We’re kicking off today’s update here at The Bits with a trio of new disc reviews...

First up, I spent the whole day yesterday going through Sony’s new 4K Ultra HD Blu-ray edition of Ang Lee’s Billy Lynn’s Long Halftime Walk. The package includes 4K, Blu-ray 3D, Blu-ray, and Digital HD. Whatever you may think of the film itself, this A/V presentation is a must have for 4K enthusiasts. Full native 4K in 60 frames per second with High Dynamic Range and Dolby Atmos audio is a helluva thing.

Also, Tim has checked out a pair of regular Blu-rays for you, including Sony’s Don’t Breathe and Kino Lorber Studio Classics’ Haunted Honeymoon. Both are worth your time. [Read on here…]

Published in My Two Cents

All right, we’ve got a couple things for you this evening here at The Bits

First up, I’ve spent some time this afternoon talking with those involved in mastering and QC for Paramount Home Entertainment, and have just updated my review of Denis Villeneuve’s Arrival in 4K Ultra HD format with much new information about the transfer and HDR. There’s been some concern by other reviewers that the film image is too dark, and that there must be a mastering error, but having reviewed the 4K disc myself here at The Bits, it was my suspicion that the darker image on the 4K disc (compared to the Blu-ray) was a deliberate creative decision by the filmmakers, similar to the situation with Fox’s The Revenant. That suspicion, as it turns out, was correct. So the review has been fully updated with additional details and information that should help to illuminate the situation. You can find that here. [Read on here…]

Published in My Two Cents

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