Displaying items by tag: Daylight 4K

We’ve got six more new disc reviews for you to enjoy today here at The Bits, including…

Tim’s thoughts on The Royal Tenenbaums (2001) in 4K Ultra HD from Criterion’s Wes Anderson Archive box set, as well as Sam Firstenbeg’s Revenge of the Ninja (1983) and Menahem Golan’s Ninja III: The Domination (1984) both in 4K from Kino Lorber Studio Classics.

Stuart’s review of Alfred E. Green’s The Gracie Allen Murder Case (1939) on Blu-ray from Kino Lorber Studio Classics and Sam Wood’s The Quiet American (2002) on Blu-ray from Imprint Films.

And Dennis’ take on Mervyn LeRoy’s Lovely to Look At (1952) on Blu-ray from MGM via the Warner Archive Collection.

Now then, I’m making an effort to catch up on a bunch of announcement news that’s happened over the last couple of weeks. As many of you know, I’ve had a couple of challenges here at The Bits lately, including recovering from prostate surgery and also my PC died on the Friday before Thanksgiving, which has necessitated buying a replacement, getting it set up, installing all my old software, reorganizing my files, etc., all in an effort to get back up to speed. And I’m getting there—right now, even the simplest tasks are just a little bit different, and taking just a little bit more time and effort than usual to accomplish, as I settle into the new machine. But within a couple weeks, things should be back to normal. So thanks for your patience in the meantime! [Read on here...]

All right, we’ve got a ton of new disc reviews that we’ve shared here at The Bits over the past week, including…

My reviews of the fixed Superman: The Movie, Superman II, and Superman II: The Richard Donner Cut 4K Ultra HD discs from Warner Bros.

My review (with Todd Doogan) of Akira Kurosawa’s Stray Dog (1949) on Blu-ray from the BFI, as well as my review (with Tim) of the new Back to the Future: 40th Anniversary Limited Edition Gift Set in 4K from Universal.

Stephen’s thoughts on Arūnas Žebriūnas’s The Devil’s Bride (1974) on Blu-ray from Deaf Crocodile, Hideaki Anno and Shinji Higuchi’s Shin Godzilla: Deluxe Collector’s Edition (2016) from GKids, and Abel Ferrara’s Ms. 45 (1981) on 4K Ultra HD from Arrow Video.

Tim’s reviews of Hanna-Barbera’s Wacky Races: The Complete Series on Blu-ray from the Warner Archive Collection, StudioCanal’s Dead of Night: 80th Anniversary Collector’s Edition in 4K Ultra HD, the first titles—One-Armed Swordsman (1967) and Return of the One-Armed Swordsman (1969)—from Arrow’s Shawscope: Volume Three Blu-ray box set.

Dennis’ look at Mark L. Lester’s The Ex (1996) on Blu-ray from Kino Lorber Studio Classics and John Cromwell’s The Racket (1951) on Blu-ray from the Warner Archive Collection.

And Stuart’s take on Stuart Heisler’s I Died a Thousand Times (1955) and the Bette Davis Collection (which includes The Letter, Dark Victory, Jezebel, and The Private Lives of Elizabeth and Essex) on Blu-ray from the Warner Archive Collection as well as José Giovanni’s Last Known Address (1970) on Blu-ray from Kino Lorber Studio Classics.

We’ve also got lots more new disc reviews coming today and all this week, so be sure to check back for them!

Now then… in announcement news today, the good people at Radiance Films have revealed that they’re releasing Richard Rush’s The Stunt Man (1980) in 4K Ultra HD on 2/23/26. The film will feature Dolby Vision HDR, and the package will include a bevy of new and legacy special features, including the acclaimed documentary The Sinister Saga of Making The Stuntman (2001). You can see the cover work above left. [Read on here...]

We’re starting the new week here at The Bits with a host of new disc reviews for the team, including...

My thoughts (with longtime Bits contributor Todd Doogan) on Antony Hoffman’s Red Planet (1990) in 4K Ultra HD from Arrow Video.

Tim’s take on Terence Fisher’s The Curse of Frankenstein (1957) in 4K Ultra HD from the Warner Archive Collection, as well as Warner Archive’s Hollywood Legends of Horror: 6-Film Collection on Blu-ray, Jag Mundhra’s Hack-O-Lantern (1988) in 4K from Massacre Video, and Tom Savini’s Night of the Living Dead (1990) in 4K Steelbook from Sony.

Dennis’ thoughts on Dan Curtis’ Dead of Night (1977) on Blu-ray from Kino Lorber Studio Classics.

Stuart’s take on Richard Thorpe’s The Prisoner of Zenda (1952) on Blu-ray from the Warner Archive Collection.

And Stephen’s reviews of John Carpenter’s In the Mouth of Madness (1994) in 4K Ultra HD from Arrow Video, and the new Evangelion: 1.11 You Are (Not) Alone (2007) and Evangelion: 2.22 You Can (Not) Advance (2009) anime films on Blu-ray from GKids via Shout! Studios.

More reviews are definitely on the way all this week, so be sure to keep checking back.

Now then, we’ve got a bunch of release news to report today... [Read on here...]

We’ve got some great release news for you today, but also more new disc reviews, including…

Stephen’s thoughts on Ringo Lam’s HK police actioner City on Fire (1987) in 4K Ultra HD from Shout! Factory.

Dennis’ take on Raoul Walsh’s war film They Died with Their Boots On (1941) on Blu-ray from the Warner Archive Collection.

Stuart’s look at Seijun Suzuki’s Underworld Beauty (1958) on Blu-ray from Radiance Films.

And over the weekend, we also posted a few more, including…

Stuart’s look at Cy Endfield’s Sands of the Kalahari (1965) on Blu-ray from KLSC.

Dennis’ review of Jess Franco’s The Vengeance of Dr. Mabuse (1972) on Blu-ray also from Kino.

And Tim’s review of Kuei Chih-Hung’s The Boxer’s Omen (1983) on Blu-ray from Arrow’s Shawscope: Volume Two box set.

More reviews are definitely forthcoming from The Bits’ review team, so be sure to keep checking back all week.

In terms of announcement news today, we do have some great breaking news for you: Lionsgate is getting ready to announce their November slate of 4K Ultra HD + Blu-ray titles, which will include Neil Marshall’s The Descent: 20th Anniversary Edition (2006) 4K + BD Steelbook (including both versions via seamless branching as well as both new and legacy special features)—that’s a Lionsgate Limited exclusive. You’ll also get Francis Lawrence’s The Long Walk (2025) on 4K + Blu-ray Steelbook as an Amazon exclusive, with the Blu-ray + DVD version available via Walmart. [Read on here...]

We’ve got two more new disc reviews for you here at The Bits today...

Tim has shared his thoughts on Steve Miner’s Friday the 13th: Part II (1981) in 4K Ultra HD from the Paramount Scares: Volume 2 box set.

He’s also taken an in-depth look at Adam Marcus’ Jason Goes to Hell (1993) in 4K Ultra HD from New Line via Arrow Video.

In announcement news today, Madman Entertainment in Australia is releasing both Peter Faiman’s Crocodile Dundee: The Encore Cut (1986) and John Cornell’s Crocodile Dundee II (1988) in 4K Ultra HD and Blu-ray on 7/9.

The company already has six recent 4K Ultra HD titles available, including Akira Kurosawa’s Seven Samurai (1954), Sean Baker’s Anora (2024), Richard Kelly’s Donnie Darko: 20th Anniversary Edition (2001), Coralie Fargeat’s The Substance (2024), and Bong Joon Ho’s Parasite (2019).

A24’s online shop is now taking pre-orders on Isaiah Saxon’s The Legend of Ochi (2025) on Blu-ray. The title is expected to ship in July (street date TBA). [Read on here...]

We’ve got one more new disc review to round out the week here at The Bits this afternoon...

Dennis has taken a look at Robert Day’s Two-Way Stretch (1960) on Blu-ray from Kino Lorber Studio Classics, a classic heist caper starring Peter Sellers.

The big release news today is that our friends at The Criterion Collection have just announced their June slate, which is absolutely fantastic! Look for 4K Ultra HD upgrades of Terry Gilliam’s Brazil (1985) (Spine #51) and Paul Schrader’s Mishima: A Life in Four Chapters (1985) (Spine #432) on 6/3, followed by Sidney Lumet’s The Wiz (1978) (Spine #1264) in 4K UHD and Blu-ray on 6/10, Charlotte Zwerin’s Thelonious Monk Straight, No Chaser (1988) (Spine #1265) and Mitchell Leisen’s Midnight (1939) (Spine #1266) both on Blu-ray on 6/17, and François Girard’s Thirty Two Short Films About Glenn Gould (1993) (Spine #1268) and William Friedkin’s Sorcerer (1977) (Spine #1267) in 4K Ultra HD and Blu-ray on 6/24. Of these, Brazil, The Wiz, and Sorcerer will have Dolby Vision HDR. You can read more here and you can see the cover art for these above left and also below the break. [Read on here...]

Cheers, Bits readers! Here’s our latest batch of new disc reviews for today…

Stephen has taken a look at Michael Mann’s The Keep (1983) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Robert Florey’s The Beast with Five Fingers (1946) and Anthony Mann’s The Tall Target (1951), both on Blu-ray from the Warner Archive Collection.

Stuart has offered his thoughts on Zoltán Korda’s Sahara (1943) on Blu-ray from Indicator and George Seaton’s The Proud and Profane (1956) on Blu-ray from Kino Lorber Studio Classics.

And not to be outdone, Tim has shared his look at Russ Meyer’s Beneath the Valley of the Ultravixens (1979) on Blu-ray from Severn Films.

More reviews are forthcoming, as always, so be sure to keep your eyes peeled for them!

Now then, the big release news today is that Universal has officially set Robert Eggers’ Nosferatu (2024) for release on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 2/18. The Digital version is now available. You can see the cover artwork at left and also below. [Read on here...]

We’ve got a bunch of release news to catch you all up on today here at The Bits, but first—as always—we’re closing out the week with a bunch of new and recent disc reviews…

I’ve turned in my thoughts on Quentin Tarantino’s long awaited Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) 4K Steelbooks from Lionsgate Limited, as well as their reissue of his Reservoir Dogs (1992) in 4K Steelbook. (And don’t forget my review of Lionsgate Limited’s Jackie Brown 4K Steelbook from earlier this week as well.)

Tim has offered his take on Robert Zemeckis’ Death Becomes Her (1992) and Sam Raimi’s Drag Me to Hell (2009) both in 4K UHD from Shout!/Scream Factory, as well as Warner Archive’s new Blu-ray Double Feature of William A. Wellman’s The Boob (1926) and William A. Seiter’s Why Be Good? (1929), and Jackson Publick’s The Venture Bros.: Radiant Is the Blood of the Baboon Heart (2023) on Blu-ray also from Warner Bros.

Stuart’s look at Sidney Gilliat’s Left Right and Centre (1959) on Blu-ray from Indicator, as well as The Persuaders!: The Complete Series (1971-72) on Blu-ray from Imprint, Fernando Di Leo’s The Italian Connection (1972) on Blu-ray from Raro Video, Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics, and Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome.

Dennis’ thoughts on Joel and Ethan Coen’s No Country for Old Men (2007) and Stephen Frears’ The Grifters (1990) each on Blu-ray from the Criterion Collection, and Gary David Goldberg’s Must Love Dogs (2005) on Blu-ray from the Warner Archive.

More reviews are on the way next week, so be sure to check back for them! Also, we’ve updated our 4K Ultra HD Release List here at The Bits, as well as our Release Dates & Artwork section—the latter with all the latest 4K UHD, Blu-ray, and DVD cover art and Amazon.com pre-order links. And The Bits is an Amazon Affiliate, so anything you order from them after clicking through one of our links goes to help support our work here at the site and we appreciate it!

Now then, let’s get to that breaking announcement news… [Read on here...]

Afternoon, everyone! We’re starting the short Christmas week here at The Bits with more new disc reviews as always. Today, we’ve got...

Tim’s review of Shawn Levy’s Deadpool & Wolverine (2024) in 4K Ultra HD from 20th Century Studios and Marvel, via Sony Pictures Home Entertainment.

Stephen’s review of Roman Polanski’s The Tenant (1976) in 4K Ultra HD from Paramount via Vinegar Syndrome.

And Dennis’ take on Vincent Sherman’s The Return of Doctor X (1939) on Blu-ray from the Warner Archive Collection.

We also have a few more new disc reviews for you from late last week, in case you missed them, including...

Tim’s review of Monk: Season Six (2007-2008) on Blu-ray from Kino Lorber Studio Classics.

Stuart’s review of Richard Thorpe’s Three Little Words (1950) on Blu-ray from Warner Archive.

Dennis’ look at Umberto Lenzi’s Battle of the Commandos (1969) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s review of William Friedkin’s The Hunted (2003) on 4K Ultra HD from Kino Lorber Studio Classics.

Stuart’s look at Claude Autant-Lara’s Enough Rope (1963) on Blu-ray from Kino Lorber Studio Classics.

And finally, my review of Robert Meyer Burnett and Max Allan Collins’ True Noir: The Assassination of Anton Cermak 10-part audio drama from Imagination Connoisseurs Unlimited.

Also, just so you know, we’re not done yet: Look for at least one more new disc review tomorrow before the Christmas holiday, and lots more after we get back from the break next week. [Read on here...]

We’ve got another long-awaited 4K catalog announcement for you today, as well as more new disc reviews including...

Tim’s take on Tim Burton’s Beetlejuice Beetlejuice (2024) in 4K Ultra HD and 4K Steelbook from Warner Bros. Discovery Home Entertainment.

And my thoughts on Deborah Chow’s Obi-Wan Kenobi: The Complete Series (2023) in 4K UHD Steelbook from Disney and Lucasfilm via Buena Vista Home Entertainment (a pre-Sony release).

Now then... we’ve also updated our 4K Ultra HD Release List here at the site with new titles, and our Release Dates and Artwork section with all the latest Blu-ray, DVD, and 4K UHD cover artwork and Amazon.com pre-order links. Don’t forget that whenever you order anything from Amazon after clicking to them through one of our links (like this one) you’re helping to support our work here at the site and we appreciate it!

Now then, the big release news today is that Warner Bros. Discovery Home Entertainment has just officially announced a 4K title we first told you has been in the works since 2021. And though it was delayed by developments around the planned sequel (which is now expected to start shooting in 2025), we can finally report that Francis Lawrence’s Constantine (2005) is officially coming to 4K Ultra HD and 4K Digital on 2/18! [Read on here...]