Those "retro" Force Awakens posters.
I had to sit on maybe the biggest movie story in America. For a long time. And now that it’s been completed and is over, I’m shocked that the whole thing hasn’t been on the front page of The New York Times.
I’ve perhaps casually mentioned that I helped create (didn’t get in the way of) a film school here in Oklahoma City, actually at Oklahoma City Community College. The idea was, unlike film degrees that are based on watching and studying themes and points of view and reading scripts, the creative side, so to speak, to offer a technical, hands on degree program, why a community college was selected in the first place. And to enhance the experience, we got the finest equipment in the world – Avid editors and cameras and lenses and lights and then, through a lot of hard work from a lot of good people, here came the ultimate – a full end studio, built to the specs of an actual Hollywood soundstage. If another state funded school has a facility like this, I’d like to see it. [Read on here...]
All right, we’ve got three things for you today to close out the week…
First, our own Michael Coate has turned in a fine new History, Legacy & Showmanship column, celebrating today’s 35th anniversary of the theatrical debut of Francis Ford Coppola’s Apocalypse Now. Included in the piece is a rundown of the initial 70 mm theatrical engagements, trivia, and a pair of interview with film historians Jon Lewis and Lee Pfeiffer. Enjoy!
Also today, Tim Salmons has turned in a review of Raro Video’s The Year of the Cannibals (1970) on Blu-ray, an Italian film from director Liliana Cavani. [Read on here…]
“The first time, it will dazzle your senses. The second time, you’ll see it for the first time.”
The Digital Bits is pleased to present this retrospective commemorating the 35th anniversary of the release of Apocalypse Now, Francis Ford Coppola’s award-winning Vietnam War epic.
The Bits marks the occasion with this retrospective article featuring a compilation of box-office data that helps place the film’s performance in context, quotes from a selection of movie critics, production and exhibition information, a list of the film’s original 70-millimeter presentations, and an interview segment. [Read on here…]
If it can be difficult to remember who won the Academy Award for Best Picture, it’s downright mind-bending trying to remember everything else it was up against. In An Honor To Be Nominated, I’ll be taking a look back at some of the movies the Oscar didn’t go to and trying to determine if they were robbed, if the Academy got it right, or if they should ever have been nominated in the first place. [Read on here…]