Those "retro" Force Awakens posters.
“Star Trek: The Motion Picture provided a unique experience, leaving some audience members, myself included, elated at the prospect, “The Human Adventure Is Just Beginning.” — Robert Meyer Burnett
“I do feel very lucky to have been a kid while this amazing renaissance of fantasy filmmaking was going on.… Star Wars, then Close Encounters, then Superman, then Alien, then Star Trek: The Motion Picture… at least in terms of going to the movies, those are two-and-a-half years I wish I could experience again. It was a truly magical time.” — Mike Matessino [Read more here...]
“It has the personality not of a particular movie but of a product, of something arrived at by corporate decision.” — Vincent Canby, The New York Times
Blockbuster. Juggernaut. Game Changer.
The event, or tentpole, film was taken to new heights during the summer of 1989, and the industry hasn’t been the same since. Sure, there were hits — and megahits — before, but everything this did was new, unorthodox or amplified: mass-saturation marketing, title-less posters, narration-less trailers, loads of tie-in merchandise, dual soundtrack release, one-day-early sneak-preview screenings, anti-piracy electronic-coded release prints, shattered box-office records, home-video release while still in theaters, franchise. [Read on here…]
All right, we’ve got more great stuff for you here at The Bits today…
First, our own Michael Coate has turned in a new History, Legacy & Showmanship column looking back at The Blue Max, including the film’s original roadshow release and also composer Jerry Goldsmith’s work on the score. This is, of course, in honor of the new Twilight Time Blu-ray release of the film today, as well as La-La Land Records’ excellent new 2-disc soundtrack CD release! Michael even includes an interview with our old friend (and film music historian) Jeff Bond, who wrote a track-by-track analysis of the score for the CD. It’s another great column, so definitely don’t miss it! [Read on here…]
“There Was No Quiet On The Western Front!”
The Digital Bits presents this retrospective on The Blue Max, the World War I adventure-drama starring George Peppard, James Mason and Ursula Andress and highlighted by aerial dogfighting and music by acclaimed composer Jerry Goldsmith. Directed by John Guillermin (The Towering Inferno, the 1976 remake of King Kong) and based upon the novel by Jack D. Hunter, The Blue Max was hailed by Newsweek as “Magnificent!” and characterized by The New York Times as, “Devil-may-care dogfights in the skies... devil-may-care love affairs on the ground.” Recently released on Blu-ray Disc from Twilight Time and soundtrack CD by La-La Land Records, The Bits celebrates this classic war film with a detailed listing of its original, major-market roadshow engagements in the United States and Canada as well as an interview with film music authority Jeff Bond, who discusses Jerry Goldsmith’s musical contribution to the film. [Read on here...]