We’re kicking off today’s update here at The Bits with a trio of new disc reviews...
First up, I spent the whole day yesterday going through Sony’s new 4K Ultra HD Blu-ray edition of Ang Lee’s Billy Lynn’s Long Halftime Walk. The package includes 4K, Blu-ray 3D, Blu-ray, and Digital HD. Whatever you may think of the film itself, this A/V presentation is a must have for 4K enthusiasts. Full native 4K in 60 frames per second with High Dynamic Range and Dolby Atmos audio is a helluva thing.
All right, after several days of hard work (with lots more to go), The Bits is finally up and running on newly-updated database software. You may have noticed that The Bits looks a little different here today, and this is why. We’ve got lots more tweaking to do, and there will probably be some things that are broken around here that we’ll have to get around to fixing, but for now the basics seem to be working. Please bear with us as we dial everything in here at the site and get things buttoned up. Code and functionality updates like this are the bane of any webmaster, but you gotta get them done.
Meanwhile, here at The Bits today, we’ve got a pair of new Blu-ray reviews. Tim has checked out William Friedkin’s To Live and Die in L.A.: Collector’s Edition from Shout Select, as well as Michael Anderson’s Doc Savage: The Man of Bronze from the Warner Archive.
And I’ve got a whole mess of 4K Ultra HD Blu-ray reviews coming, now that our server updates are nearly completed. Watch for those starting Monday with Denis Villeneuve’s The Arrival from Paramount first up on deck. [Read on here…]
We’re starting the new week off with a new Scream for a Week column from our own Tim Salmons, featuring new reviews of Scream Factory’s Hellhole, #Horror, and Dreamscape: Collector’s Edition on Blu-ray Disc. Do give them a look.
Also today, we have a few bits of great new title announcement news…