[Editor’s Note: Be sure to follow us on Twitter @thedigitalbits @BillHuntBits and on Facebook here and here. And you can help support The Bits by pre-ordering Blu-rays and other items from Amazon through this link.]

All right... yesterday’s editorial column on the new 4K Ultra HD format was a lot of work as you can imagine, but I’ve been very gratified at the positive reaction to it. If you missed it, you can find it here. I’m going to have more 4K coverage and reviews soon, but I’m just trying to balance it all out with the regular Blu-ray news and whatnot.

On that score, we have a pair of new Blu-ray reviews for you to check out today, including Tim Salmons’ thoughts on The Zero Boys from Arrow Video, as well as Jim Hemphill’s take on In the French Style from Twilight Time. Both titles are now available and are well worth a look.

Also today, in case you missed it when we posted it earlier this week, our own Mario Boucher has delivered a great new Inside Cinema column on the subject of “Duelity” in modern cinema. I think you’ll find it well worth a read, so do check it out here.  [Read on here…]

Published in My Two Cents

[Editor’s Note: Be sure to follow us on Twitter @thedigitalbits @BillHuntBits and on Facebook here and here. And you can help support The Bits by pre-ordering Blu-rays and other items from Amazon through this link.]

Before we begin this afternoon, our own Tim Salmons has turned in another Pick-Ups Blu-ray review for you to check out, this time featuring a look at Synapse Films' Steelbook release of Dario Argento’s Tenebrae (1982). Do check that out here.

All right, the big news today is that Paramount has just officially announced the 6/7 release of the Star Trek II: The Wrath of Khan – Director’s Edition on Blu-ray (as we first revealed here on The Digital Bits a few weeks ago). The film itself has been remastered from a new 4K scan, with the participation of director Nicholas Meyer, and will be included on the disc in 1080p in both the original theatrical cut and the slightly longer Director’s Cut, each with 7.1 Dolby TrueHD audio.  [Read on here…]

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