My Two Cents (Daily) - Capricorn One, Skeleton Twins, Giver & a hot new BFI trailer for Kubrick's 2001 http://t.co/bdxWwSaSle
“Written and Directed by Quentin Tarantino”
The Digital Bits is pleased to present this retrospective commemorating the 20th anniversary of Quentin Tarantino’s Pulp Fiction, one of the most talked-about, written-about and influential films of the last two decades.
For the occasion, The Bits features a Q&A with a trio of journalists who offer some thoughts on Tarantino’s revered film. [Read more here...]
“Only Sean Connery in 1964 could pull off wearing a baby-blue terrycloth onesie and still make every woman in the audience breathe a little more deeply and every man want to be him.” — John Cork
The Digital Bits is pleased to present this retrospective commemorating the golden anniversary of the release of Goldfinger, the classic James Bond adventure starring Sean Connery as Agent 007 and directed by Guy Hamiton. Featuring an unforgettable villain, unforgettable sidekick, unforgettable gadgets, and a Bond Girl with an unforgettable name, Goldfinger, which premiered in London 50 years ago today, delighted audiences becoming the first Bond film to be a global phenomenon, ensuring more 007 films for decades to come. [Read more here...]
The Digital Bits is pleased to present this retrospective commemorating the golden anniversary of the premiere of Bewitched, the magical supernatural situation comedy starring Elizabeth Montgomery that ran on ABC from 1964 to 1972 and in syndication ever since. The enchanting series premiered 50 years ago this week, and for the occasion The Bits features a Q&A with a trio of Bewitched and television historians and authors, who offer their recollections and insight into the popular series. [Read more here...]
“The most wonderful, the most delightful entertainment of your life!”
The Digital Bits is pleased to present this TWO PAGE retrospective column commemorating the golden anniversary of the release of Mary Poppins, Walt Disney’s popular and award-winning musical-fantasy starring Julie Andrews and Dick Van Dyke. [Read on here…]
“The first time, it will dazzle your senses. The second time, you’ll see it for the first time.”
The Digital Bits is pleased to present this retrospective commemorating the 35th anniversary of the release of Apocalypse Now, Francis Ford Coppola’s award-winning Vietnam War epic.
The Bits marks the occasion with this retrospective article featuring a compilation of box-office data that helps place the film’s performance in context, quotes from a selection of movie critics, production and exhibition information, a list of the film’s original 70-millimeter presentations, and an interview segment. [Read on here…]
“It has the personality not of a particular movie but of a product, of something arrived at by corporate decision.” — Vincent Canby, The New York Times
Blockbuster. Juggernaut. Game Changer.
The event, or tentpole, film was taken to new heights during the summer of 1989, and the industry hasn’t been the same since. Sure, there were hits — and megahits — before, but everything this did was new, unorthodox or amplified: mass-saturation marketing, title-less posters, narration-less trailers, loads of tie-in merchandise, dual soundtrack release, one-day-early sneak-preview screenings, anti-piracy electronic-coded release prints, shattered box-office records, home-video release while still in theaters, franchise. [Read on here…]
“Get a Life!” exclaimed William Shatner to a legion of Star Trek fans in a classic 1986 Saturday Night Live skit. Among those who did indeed get a life were Mark A. Altman and Robert Meyer Burnett. The pair succeeded in creating Free Enterprise, the affectionate 1999 comedy about a pair of pop culture geeks who meet their idol, William Shatner. Be careful about wanting to meet your heroes may have been the moral of the story as Mark (Eric McCormack) and Robert (Rafer Weigel) discover Mr. Shatner is not quite the person they think he is. [Read on here…]
“This picture is not called The Temple of Roses; it is called The Temple of Doom. The warning is clearly marked on the box.” — Steven Spielberg
The Digital Bits is pleased to present this retrospective commemorating the 30th anniversary of the release of Indiana Jones and the Temple of Doom, the follow-up to the incredibly popular Raiders of the Lost Ark.
The Bits celebrates the occasion with this retrospective column. It features some quotes from movie critics, some trivia on the film, an interview segment (featuring film historians Scott Higgins and Eric Lichtenfeld), a list of the movie’s premium-format (70mm) presentations, and a compilation of box-office data that places the movie’s performance in context. [Read on here…]
A Few Minutes With Writer-Director Phil Alden Robinson
The Digital Bits is pleased to present this retrospective article commemorating the silver anniversary of the release of Field of Dreams, the acclaimed fantasy-drama starring Kevin Costner as an Iowa farmer who hears voices telling him to build a baseball diamond in his cornfield. The sentimental and magical journey about much more than just baseball also starred Amy Madigan, James Earl Jones, Ray Liotta, and Burt Lancaster. [Read more here...]
“There Was No Quiet On The Western Front!”
The Digital Bits presents this retrospective on The Blue Max, the World War I adventure-drama starring George Peppard, James Mason and Ursula Andress and highlighted by aerial dogfighting and music by acclaimed composer Jerry Goldsmith. Directed by John Guillermin (The Towering Inferno, the 1976 remake of King Kong) and based upon the novel by Jack D. Hunter, The Blue Max was hailed by Newsweek as “Magnificent!” and characterized by The New York Times as, “Devil-may-care dogfights in the skies... devil-may-care love affairs on the ground.” Recently released on Blu-ray Disc from Twilight Time and soundtrack CD by La-La Land Records, The Bits celebrates this classic war film with a detailed listing of its original, major-market roadshow engagements in the United States and Canada as well as an interview with film music authority Jeff Bond, who discusses Jerry Goldsmith’s musical contribution to the film. [Read on here...]